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Author: Diane Pelrine
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
This is both a study of the art of collecting and a look at the objects in the Wielgus collection of arts from Africa, Oceania and the Americas. The book examines the motives that led Raymond Wielgus to become a collector, and puts the Wielgus collection i
Author: Diane Pelrine
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 236
Get Book
Book Description
This is both a study of the art of collecting and a look at the objects in the Wielgus collection of arts from Africa, Oceania and the Americas. The book examines the motives that led Raymond Wielgus to become a collector, and puts the Wielgus collection i
Author: Diane Pelrine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Robert Brown
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 54
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Book Description
Author: Thomas Wright Hall
Publisher:
ISBN:
Category : Chemistry
Languages : en
Pages : 382
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Book Description
Author: Frederic L. Holmes
Publisher: Ardent Media
ISBN:
Category : Chemical reactions
Languages : en
Pages : 44
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Book Description
Author: Charles J. Schexnayder
Publisher:
ISBN:
Category : Dissociation
Languages : en
Pages : 72
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Book Description
Author: Wilhelm von Humboldt
Publisher:
ISBN:
Category : Oriental languages
Languages : en
Pages : 22
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Book Description
Author: Lisa Goldfarb
Publisher: Liverpool University Press
ISBN: 1782845976
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
The book studies the impact of Stevensian and Valeryan poetics, and symbolist poetics more broadly, on a range of Anglo-American poets in untypical fashion. Pairing poets who are not usually studied in their relation to one another reveals mutuality and dissimilitude. Chapter I looks at Stevens and Valery from the vantage point of the senses as opposed to the more usual lens of their similar cerebral or philosophical temperaments. Although critics have largely and justifiably seen Stevens and Eliot in oppositional terms (Stevens proclaims them dead opposites), Lisa Goldfarb asks what happens when we look at them from the vantage point of their mutual interest in creating a musical poetics. Auden is principally known for his distaste for the symbolists and their magical poetics, yet he reserves special praise for Valery and considers him as his poetic mentor; Chapter III studies their poetics side-by-side. With Stevens and Audens mutual appreciation of Valery as a starting point, Chapter IV turns to a closer comparative study of Auden and Stevens, two poets who have traditionally been seen as operating in distinct poetic spheres. While Elizabeth Bishop famously eludes categorization in terms of poetic school or affiliation, a fifth chapter addresses her poetic music in relation to French symbolist poetics, one of the many poetic schools she admired. A sixth and final chapter examines Stevens musical legacy, in large part derived from the symbolists, and addresses the work of a range of modern and contemporary poets, with a final section devoted to the work of contemporary poet, Susan Howe.
Author: Hermann Burmeister
Publisher:
ISBN:
Category : Trilobites
Languages : en
Pages : 172
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Book Description
Author: Anthony Bannon
Publisher: powerHouse Books
ISBN: 9781576874592
Category : Photography
Languages : en
Pages : 0
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Book Description
"Some photographers take their pictures; others make them. Neither notion seems right in describing Stanford Lipsey's work, however, for the spirit behind these pictures is one of natural discovery, something that comes before process." -Anthony Bannon, Director of Eastman House Stanford Lipsey's passion for fine art photography began in Aspen, Colorado 30 years ago with the sight of a simple pine cone seen through a macro lens. Ever since this revelatory moment, Lipsey has dedicated himself to revealing simple truths and a visual language of the natural world hidden around us. Whether it be cloud formations in an azure sky, light ripples in shimmering water, a dense pine forest, gentle ice crystals, or austere glass architecture, Lipsey's photographs suggest a sense of the inexplicable universal links that bond the elements and matter. Affinity of Form, Lipsey's first monograph, brings that vision to bear on a wide array of commonplace subjects from our everyday world. In the vein of Aaron Siskind, Lipsey's camera fixes frequently on surfaces, abstracting them in such a way that they become visual objects unto themselves, independent of their sources and newly compelling. Other images take a longer view, allowing monumental structures, both natural and man-made, to revert to basic shapes. A newspaperman by profession, Lipsey draws on a long-honed ability to capture events at precisely the right moment-in this case, the moment when mundane objects cease to be themselves, transforming within the frame into something far more artful and mysterious. "I'm rather eclectic in what I shoot," he says, "but all forms of nature, abstracts, and architecture inspire me to create imagery that escapes the naked eye."