Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577565
Category : Literary Criticism
Languages : en
Pages : 606
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Acting Theory and the English Stage, 1700-1830 Volume 5
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577565
Category : Literary Criticism
Languages : en
Pages : 606
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 1351577565
Category : Literary Criticism
Languages : en
Pages : 606
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Acting Theory and the English Stage, 1700-1830 Volume 1
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577689
Category : Literary Criticism
Languages : en
Pages : 691
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 1351577689
Category : Literary Criticism
Languages : en
Pages : 691
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Acting Theory and the English Stage, 1700-1830 Volume 3
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577638
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 1351577638
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Acting Theory and the English Stage, 1700-1830 Volume 2
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577654
Category : Literary Criticism
Languages : en
Pages : 621
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 1351577654
Category : Literary Criticism
Languages : en
Pages : 621
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Acting Theory and the English Stage, 1700-1830 Volume 4
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 135157759X
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 135157759X
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
The Visual Life of Romantic Theater, 1780-1830
Author: Diane Piccitto
Publisher: University of Michigan Press
ISBN: 0472129767
Category : Performing Arts
Languages : en
Pages : 397
Book Description
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Publisher: University of Michigan Press
ISBN: 0472129767
Category : Performing Arts
Languages : en
Pages : 397
Book Description
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Thomas Betterton
Author: David Roberts
Publisher: Cambridge University Press
ISBN: 1107310512
Category : Drama
Languages : en
Pages : 271
Book Description
Restoration London's leading actor and theatre manager Thomas Betterton has not been the subject of a biography since 1891. He worked with all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's responses to politics, and became a friend of leading literary men such as Pope and Steele. His innovations in scenery and company management, and his association with the dramatic inheritance of Shakespeare, helped to change the culture of English theatre. David Roberts's entertaining study unearths new documents and draws fresh conclusions about this major but shadowy figure. It contextualizes key performances and examines Betterton's relationship to patrons, colleagues and family, as well as to significant historical moments and artefacts. The most substantial study available of any seventeenth-century actor, Thomas Betterton gives one of England's greatest performing artists his due on the tercentenary of his death.
Publisher: Cambridge University Press
ISBN: 1107310512
Category : Drama
Languages : en
Pages : 271
Book Description
Restoration London's leading actor and theatre manager Thomas Betterton has not been the subject of a biography since 1891. He worked with all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's responses to politics, and became a friend of leading literary men such as Pope and Steele. His innovations in scenery and company management, and his association with the dramatic inheritance of Shakespeare, helped to change the culture of English theatre. David Roberts's entertaining study unearths new documents and draws fresh conclusions about this major but shadowy figure. It contextualizes key performances and examines Betterton's relationship to patrons, colleagues and family, as well as to significant historical moments and artefacts. The most substantial study available of any seventeenth-century actor, Thomas Betterton gives one of England's greatest performing artists his due on the tercentenary of his death.
The Elizabethan Top Ten
Author: Emma Smith
Publisher: Routledge
ISBN: 1317034449
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
Publisher: Routledge
ISBN: 1317034449
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
The Cambridge Companion to Literature and Disability
Author: Clare Barker
Publisher: Cambridge University Press
ISBN: 1107087821
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Working across time periods and critical contexts, this volume provides the most comprehensive overview of literary representations of disability.
Publisher: Cambridge University Press
ISBN: 1107087821
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Working across time periods and critical contexts, this volume provides the most comprehensive overview of literary representations of disability.
Fictions of Presence
Author: Rosalind Ballaster
Publisher: Boydell & Brewer
ISBN: 1783275588
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
An absorbing study of the contested embodiment of the idea of presence in the plays and novels of the eighteenth century.
Publisher: Boydell & Brewer
ISBN: 1783275588
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
An absorbing study of the contested embodiment of the idea of presence in the plays and novels of the eighteenth century.