Author: Diana Sorensen
Publisher:
ISBN:
Category : History
Languages : en
Pages : 320
Book Description
A Turbulent Decade Remembered studies the 1960s--the continental moment that marked Latin America's full entry into both modernity and post-modernity in the international arena. Delving into scenes of importance for the intersection of aesthetics and politics, the book addresses the impact of the Cuban Revolution on the imagination of the decade, the student movements of 1968 in their international context, and the tragic events of Tlatelolco, memorialized in different ways by Mexico's greatest intellectuals. In examining the construction of the great novels usually identified as the "Boom," the book revises the critical tradition established since the late sixties, rethinking the oft-cited "magical realism," while considering the role of the press, prizes, gendered networks of solidarity and competition, and the emergence of a literary star system. The implications of all these forces of the republic of letters are set in dialogue with an analysis of the major novels of the decade, with particular attention to their literary craft, their manipulation of space, voice, and varied readerships.
A Turbulent Decade Remembered
Che's Travels
Author: Paulo Drinot
Publisher: Duke University Press
ISBN: 0822391805
Category : History
Languages : en
Pages : 317
Book Description
Ernesto “Che” Guevara twice traveled across Latin America in the early 1950s. Based on his accounts of those trips (published in English as The Motorcycle Diaries and Back on the Road), as well as other historical sources, Che’s Travels follows Guevara, country by country, from his native Argentina through Chile, Peru, Colombia, and Venezuela, and then from Argentina through Bolivia, Peru, Guatemala, and Mexico. Each essay is focused on a single country and written by an expert in its history. Taken together, the essays shed new light on Che’s formative years by analyzing the distinctive societies, histories, politics, and cultures he encountered on these two trips, the ways they affected him, and the ways he represented them in his travelogues. In addition to offering new insights into Guevara, the essays provide a fresh perspective on Latin America’s experience of the Cold War and the interplay of nationalism and anti-imperialism in the crucial but relatively understudied 1950s. Assessing Che’s legacies in the countries he visited during the two journeys, the contributors examine how he is remembered or memorialized; how he is invoked for political, cultural, and religious purposes; and how perceptions of him affect ideas about the revolutions and counterrevolutions fought in Latin America from the 1960s through the 1980s. Contributors Malcolm Deas Paulo Drinot Eduardo Elena Judith Ewell Cindy Forster Patience A. Schell Eric Zolov Ann Zulawski
Publisher: Duke University Press
ISBN: 0822391805
Category : History
Languages : en
Pages : 317
Book Description
Ernesto “Che” Guevara twice traveled across Latin America in the early 1950s. Based on his accounts of those trips (published in English as The Motorcycle Diaries and Back on the Road), as well as other historical sources, Che’s Travels follows Guevara, country by country, from his native Argentina through Chile, Peru, Colombia, and Venezuela, and then from Argentina through Bolivia, Peru, Guatemala, and Mexico. Each essay is focused on a single country and written by an expert in its history. Taken together, the essays shed new light on Che’s formative years by analyzing the distinctive societies, histories, politics, and cultures he encountered on these two trips, the ways they affected him, and the ways he represented them in his travelogues. In addition to offering new insights into Guevara, the essays provide a fresh perspective on Latin America’s experience of the Cold War and the interplay of nationalism and anti-imperialism in the crucial but relatively understudied 1950s. Assessing Che’s legacies in the countries he visited during the two journeys, the contributors examine how he is remembered or memorialized; how he is invoked for political, cultural, and religious purposes; and how perceptions of him affect ideas about the revolutions and counterrevolutions fought in Latin America from the 1960s through the 1980s. Contributors Malcolm Deas Paulo Drinot Eduardo Elena Judith Ewell Cindy Forster Patience A. Schell Eric Zolov Ann Zulawski
The Reader and the Text
Author: Diana Sorensen Goodrich
Publisher: John Benjamins Publishing
ISBN: 9789027217288
Category : Literary Criticism
Languages : en
Pages : 168
Book Description
The shift toward the reader stems from a double source: the questioning of the sleuthlike approach to a text aiming at the discovery of the author's intended meaning, coupled with the recognition that the work, liberated from its dependence on the authorial voice, will generate a wealth of meanings through acts of reading.
