Author: David Sutherland (Captain.)
Publisher:
ISBN:
Category : Mediterranean Sea
Languages : en
Pages : 430
Book Description
A Tour up the Straits, from Gibraltar to Constantinople. With the leading events in the present war between the Austrians, Russians, and the Turks, to the commencement of the year 1789
Author: David Sutherland (Captain.)
Publisher:
ISBN:
Category : Mediterranean Sea
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Mediterranean Sea
Languages : en
Pages : 430
Book Description
A Tour Up the Straits, from Gibraltar to Constantinople
Author: David G. Sutherland
Publisher: London : Printed for the author, and sold by J. Johnson
ISBN:
Category : Fore-edge painting
Languages : en
Pages : 434
Book Description
Publisher: London : Printed for the author, and sold by J. Johnson
ISBN:
Category : Fore-edge painting
Languages : en
Pages : 434
Book Description
A tour up the straits, from Gibraltar to Constantinople
Author: David Sutherland (capt.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Oriental Panorama
Author: Schiffer
Publisher: BRILL
ISBN: 9004651179
Category : Art
Languages : en
Pages : 453
Book Description
Publisher: BRILL
ISBN: 9004651179
Category : Art
Languages : en
Pages : 453
Book Description
'Turquerie' and the Politics of Representation, 1728-1876
Author: Nebahat Avcioglu
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664222
Category : Architecture
Languages : en
Pages : 352
Book Description
Devoted explicitly to the examination of Ottoman/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, in this study Nebahat Avcioglu rethinks the question of cultural frontiers not as separations but as a rapport of heterogeneities. Reclaiming turquerie as cross-cultural art from the confines of the inconsequential exoticism it is often reduced to, Avcioglu analyses hitherto neglected constructions, and links them to notions of self-representation and politics.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664222
Category : Architecture
Languages : en
Pages : 352
Book Description
Devoted explicitly to the examination of Ottoman/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, in this study Nebahat Avcioglu rethinks the question of cultural frontiers not as separations but as a rapport of heterogeneities. Reclaiming turquerie as cross-cultural art from the confines of the inconsequential exoticism it is often reduced to, Avcioglu analyses hitherto neglected constructions, and links them to notions of self-representation and politics.
Imagining Bosnian Muslims in Central Europe
Author: František Šístek
Publisher: Berghahn Books
ISBN: 1789207754
Category : History
Languages : en
Pages : 259
Book Description
As a Slavic-speaking religious and ethnic “Other” living just a stone’s throw from the symbolic heart of the continent, the Muslims of Bosnia and Herzegovina have long occupied a liminal space in the European imagination. To a significant degree, the wider representations and perceptions of this population can be traced to the reports of Central European—and especially Habsburg—diplomats, scholars, journalists, tourists, and other observers in the late nineteenth and early twentieth centuries. This volume assembles contributions from historians, anthropologists, political scientists, and literary scholars to examine the political, social, and discursive dimensions of Bosnian Muslims’ encounters with the West since the nineteenth century.
Publisher: Berghahn Books
ISBN: 1789207754
Category : History
Languages : en
Pages : 259
Book Description
As a Slavic-speaking religious and ethnic “Other” living just a stone’s throw from the symbolic heart of the continent, the Muslims of Bosnia and Herzegovina have long occupied a liminal space in the European imagination. To a significant degree, the wider representations and perceptions of this population can be traced to the reports of Central European—and especially Habsburg—diplomats, scholars, journalists, tourists, and other observers in the late nineteenth and early twentieth centuries. This volume assembles contributions from historians, anthropologists, political scientists, and literary scholars to examine the political, social, and discursive dimensions of Bosnian Muslims’ encounters with the West since the nineteenth century.
"Turquerie and the Politics of Representation, 1728?876 "
Author: Nebahat Avcioglu
Publisher: Routledge
ISBN: 1351538357
Category : Architecture
Languages : en
Pages : 327
Book Description
In this first full-length study devoted explicitly to the examination of Ottoman/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, Nebahat Avcioglu rethinks the question of cultural frontiers not as separations but as a rapport of heterogeneities. Reclaiming turquerie as cross-cultural art from the confines of the inconsequential exoticism it is often reduced to, Avcioglu analyses hitherto neglected images, designs and constructions; and links Western interest in the Ottoman Empire to notions of self-representation and national politics. In investigating why and to what effect Europeans turned to the Turk for inspiration, Avcioglu provides a far-reaching cultural reinterpretation of art and architecture in this period. Presented as a series of case studies focusing on three specific building types?kiosks, mosques, and baths?chosen on the basis that each represents the first full-fledged manifestations of their respective genres to be constructed in Western Europe, the study delves into the cultural politics of architectural forms and styles. The author argues that the appropriation of those building types was neither accidental, nor did it merely reflect European domination of another culture. The process was essentially dialectical, and contributed to transculturation in both the West and the East.
Publisher: Routledge
ISBN: 1351538357
Category : Architecture
Languages : en
Pages : 327
Book Description
In this first full-length study devoted explicitly to the examination of Ottoman/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, Nebahat Avcioglu rethinks the question of cultural frontiers not as separations but as a rapport of heterogeneities. Reclaiming turquerie as cross-cultural art from the confines of the inconsequential exoticism it is often reduced to, Avcioglu analyses hitherto neglected images, designs and constructions; and links Western interest in the Ottoman Empire to notions of self-representation and national politics. In investigating why and to what effect Europeans turned to the Turk for inspiration, Avcioglu provides a far-reaching cultural reinterpretation of art and architecture in this period. Presented as a series of case studies focusing on three specific building types?kiosks, mosques, and baths?chosen on the basis that each represents the first full-fledged manifestations of their respective genres to be constructed in Western Europe, the study delves into the cultural politics of architectural forms and styles. The author argues that the appropriation of those building types was neither accidental, nor did it merely reflect European domination of another culture. The process was essentially dialectical, and contributed to transculturation in both the West and the East.
R.Z
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 992
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 992
Book Description
Ottoman Baroque
Author: Ünver Rüstem
Publisher: Princeton University Press
ISBN: 0691190542
Category : Art
Languages : en
Pages : 336
Book Description
A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
Publisher: Princeton University Press
ISBN: 0691190542
Category : Art
Languages : en
Pages : 336
Book Description
A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
The Bibliographer's Manual of English Literature Containing an Account of Rare, Curious and Useful Books, Published in Or Relating to Great Britain and Ireland, from the Invention of Printing; ...
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 492
Book Description