Author: George Eliot
Publisher: Forgotten Books
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Excerpt from Scenes of Clerical Life Litany, only to feel with more intensity my burst into the conspicuousness of public life when I was made to stand up on the seat during the psalms or the singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Shorter French Course
Author: William Henry Fraser
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 362
Book Description
Scenes of Clerical Life (Classic Reprint)
Author: George Eliot
Publisher: Forgotten Books
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Excerpt from Scenes of Clerical Life Litany, only to feel with more intensity my burst into the conspicuousness of public life when I was made to stand up on the seat during the psalms or the singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Excerpt from Scenes of Clerical Life Litany, only to feel with more intensity my burst into the conspicuousness of public life when I was made to stand up on the seat during the psalms or the singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Short Course in Reading French
Author: Celia Brickman
Publisher: Columbia University Press
ISBN: 0231156766
Category : Foreign Language Study
Languages : en
Pages : 265
Book Description
This textbook teaches the basics of French grammar, reinforcing its lessons with exercises and key practice translations. A systematic guide, the volume is a critical companion for university-level students learning to read and translate written French into English; for graduate scholars learning to do research in French or prepping for proficiency exams; and for any interested readers who want to improve their facility with the French language. In addition, A Short Course in Reading French exposes readers to a broad range of French texts from the humanities and social sciences, including writings by distinguished francophone authors from around the world. The book begins with French pronunciation and cognates and moves through nouns, articles, and prepositions; verbs, adjectives, and adverbs; a graduated presentation of all the indicative and subjunctive tenses; object, relative, and other pronouns; the passive voice; common idiomatic constructions; and other fundamental building blocks of the French language. Chapters contain translation passages from such authors as Pascal, Montesquieu, Proust, Sartre, Bourdieu, Senghor, Césaire, de Certeau, de Beauvoir, Barthes, and Kristeva. Drawn from more than two decades of experience teaching French to students from academic and nonacademic backgrounds, Celia Brickman's clear, accessible, and time-tested format enables even beginners to develop a sophisticated grasp of the language and become adept readers of French. There is an answer key for translation exercises and for non-copyrighted translation passages available to professors and teachers who have assigned this title in a class. Please provide your name, title, institution, and number of students in the course in an email to [email protected].
Publisher: Columbia University Press
ISBN: 0231156766
Category : Foreign Language Study
Languages : en
Pages : 265
Book Description
This textbook teaches the basics of French grammar, reinforcing its lessons with exercises and key practice translations. A systematic guide, the volume is a critical companion for university-level students learning to read and translate written French into English; for graduate scholars learning to do research in French or prepping for proficiency exams; and for any interested readers who want to improve their facility with the French language. In addition, A Short Course in Reading French exposes readers to a broad range of French texts from the humanities and social sciences, including writings by distinguished francophone authors from around the world. The book begins with French pronunciation and cognates and moves through nouns, articles, and prepositions; verbs, adjectives, and adverbs; a graduated presentation of all the indicative and subjunctive tenses; object, relative, and other pronouns; the passive voice; common idiomatic constructions; and other fundamental building blocks of the French language. Chapters contain translation passages from such authors as Pascal, Montesquieu, Proust, Sartre, Bourdieu, Senghor, Césaire, de Certeau, de Beauvoir, Barthes, and Kristeva. Drawn from more than two decades of experience teaching French to students from academic and nonacademic backgrounds, Celia Brickman's clear, accessible, and time-tested format enables even beginners to develop a sophisticated grasp of the language and become adept readers of French. There is an answer key for translation exercises and for non-copyrighted translation passages available to professors and teachers who have assigned this title in a class. Please provide your name, title, institution, and number of students in the course in an email to [email protected].
French Classics - Boxed Set: 100+ Novels, Short Stories, Poems, Plays & Philosophical Books
Author: Stendhal
Publisher: DigiCat
ISBN:
Category : Literary Collections
Languages : en
Pages : 22275
Book Description
DigiCat presents to you a unique collection of the greatest classics of French literature: A History of French Literature François Rabelais: Gargantua and Pantagruel Molière: Tartuffe or the Hypocrite The Misanthrope The Miser The Imaginary Invalid The Impostures of Scapin... Jean Racine: Phaedra Pierre Corneille: The Cid Voltaire: Candide Zadig Micromegas The Huron A Philosophical Dictionary... Jean-Jacques Rousseau: Confessions Emile The Social Contract De Laclos: Dangerous Liaisons Stendhal: The Red and the Black The Charterhouse of Parma... Honoré de Balzac: Father Goriot Eugénie Grandet Lost Illusions The Lily of the Valley A Woman of Thirty Colonel Chabert The Magic Skin The Unknown Masterpiece... Victor Hugo: Les Misérables The Man Who Laughs The Hunchback of Notre-Dame Toilers of the Sea... George Sand: The Devil's Pool Mauprat Alexandre Dumas pere: The Three Musketeers Twenty Years After The Vicomte de Bragelonne Ten Years After Louise de la Valliere The Man in the Iron Mask The Count of Monte Cristo... Alexandre Dumas fils: The Lady with the Camellias Gustave Flaubert: Madame Bovary Salammbô Bouvard and Pécuchet Sentimental Education... Émile Zola: Thérèse Raquin The Fortune of the Rougons The Kill The Dram Shop A Love Episode Nana Piping Hot Germinal His Masterpiece The Earth The Dream The Human Beast Money The Downfall Doctor Pascal... Jules Verne: Twenty Thousand Leagues Under the Sea Around the World in Eighty Days The Mysterious Island Journey to the Centre of the Earth From the Earth to the Moon Around the Moon In Search of the Castaways Guy de Maupassant: A Life Bel-Ami (The History of a Scoundrel) Mont Oriol Notre Coeur Pierre and Jean Strong as Death The Necklace The Horla Boul de Suif Two Friends Madame Tellier's Establishment... Charles Baudelaire: The Flowers of Evil Anatole France: The Revolt of the Angels The Gods are Athirst (The Gods Will Have Blood) Penguin Island Thaïs Gaston Leroux: The Phantom of the Opera The Mystery of the Yellow Room The Secret of the Night The Man with the Black Feather Marcel Proust: Swann's Way
