Author: Alice Cunningham Fletcher
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 590
Book Description
A Study of Omaha Indian Music
Author: Alice Cunningham Fletcher
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 590
Book Description
A Study of Omaha Indian Music
Author: Alice Cunningham Fletcher
Publisher: U of Nebraska Press
ISBN: 9780803268876
Category : Music
Languages : en
Pages : 188
Book Description
"Among the Indians, music envelopes like an atmosphere every religious, tribal, and social ceremony as well as every personal experience. There is not a phase of life that does not find expression in song," wrote Alice C. Fletcher. The famous anthropologist published A Study of Omaha Indian Music in 1893. With the single exception of an 1882 dissertation, it was the first serious study ever made of American Indian music. And it was the largest collection of non-Occidental music published to date, ninety-two songs, all from a single tribe. Fletcher and Francis La Flesche, her Omaha coworker and adopted son, divided the songs into three categories: religious ones, to be sung by a certain class either through initiation or inheritance; social ones, involving dances and games, always sung by a group; and ones to be sung singly, including dream songs, love songs, captive songs, prayer songs, death songs, sweat lodge songs, and songs of thanks. John Comfort Fillmore, a professional musician, added a "Report on the Structural Peculiarities of the Music." Those interested in a vital aspect of Indian culture will want to own this book, which contains the musical scores as well as the native-language words for the songs.
Publisher: U of Nebraska Press
ISBN: 9780803268876
Category : Music
Languages : en
Pages : 188
Book Description
"Among the Indians, music envelopes like an atmosphere every religious, tribal, and social ceremony as well as every personal experience. There is not a phase of life that does not find expression in song," wrote Alice C. Fletcher. The famous anthropologist published A Study of Omaha Indian Music in 1893. With the single exception of an 1882 dissertation, it was the first serious study ever made of American Indian music. And it was the largest collection of non-Occidental music published to date, ninety-two songs, all from a single tribe. Fletcher and Francis La Flesche, her Omaha coworker and adopted son, divided the songs into three categories: religious ones, to be sung by a certain class either through initiation or inheritance; social ones, involving dances and games, always sung by a group; and ones to be sung singly, including dream songs, love songs, captive songs, prayer songs, death songs, sweat lodge songs, and songs of thanks. John Comfort Fillmore, a professional musician, added a "Report on the Structural Peculiarities of the Music." Those interested in a vital aspect of Indian culture will want to own this book, which contains the musical scores as well as the native-language words for the songs.
A Study of Omaha Indian Music
Author: Alice C. Fletcher
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
A Study of Omaha Indian Music
Author: Alice Cunningham Fletcher
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 160
Book Description
The Omaha Tribe
Author: Alice Cunningham Fletcher
Publisher:
ISBN:
Category : Omaha Indians
Languages : en
Pages : 820
Book Description
Publisher:
ISBN:
Category : Omaha Indians
Languages : en
Pages : 820
Book Description
A Study of Omaha Indian Music
Author: Alice C. Fletcher
Publisher:
ISBN: 9783337960551
Category :
Languages : en
Pages : 164
Book Description
Publisher:
ISBN: 9783337960551
Category :
Languages : en
Pages : 164
Book Description
Indian Story and Song from North America
Author: Alice C. Fletcher
Publisher: U of Nebraska Press
ISBN: 9780803268883
Category : History
Languages : en
Pages : 166
Book Description
"Music enveloped the Indian's individual and social life like an atmosphere."-Alice C. Fletcher. Anthropologist Alice C. Fletcher (1838-1923) was a pioneer in the study of Indian music. Originally published in 1900, Indian Story and Song from North America came out of her fieldwork and friendship with the Omahas (among whom she lived), Poncas, Arapahoes, and other tribes. Fletcher provides the stories behind these songs and the scores for authentic Indian melodies in native language (which is also translated into English). They run the gamut of experience, from making war to making love. Fletcher writes: "Universal use of music was because of the belief that it was a medium of communication between man and the unseen. The invisible voice could reach the invisible power that permeates all nature, animating all natural forms. As success depended upon help from this mysterious power, in every avocation, in every undertaking, and in every ceremonial, the Indian appealed to this power through song." When hunting, he sang to insure the aid of the unseen power in capturing game. When confronting danger and death, he sang for strength to meet his fate unflinchingly. In using herbs to heal, the men and women sang to bring the required efficacy. When planting they sang for abundant harvest. In their sports, courtship, and mourning, song increased pleasure and comforted sorrow. All occasions for singing are covered in this volume. The achievement of Alice Fletcher is discussed in an introduction by Helen Myers, associate professor of music at Trinity College and ethnomusicology editor of the New Grove Dictionary of Music and Musicians.
Publisher: U of Nebraska Press
ISBN: 9780803268883
Category : History
Languages : en
Pages : 166
Book Description
"Music enveloped the Indian's individual and social life like an atmosphere."-Alice C. Fletcher. Anthropologist Alice C. Fletcher (1838-1923) was a pioneer in the study of Indian music. Originally published in 1900, Indian Story and Song from North America came out of her fieldwork and friendship with the Omahas (among whom she lived), Poncas, Arapahoes, and other tribes. Fletcher provides the stories behind these songs and the scores for authentic Indian melodies in native language (which is also translated into English). They run the gamut of experience, from making war to making love. Fletcher writes: "Universal use of music was because of the belief that it was a medium of communication between man and the unseen. The invisible voice could reach the invisible power that permeates all nature, animating all natural forms. As success depended upon help from this mysterious power, in every avocation, in every undertaking, and in every ceremonial, the Indian appealed to this power through song." When hunting, he sang to insure the aid of the unseen power in capturing game. When confronting danger and death, he sang for strength to meet his fate unflinchingly. In using herbs to heal, the men and women sang to bring the required efficacy. When planting they sang for abundant harvest. In their sports, courtship, and mourning, song increased pleasure and comforted sorrow. All occasions for singing are covered in this volume. The achievement of Alice Fletcher is discussed in an introduction by Helen Myers, associate professor of music at Trinity College and ethnomusicology editor of the New Grove Dictionary of Music and Musicians.
Imagining Native America in Music
Author: Michael V Pisani
Publisher: Yale University Press
ISBN: 0300130732
Category : Music
Languages : en
Pages : 438
Book Description
This book offers a comprehensive look at musical representations of native America from the pre colonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this “Indian music,” which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.
Publisher: Yale University Press
ISBN: 0300130732
Category : Music
Languages : en
Pages : 438
Book Description
This book offers a comprehensive look at musical representations of native America from the pre colonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this “Indian music,” which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.
Study of Omaha Indian Music
Author: Alice Cunningham Fletcher
Publisher: Corinthian Press
ISBN: 9780527011871
Category : Music
Languages : en
Pages : 152
Book Description
Publisher: Corinthian Press
ISBN: 9780527011871
Category : Music
Languages : en
Pages : 152
Book Description
Folklife Center News
Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 16
Book Description