Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Charles Callahan
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 574

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Author: Ernest M. Skinner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264

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Author: Craig Whitney
Publisher: PublicAffairs
ISBN: 0786740256
Category : Music
Languages : en
Pages : 354

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For centuries, pipe organs stood at the summit of musical and technological achievement, admired as the most complex and intricate mechanisms the human race had yet devised. In All The Stops, New York Times journalist Craig Whitney journeys through the history of the American pipe organ and brings to life the curious characters who have devoted their lives to its music. From the mid-19th to the mid-20th century, organ music was wildly popular in America. Organ builders in New York and New England could hardly fill the huge demand for both concert hall and home organs. Master organbuilders found ingenious ways of using electricity to make them sound like orchestras. Organ players developed cult followings and bitter rivalries. One movement arose to restore to American organs the clarity and precision that baroque organs had in centuries past, while another took electronic organs to the rock concert halls, where younger listeners could be found. But while organbuilders and organists were fighting with each other, popular audiences lost interest in the organ. Today, organs are beginning to make a comeback in concert halls and churches across America. Craig Whitney brings the story to life and up to date in a humorous, engaging book about the instruments and vivid personalities that inspired his lifelong passion: the great art of the majestic pipe organ. Hear the sounds of some of the pipe organs featured in ALL THE STOPS

Author: Allen Kinzey
Publisher:
ISBN: 9780913499108
Category : Organ (Musical instrument)
Languages : en
Pages : 184

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Author: Milt Ost
Publisher: Xlibris Corporation
ISBN: 166416989X
Category : Fiction
Languages : en
Pages : 282

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Edward Oster’s family has been planters of seeds for generations untold. But Edward feels a call to be a fisher of men. Along with his wife, Denise, their journey takes them from the rolling Midwestern prairies to blue Mediterranean waters, from the walls of San Quentin to the walls of the Kremlin, from fire tower on mountain top to the great pyramids of Giza. They dig through history in ancient Caesarea, and marvel at the monster machines digging North Dakota Black gold. They have people to love, a might Word to proclaim, and a Cross to hold high. Theirs is a journey of discovery and a husbanding of traditions as they remember the tumbleweeds of their youth and plant roses of hope for the future.

Author: George Lewis PRENTISS
Publisher:
ISBN:
Category :
Languages : en
Pages : 160

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Author: Matthew B. Crawford
Publisher: Macmillan
ISBN: 0374292981
Category : History
Languages : en
Pages : 321

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"Crawford investigates the challenge of mastering one's own mind by showing that our current crisis of attention is only superficially the result of digital technology, and certain assumptions at the root of Western culture are the root of the cause"--

Author: Benjamin A. Kolodziej
Publisher: University of North Texas Press
ISBN: 1574419218
Category : Music
Languages : en
Pages : 353

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In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876–1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protégé, Dora Poteet Barclay (1903–1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy’s retirement, Barclay broadened the pedagogical horizons for her students. The great French composer Marcel Dupré, with whom she briefly studied, extolled Barclay’s talents: “She is my best American student!” Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934–2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas.

Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 724

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