Publisher: John Benjamins Publishing
ISBN: 9789027217288
Category : Literary Criticism
Languages : en
Pages : 168
Book Description
The shift toward the reader stems from a double source: the questioning of the sleuthlike approach to a text aiming at the discovery of the author's intended meaning, coupled with the recognition that the work, liberated from its dependence on the authorial voice, will generate a wealth of meanings through acts of reading.
Uruguay, 1968
Author: Vania Markarian
Publisher: Univ of California Press
ISBN: 0520290011
Category : Education
Languages : en
Pages : 250
Book Description
Students take to the streets -- Coordinates of a cycle of protest -- On violence -- The unions and the movement -- The Lefts and the students -- Paths and paradoxes of revolutionary action -- Militant mystiques -- Youth cultures -- More nuances -- Conclusion : 1968 and the emergence of a "New Left
Publisher: Univ of California Press
ISBN: 0520290011
Category : Education
Languages : en
Pages : 250
Book Description
Students take to the streets -- Coordinates of a cycle of protest -- On violence -- The unions and the movement -- The Lefts and the students -- Paths and paradoxes of revolutionary action -- Militant mystiques -- Youth cultures -- More nuances -- Conclusion : 1968 and the emergence of a "New Left
Photopoetics at Tlatelolco
Author: Samuel Steinberg
Publisher: University of Texas Press
ISBN: 1477307486
Category : History
Languages : en
Pages : 266
Book Description
In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression—both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.
Publisher: University of Texas Press
ISBN: 1477307486
Category : History
Languages : en
Pages : 266
Book Description
In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression—both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.
Stories That Make History
Author: Lynn Stephen
Publisher: Duke University Press
ISBN: 1478021942
Category : Social Science
Languages : en
Pages : 198
Book Description
From covering the massacre of students at Tlatelolco in 1968 and the 1985 earthquake to the Zapatista rebellion in 1994 and the disappearance of forty-three students in 2014, Elena Poniatowska has been one of the most important chroniclers of Mexican social, cultural, and political life. In Stories That Make History, Lynn Stephen examines Poniatowska's writing, activism, and political participation, using them as a lens through which to understand critical moments in contemporary Mexican history. In her crónicas—narrative journalism written in a literary style featuring firsthand testimonies—Poniatowska told the stories of Mexico's most marginalized people. Throughout, Stephen shows how Poniatowska helped shape Mexican politics and forge a multigenerational political community committed to social justice. In so doing, she presents a biographical and intellectual history of one of Mexico's most cherished writers and a unique history of modern Mexico.
Publisher: Duke University Press
ISBN: 1478021942
Category : Social Science
Languages : en
Pages : 198
Book Description
From covering the massacre of students at Tlatelolco in 1968 and the 1985 earthquake to the Zapatista rebellion in 1994 and the disappearance of forty-three students in 2014, Elena Poniatowska has been one of the most important chroniclers of Mexican social, cultural, and political life. In Stories That Make History, Lynn Stephen examines Poniatowska's writing, activism, and political participation, using them as a lens through which to understand critical moments in contemporary Mexican history. In her crónicas—narrative journalism written in a literary style featuring firsthand testimonies—Poniatowska told the stories of Mexico's most marginalized people. Throughout, Stephen shows how Poniatowska helped shape Mexican politics and forge a multigenerational political community committed to social justice. In so doing, she presents a biographical and intellectual history of one of Mexico's most cherished writers and a unique history of modern Mexico.
