Author: Hugh Benham
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226310
Category : Counterpoint
Languages : en
Pages : 178

Get Book Here

Book Description

Author: Job IJzerman
Publisher:
ISBN: 0190695005
Category : Music
Languages : en
Pages : 417

Get Book Here

Book Description
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Author: Dmitri Tymoczko
Publisher: OUP USA
ISBN: 0195336674
Category : Mathematics
Languages : en
Pages : 469

Get Book Here

Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.

Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164

Get Book Here

Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Author: Paul Terry
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226876
Category : School music
Languages : en
Pages : 162

Get Book Here

Book Description

Author: Paul Terry
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226612
Category : Music
Languages : en
Pages : 81

Get Book Here

Book Description

Author: David Bowman
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226035
Category : School music
Languages : en
Pages : 122

Get Book Here

Book Description

Author: David Bowman
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226027
Category : Music
Languages : en
Pages : 114

Get Book Here

Book Description

Author: Paul Terry
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226639
Category : Music
Languages : en
Pages : 138

Get Book Here

Book Description
Text illustrated with numerous musical examples.

Author: Charles Horton
Publisher: Rowman & Littlefield
ISBN: 1538121484
Category : Music
Languages : en
Pages : 786

Get Book Here

Book Description
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.