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Author: Michael Tobias
Publisher: Kent State University Press
ISBN: 9780873384834
Category : Art
Languages : en
Pages : 328
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Book Description
Tobias examines the ancient cultures of the Mediterranean, the ascetics of Sinai and Tibet, and the Pure Land Buddhists. He introduces the reader to the Jains of India, whose lifestyle is one of the most ecologically balanced in all of human history. In profiling various artists of 19th-century Europe and America, Tobias discovers incisive continuities among such luminaries as British poet Percy Bysshe Shelley, Austrian impressionist Emilie Mediz-Pelikan, and American intimist painters Ralph Blakelock and George Inness.
Author: Michael Tobias
Publisher: Kent State University Press
ISBN: 9780873384834
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
Tobias examines the ancient cultures of the Mediterranean, the ascetics of Sinai and Tibet, and the Pure Land Buddhists. He introduces the reader to the Jains of India, whose lifestyle is one of the most ecologically balanced in all of human history. In profiling various artists of 19th-century Europe and America, Tobias discovers incisive continuities among such luminaries as British poet Percy Bysshe Shelley, Austrian impressionist Emilie Mediz-Pelikan, and American intimist painters Ralph Blakelock and George Inness.
Author:
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541
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Book Description
Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
Author: Alfred Walker
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
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Book Description
Author: Edward Hutton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
Author: Alfred WALKER
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
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Book Description
Author: Salvatore Settis
Publisher: University of Chicago Press
ISBN: 9780226748948
Category : Art
Languages : en
Pages : 214
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Book Description
The Tempest is Giorgione's most enigmatic painting. It is a depiction of Giorgione's own family, of the "family of man" tale from Boccaccio, or of the myth of Apollo's birth? In this remarkable study, Salvatore Settis uses the mystery of the painting to shed light on the relationship between artist, patron, work, and critic. The result is a brilliant piece of detective work in the history and sociology of culture that stresses the function of Giorgione's art for the emerging, classically educated connoisseur elite of sixteenth-century Venice.
Author: John T. Paoletti
Publisher: Laurence King Publishing
ISBN: 1856694399
Category : Art, Italian
Languages : en
Pages : 575
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Book Description
'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.
Author: Edward Hutton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
Author: Haldane Macfall
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 346
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Book Description
Author: Tom Nichols
Publisher: Reaktion Books
ISBN: 1789142962
Category : Art
Languages : en
Pages : 254
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Book Description
The Venetian painter known as Giorgione or “big George” died at a young age in the dreadful plague of 1510, possibly having painted fewer than twenty-five works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as The Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual elusiveness was essential to Giorgione’s sensual approach and that ambiguity is the defining quality of his art. Through detailed discussions of all Giorgione’s works, Nichols shows that by abandoning the more intellectual tendencies of much Renaissance art, Giorgione made the world and its meanings appear always more inscrutable.
