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Author: Laura H. Chapman
Publisher:
ISBN: 9780871922304
Category : Art
Languages : en
Pages : 314
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Book Description
Author: Laura H. Chapman
Publisher:
ISBN: 9780871922304
Category : Art
Languages : en
Pages : 314
Get Book Here
Book Description
Author: Lark Books
Publisher: Lark Books (NC)
ISBN: 9781600596803
Category : Architectural photography
Languages : en
Pages : 0
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Book Description
Just look closely-and creative doors will open! This second book in the successful FOCUS series unlocks a doorway to the imagination, with a collection of approximately 250 photographs of passages of all kinds, captured by amateur photographers. Doors are rich in meaning: they literally allow us to move from one place to the other, but also symbolize temptation, invitation, separation, and mystery. For these reasons, as well as their physical beauty, photographers have found them irresistible. From a graffiti-scrawled urban door and an aged barn door to an elegant glass door glowing with dappled light and a curious circular door set into an ivy-covered rock wall, these images redefine the ordinary…and shine a new light on the world.
Author:
Publisher: BRILL
ISBN: 9004263853
Category : History
Languages : en
Pages : 240
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Book Description
The well-illustrated articles in Observing the World through Images offer insights into the uses of images in astronomy, mathematics, instrument-making, medicine and alchemy, highlighting shared forms as well as those peculiar to individual disciplines. Themes addressed include: the processes of image production and communication; the transformation of images through copying and adaptation for new purposes; genres and traditions of imagery in particular scientific disciplines; the mnemonic and pedagogical value of diagrams; the relationship between text and image; and the roles of diagrams as tools to think with. Contributors include: Isabelle Pantin, Jennifer Rampling, Samuel Gessner, Renee Raphael, Karin Ekholm, Hester Higton, and Katie Taylor.
Author: Barbara Maria Stafford
Publisher: Getty Publications
ISBN: 9780892365906
Category : Architecture
Languages : en
Pages : 420
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Book Description
Exhibition held at the J. Paul Getty Museum, Los Angeles, 13 November 2001 to 3 February 2002.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: Nicholas Mirzoeff
Publisher: Basic Books
ISBN: 0465096018
Category : Social Science
Languages : en
Pages : 219
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Book Description
Every two minutes, Americans alone take more photographs than were printed in the entire nineteenth century; every minute, people from around the world upload over 300 hours of video to YouTube; and in 2014, we took over one trillion photographs. From the funny memes that we send to our friends to the disturbing photographs we see in the news, we are consuming and producing images in quantities and ways that could never have been anticipated. In the process, we are producing a new worldview powered by changing demographics -- one where the majority of people are young, urban, and globally connected. In How to See the World, visual culture expert Nicholas Mirzoeff offers a sweeping look at history's most famous images -- from Velezquez's Las Meninas to the iconic "Blue Marble" -- to contextualize and make sense of today's visual world. Drawing on art history, sociology, semiotics, and everyday experience, he teaches us how to close read everything from astronaut selfies to Impressionist self-portraits, from Hitchcock films to videos taken by drones. Mirzoeff takes us on a journey through visual revolutions in the arts and sciences, from new mapping techniques in the seventeenth century to new painting styles in the eighteenth and the creation of film, photography, and x-rays in the nineteenth century. In today's networked world, mobile technology and social media enable us to exercise "visual activism" -- the practice of producing and circulating images to drive political and social change. Whether we are looking at pictures showing the effects of climate change on natural and urban landscapes or an fMRI scan demonstrating neurological addiction, Mirzoeff helps us to find meaning in what we see. A powerful and accessible introduction to this new visual culture, How to See the World reveals how images shape our lives, how we can harness their power for good, and why they matter to us all.
Author: John Amadeus Wolter
Publisher: McGraw-Hill Companies
ISBN:
Category : History
Languages : en
Pages : 484
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Book Description
Lavishly illustrated with 196 rare and historical maps it recounts tales of atlas makers from pre-Gutenberg to electronic atlas.
Author: Paul Zanker
Publisher: University of Michigan Press
ISBN: 9780472081240
Category : Architecture
Languages : en
Pages : 404
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Book Description
Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar
Author: Krešimir Purgar
Publisher: Routledge
ISBN: 0429557574
Category : Art
Languages : en
Pages : 255
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Book Description
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Author: Jorge Tomás García
Publisher: Routledge
ISBN: 1000574210
Category : Art
Languages : en
Pages : 273
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Book Description
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
