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Author: Conrad David Bruderer
Publisher:
ISBN:
Category : Violin and viola music
Languages : en
Pages : 774
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Book Description
As a distinct genre and subject, twentieth-century violin and viola duos have not been examined in depth or detail. Existing catalogues which list works for this ensemble are imcomplete and historical information concerning the genre as a whole is sparse. Only a few brief articles concerning twentieth-century violin and viola duos and one analysis of a work have been publised. The genre is even considered by many to be of non-standard instrumentation. Yet, the combination of violin and viola is unquestionably viable and has been chosen as a means of expression by at least 360 composers during this century alone. Over 400 modern works for the combination have been written and scores and/or parts for approximately 200 of these duos are readily available. In addition, recordings of 26 compositions have been released commercially. This dissertation addresses the under-researched topic of twentieth-century violin and viola duos. First it is show that the topic has not been adequately studied and possible reasons for this are given. Second, the musical function of duos is discussed and a historical groundwork is established which traces duo literature from the seventeenth century. An overview of the modern violin and viola duos follows. Next, critical reviews of 202 works and a discograpy of recorded duos, both commercial and non-commercial, precede a list of titles, composers, publishers and referential listings of over 400 violin and viola duos. Finally, analyses of seven of the more prominent twentieth-century violin and viola duos are presented.
Author: Conrad David Bruderer
Publisher:
ISBN:
Category : Violin and viola music
Languages : en
Pages : 774
Get Book Here
Book Description
As a distinct genre and subject, twentieth-century violin and viola duos have not been examined in depth or detail. Existing catalogues which list works for this ensemble are imcomplete and historical information concerning the genre as a whole is sparse. Only a few brief articles concerning twentieth-century violin and viola duos and one analysis of a work have been publised. The genre is even considered by many to be of non-standard instrumentation. Yet, the combination of violin and viola is unquestionably viable and has been chosen as a means of expression by at least 360 composers during this century alone. Over 400 modern works for the combination have been written and scores and/or parts for approximately 200 of these duos are readily available. In addition, recordings of 26 compositions have been released commercially. This dissertation addresses the under-researched topic of twentieth-century violin and viola duos. First it is show that the topic has not been adequately studied and possible reasons for this are given. Second, the musical function of duos is discussed and a historical groundwork is established which traces duo literature from the seventeenth century. An overview of the modern violin and viola duos follows. Next, critical reviews of 202 works and a discograpy of recorded duos, both commercial and non-commercial, precede a list of titles, composers, publishers and referential listings of over 400 violin and viola duos. Finally, analyses of seven of the more prominent twentieth-century violin and viola duos are presented.
Author: Dr Christopher Mark
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409495329
Category : Music
Languages : en
Pages : 292
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Book Description
How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book – the first extended single-author study of Smalley's music to be published – incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction between 'late-' and 'post-' modernism in music.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 466
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Book Description
Abstracts of dissertations available on microfilm or as xerographic reproductions.
Author: John H Baron
Publisher: Routledge
ISBN: 1135848289
Category : Art
Languages : en
Pages : 797
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Book Description
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374
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Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 776
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Book Description
Author: Wenonah M. Govea
Publisher: Bloomsbury Publishing USA
ISBN: 0313369461
Category : Music
Languages : en
Pages : 366
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Book Description
The harp is both the oldest and the newest of instruments. It has existed in some form in nearly all cultures since man has made music. The contemporary concert instrument has been known since the mid-19th century. This work is a compendium of the biographies of many notable harpists of the modern era. The biographies make clear how these performers shaped the contrasts in style and technique of harp playing that have developed over the past 150 years, as cultural, social, and psychological forces influenced individual performance. In addition to the biographical information, the A-Z entries include critical reviews, discographies, and selected bibliographies where possible. New material from the former Soviet states is included.
Author: Elma Doflein
Publisher: Schott Music
ISBN: 379578770X
Category : Music
Languages : en
Pages : 65
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Book Description
The Doflein Method. The Violinist's Progress. Volume I: The higher positions (4th to 10th positions) A course of violin instruction combined with musical theory and practice in duet-playing.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 894
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Book Description
Author: Elliott Antokoletz
Publisher: Routledge
ISBN: 1135037299
Category : Music
Languages : en
Pages : 843
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Book Description
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