Sandino's Nation
Author: Stephen Henighan
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773582436
Category : History
Languages : en
Pages : 644
Book Description
Ernesto Cardenal and Sergio Ramírez are two of the most influential Latin American intellectuals of the late twentieth and early twenty-first centuries. Addressing Nicaragua's struggle for self-definition from divergent ethnic, religious, generational, political, and class backgrounds, they constructed distinct yet compatible visions of national history, anchored in a reappraisal of the early twentieth-century insurgent leader Augusto César Sandino. During the Sandinista Revolution of 1979-90, Cardenal, appointed Nicaragua's minister of culture, became one of the most provocative and internationally recognized figures of liberation theology, while Ramírez, a member of the revolutionary junta, and later elected vice-president of Nicaragua, emerged as an authoritative figure for third world nationalism. But before all else, the two were groundbreaking creative writers. Through a close reading of the works by Nicaragua's best-known and most prolific modern authors, Sandino's Nation studies the construction of Nicaraguan national identity during three distinct periods of the country’s recent history - before, during, and after the 1979-90 revolution. Stephen Henighan offers rigorous textual analyses of poems, memoirs, essays, and novels, interwoven with a sharply narrated history of Nicaragua. The only comprehensive study of the careers of Cardenal and Ramírez, Sandino's Nation is essential to understanding transformations to both Nicaragua and the role of the writer in Latin America.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773582436
Category : History
Languages : en
Pages : 644
Book Description
Ernesto Cardenal and Sergio Ramírez are two of the most influential Latin American intellectuals of the late twentieth and early twenty-first centuries. Addressing Nicaragua's struggle for self-definition from divergent ethnic, religious, generational, political, and class backgrounds, they constructed distinct yet compatible visions of national history, anchored in a reappraisal of the early twentieth-century insurgent leader Augusto César Sandino. During the Sandinista Revolution of 1979-90, Cardenal, appointed Nicaragua's minister of culture, became one of the most provocative and internationally recognized figures of liberation theology, while Ramírez, a member of the revolutionary junta, and later elected vice-president of Nicaragua, emerged as an authoritative figure for third world nationalism. But before all else, the two were groundbreaking creative writers. Through a close reading of the works by Nicaragua's best-known and most prolific modern authors, Sandino's Nation studies the construction of Nicaraguan national identity during three distinct periods of the country’s recent history - before, during, and after the 1979-90 revolution. Stephen Henighan offers rigorous textual analyses of poems, memoirs, essays, and novels, interwoven with a sharply narrated history of Nicaragua. The only comprehensive study of the careers of Cardenal and Ramírez, Sandino's Nation is essential to understanding transformations to both Nicaragua and the role of the writer in Latin America.
México Beyond 1968
Author: Jaime M. Pensado
Publisher: University of Arizona Press
ISBN: 0816539081
Category : History
Languages : en
Pages : 361
Book Description
México Beyond 1968 examines the revolutionary organizing and state repression that characterized Mexico during the 1960s and 1970s. The massacre of students in Mexico City in October 1968 is often considered the defining moment of this period. The authors in this volume challenge the centrality of that moment by looking at the broader story of struggle and repression across Mexico during this time. México Beyond 1968 complicates traditional narratives of youth radicalism and places urban and rural rebellions within the political context of the nation’s Dirty Wars during this period. The book illustrates how expressions of resistance developed from the ground up in different regions of Mexico, including Chihuahua, Guerrero, Jalisco, Mexico City, Puebla, and Nuevo León. Movements in these regions took on a variety of forms, including militant strikes, land invasions, cross-country marches, independent forums, popular organizing, and urban and rural guerrilla uprisings. México Beyond 1968 brings together leading scholars of Mexican studies today. They share their original research from Mexican archives partially opened after 2000 and now closed again to scholars, and they offer analysis of this rich primary source material, including interviews, political manifestos, newspapers, and human rights reports. By centering on movements throughout Mexico, México Beyond 1968 underscores the deep-rooted histories of inequality and the frustrations with a regime that monopolized power for decades. It challenges the conception of the Mexican state as “exceptional” and underscores and refocuses the centrality of the 1968 student movement. It brings to light the documents and voices of those who fought repression with revolution and asks us to rethink Mexico’s place in tumultuous times. Contributors: Alexander Aviña Adela Cedillo A. S. Dillingham Luis Herrán Avila Fernando Herrera Calderón Gladys I. McCormick Enrique C. Ochoa Verónica Oikión Solano Tanalís Padilla Wil G. Pansters Jaime M. Pensado Gema Santamaría Michael Soldatenko Carla Irina Villanueva Eric Zolov
