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Author:
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ISBN:
Category : Rhetoric, Ancient
Languages : en
Pages : 512
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Author:
Publisher:
ISBN:
Category : Rhetoric, Ancient
Languages : en
Pages : 512
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Author: Marcus Tullius Cicero
Publisher:
ISBN: 9780674994447
Category :
Languages : en
Pages : 0
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Author: Marcus Tullius Cicero
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Andras Cser
Publisher: John Wiley & Sons
ISBN: 1119700604
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
This work is a comprehensive corpus-based description of the synchronic segmental phonology of Classical Latin. Provides a full description of the phonology of a dead language and also highlights how the patterns and processes described contribute to phonological theory Research results include novel analyses of segmental phenomena, phonotactics, phonological processes, inflectional morphology, and certain diachronic questions Informed by specific hypotheses about how phonological representations are structured and how phonological rules work, and in turn how the findings corroborate these hypotheses Theoretically grounded and provides raw material for researchers of phonology, morphology and historical linguistics
Author: Daniel Heller-Roazen
Publisher: JHU Press
ISBN: 9780801871917
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is. -- Sarah-Grace Heller
Author: R. G. G. Mercer
Publisher: MHRA
ISBN: 9780900547515
Category : Education
Languages : en
Pages : 180
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Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089032
Category : Art
Languages : en
Pages : 257
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Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: Douglas Kelly
Publisher: Univ of Wisconsin Press
ISBN: 0299131939
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.
Author: Ann Collins
Publisher: BRILL
ISBN: 9004163476
Category : History
Languages : en
Pages : 230
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Book Description
Based upon the manuscripts and text of the commentary on St. Paul written by Lanfranc of Bec in the mid-eleventh century, this book examines the context, theology, and methods of Lanfranc's composition and the influence of his teaching at Bec.
Author:
Publisher: Penn State Press
ISBN: 0271048344
Category :
Languages : en
Pages : 308
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Book Description
