Abstract & Surrealist Art in America PDF Download
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Author: Sidney Janis
Publisher: Beaufort Books
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Author: Sidney Janis
Publisher: Beaufort Books
ISBN:
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
Author: San Francisco Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 35
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 35
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Book Description
Author: Isabelle Dervaux
Publisher: National Academy Museum and School of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
While Surrealism was becoming out of fashion in Europe in the 1930s, it enjoyed a growing popularity on the other side of the Atlantic. This text traces the history of this movement in the United States from about 1930 to 1950 by examining its manifestations throughout the country.
Author: Sidney Janis
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Author: Sandra Zalman
Publisher: Routledge
ISBN: 1351571095
Category : Art
Languages : en
Pages : 237
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Book Description
Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism?s multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism?s intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.
Author: S. Janis
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: San Francisco Museum
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Museum of Modern Art (New York, N.Y.)
Publisher: [New York] : Published for the Museum of Modern Art by Arno Press, 1969 [c1951]
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Catalogue of the exhibition held Jan. 23-Mar. 25, 1951, by Margaret Miller: p. 148-156.
Author: David Thistlewood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