Publisher: University of Arizona Press
ISBN: 0816539081
Category : History
Languages : en
Pages : 361
Book Description
México Beyond 1968 examines the revolutionary organizing and state repression that characterized Mexico during the 1960s and 1970s. The massacre of students in Mexico City in October 1968 is often considered the defining moment of this period. The authors in this volume challenge the centrality of that moment by looking at the broader story of struggle and repression across Mexico during this time. México Beyond 1968 complicates traditional narratives of youth radicalism and places urban and rural rebellions within the political context of the nation’s Dirty Wars during this period. The book illustrates how expressions of resistance developed from the ground up in different regions of Mexico, including Chihuahua, Guerrero, Jalisco, Mexico City, Puebla, and Nuevo León. Movements in these regions took on a variety of forms, including militant strikes, land invasions, cross-country marches, independent forums, popular organizing, and urban and rural guerrilla uprisings. México Beyond 1968 brings together leading scholars of Mexican studies today. They share their original research from Mexican archives partially opened after 2000 and now closed again to scholars, and they offer analysis of this rich primary source material, including interviews, political manifestos, newspapers, and human rights reports. By centering on movements throughout Mexico, México Beyond 1968 underscores the deep-rooted histories of inequality and the frustrations with a regime that monopolized power for decades. It challenges the conception of the Mexican state as “exceptional” and underscores and refocuses the centrality of the 1968 student movement. It brings to light the documents and voices of those who fought repression with revolution and asks us to rethink Mexico’s place in tumultuous times. Contributors: Alexander Aviña Adela Cedillo A. S. Dillingham Luis Herrán Avila Fernando Herrera Calderón Gladys I. McCormick Enrique C. Ochoa Verónica Oikión Solano Tanalís Padilla Wil G. Pansters Jaime M. Pensado Gema Santamaría Michael Soldatenko Carla Irina Villanueva Eric Zolov
After La Dolce Vita
Author: Alessia Ricciardi
Publisher: Stanford University Press
ISBN: 080478258X
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.
Publisher: Stanford University Press
ISBN: 080478258X
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.
Transition Cinema
Author: Jessica L. Stites Mor
Publisher: University of Pittsburgh Press
ISBN: 0822977974
Category : History
Languages : en
Pages : 279
Book Description
In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The first generation of filmmakers witnessed and participated in civil uprisings, such as the Cordobazo in 1969, and faced waves of repression, violence, and censorship. This generation gave rise to vibrant underground exhibitions and film clubs and eventually became symbolically linked to the Peronist Left and radical militancy. Following the 1983 return to civilian rule, a second generation of political filmmakers emerged at the center of public debates, when Buenos Aires became the locus for state-level cultural programs to address human rights and collective memory. Building on that legacy, a third generation of filmmakers explored new modes of activist and political filmmaking aided by digital technology. They pioneered new genres such as the street phenomenon of cine piquetero and introduced resistance politics and social movements into highly visible public spaces. In this captivating work, Stites Mor examines how social movements, political actors, filmmakers, and government and industry institutions, all became deeply enmeshed in the project of Argentina's transition cinema. She demonstrates how film emerged as the chronicler of political struggles in a dialogue with the past, present, and future, whose message transcended both cultural and national borders.
Publisher: University of Pittsburgh Press
ISBN: 0822977974
Category : History
Languages : en
Pages : 279
Book Description
In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The first generation of filmmakers witnessed and participated in civil uprisings, such as the Cordobazo in 1969, and faced waves of repression, violence, and censorship. This generation gave rise to vibrant underground exhibitions and film clubs and eventually became symbolically linked to the Peronist Left and radical militancy. Following the 1983 return to civilian rule, a second generation of political filmmakers emerged at the center of public debates, when Buenos Aires became the locus for state-level cultural programs to address human rights and collective memory. Building on that legacy, a third generation of filmmakers explored new modes of activist and political filmmaking aided by digital technology. They pioneered new genres such as the street phenomenon of cine piquetero and introduced resistance politics and social movements into highly visible public spaces. In this captivating work, Stites Mor examines how social movements, political actors, filmmakers, and government and industry institutions, all became deeply enmeshed in the project of Argentina's transition cinema. She demonstrates how film emerged as the chronicler of political struggles in a dialogue with the past, present, and future, whose message transcended both cultural and national borders.