The Oxford Book of American Poetry PDF Download
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Author: David Lehman
Publisher: Oxford University Press, USA
ISBN: 019516251X
Category : Poetry
Languages : en
Pages : 1193
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Book Description
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
Author: David Lehman
Publisher: Oxford University Press, USA
ISBN: 019516251X
Category : Poetry
Languages : en
Pages : 1193
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Book Description
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author: David Caplan
Publisher: Oxford University Press
ISBN: 0190640197
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
American poetry's two characteristics -- American English as a poetic resource -- Convention and idiosyncrasy -- Auden and Eliot : two complicating examples -- On the present and future of American poetry.
Author: Alan Golding
Publisher: University of Wisconsin Press
ISBN: 9780299146047
Category : Poetry
Languages : en
Pages : 264
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Book Description
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
Author: Cecilia Vicuña
Publisher:
ISBN: 0195124545
Category : Literary Collections
Languages : en
Pages : 603
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Book Description
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Author: James E. Miller Jr.
Publisher: Penn State Press
ISBN: 0271045477
Category : Biography & Autobiography
Languages : en
Pages : 494
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Book Description
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.
Author: Mark Richardson
Publisher: Cambridge University Press
ISBN: 1107123828
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.
Author: Harriet Semmes Alexander
Publisher: Manchester University Press
ISBN: 9780719017063
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
Author: William C. Spengemann
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Describes the different sorts of poetry Whitman, Dickinson, and Melville wrote, their comparable reasons for writing, and the posthumous critical effects of their having done so.
Author: Rita Dove
Publisher: Penguin Group
ISBN: 0143106430
Category : American poetry
Languages : en
Pages : 656
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Book Description
An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.
