Actes du 9e Congrès international des bibliotheques-musees des arts du spectacle ; Acts of the 9th International Congress of Libraries and Museums of the Performing Arts ; Genova, April. 5-10, 1970 PDF Download
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Languages : en
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Paul Otlet
Publisher: Elsevier Publishing Company
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280
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Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262130
Category : Art
Languages : en
Pages : 282
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Book Description
With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.
Author: Richard Langham Smith
Publisher: Cambridge University Press
ISBN: 1108481612
Category : Art
Languages : en
Pages : 387
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A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
Author: Carlo Ginzburg
Publisher: Columbia University Press
ISBN: 9780231119603
Category : History
Languages : en
Pages : 310
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Book Description
Ginzburg, "the preeminent Italian historian of his generation [who] helped create the genre of microhistory" ("New York Times"), ruminates on how perspective affects what we see and understand. 26 illustrations.
Author: Sheryl Conkelton
Publisher: Museum of Modern Art
ISBN: 9780870701610
Category : Art, French
Languages : en
Pages : 96
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Book Description
Exhib: 6/15-9/3/95; Museum of Modern Art, NY 10/12/95-1/16/96; Art Institute, Chicago 2/17-5/5/96, Dist.
Author: Benjamin Sass
Publisher: Saint-Paul
ISBN: 9783525537602
Category : History
Languages : en
Pages : 376
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Book Description
Author: David Campany
Publisher: Reaktion Books
ISBN: 9781861893512
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
"This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker"--OCLC