Publisher: DigiCat
ISBN:
Category : Literary Collections
Languages : en
Pages : 22275
Book Description
DigiCat presents to you a unique collection of the greatest classics of French literature: A History of French Literature François Rabelais: Gargantua and Pantagruel Molière: Tartuffe or the Hypocrite The Misanthrope The Miser The Imaginary Invalid The Impostures of Scapin... Jean Racine: Phaedra Pierre Corneille: The Cid Voltaire: Candide Zadig Micromegas The Huron A Philosophical Dictionary... Jean-Jacques Rousseau: Confessions Emile The Social Contract De Laclos: Dangerous Liaisons Stendhal: The Red and the Black The Charterhouse of Parma... Honoré de Balzac: Father Goriot Eugénie Grandet Lost Illusions The Lily of the Valley A Woman of Thirty Colonel Chabert The Magic Skin The Unknown Masterpiece... Victor Hugo: Les Misérables The Man Who Laughs The Hunchback of Notre-Dame Toilers of the Sea... George Sand: The Devil's Pool Mauprat Alexandre Dumas pere: The Three Musketeers Twenty Years After The Vicomte de Bragelonne Ten Years After Louise de la Valliere The Man in the Iron Mask The Count of Monte Cristo... Alexandre Dumas fils: The Lady with the Camellias Gustave Flaubert: Madame Bovary Salammbô Bouvard and Pécuchet Sentimental Education... Émile Zola: Thérèse Raquin The Fortune of the Rougons The Kill The Dram Shop A Love Episode Nana Piping Hot Germinal His Masterpiece The Earth The Dream The Human Beast Money The Downfall Doctor Pascal... Jules Verne: Twenty Thousand Leagues Under the Sea Around the World in Eighty Days The Mysterious Island Journey to the Centre of the Earth From the Earth to the Moon Around the Moon In Search of the Castaways Guy de Maupassant: A Life Bel-Ami (The History of a Scoundrel) Mont Oriol Notre Coeur Pierre and Jean Strong as Death The Necklace The Horla Boul de Suif Two Friends Madame Tellier's Establishment... Charles Baudelaire: The Flowers of Evil Anatole France: The Revolt of the Angels The Gods are Athirst (The Gods Will Have Blood) Penguin Island Thaïs Gaston Leroux: The Phantom of the Opera The Mystery of the Yellow Room The Secret of the Night The Man with the Black Feather Marcel Proust: Swann's Way
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1272
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1272
Book Description
The Greatest French Classics Of All Time
Author: Stendhal
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 22274
Book Description
The Greatest French Classics Of All Time serves as a literary voyage through the rich landscape of French literature, encapsulating the vibrancy and diversity of its canon. From the piercing introspection of Proust to the adventurous realms of Verne, this anthology curates an essential compendium of works that have shaped not only national but global thought and imagination. Each piece is a testament to the multifaceted nature of human experience, woven through a spectrum of genres that include tragedy, comedy, realism, and romance. The anthology stands out for its inclusion of seminal works that have sparked literary movements, challenged societal norms, and transcended the confines of their temporal settings to offer timeless reflections on life and society. The contributing authors, a constellation of literary luminaries such as Voltaire, Hugo, Sand, and Baudelaire, bring a wealth of perspectives to the collection. Their backgrounds, ranging from the philosophical musings of Rousseau to the stark realism of Zola, highlight a period of intense literary innovation and exploration in France that corresponded with tumultuous social and political change. Together, these authors have not only contributed to the shaping of modern French identity but have also left an indelible mark on world literature, allowing readers to trace the evolution of literary forms and themes across centuries. The Greatest French Classics Of All Time is an indispensable treasure trove for anyone keen to embark on a comprehensive exploration of French literary heritage. It offers an unparalleled opportunity to engage with the works of master storytellers whose narratives have perennially captivated the hearts and minds of readers around the globe. This anthology is not just a showcase of Frances literary genius; it is a gateway to a broader appreciation of the universal themes of human condition, love, conflict, and aspiration. Through its pages, readers are invited to participate in a continuous dialogue with the past, enriching their understanding of the evolving nature of literature and the enduring power of storytelling.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 22274
Book Description
The Greatest French Classics Of All Time serves as a literary voyage through the rich landscape of French literature, encapsulating the vibrancy and diversity of its canon. From the piercing introspection of Proust to the adventurous realms of Verne, this anthology curates an essential compendium of works that have shaped not only national but global thought and imagination. Each piece is a testament to the multifaceted nature of human experience, woven through a spectrum of genres that include tragedy, comedy, realism, and romance. The anthology stands out for its inclusion of seminal works that have sparked literary movements, challenged societal norms, and transcended the confines of their temporal settings to offer timeless reflections on life and society. The contributing authors, a constellation of literary luminaries such as Voltaire, Hugo, Sand, and Baudelaire, bring a wealth of perspectives to the collection. Their backgrounds, ranging from the philosophical musings of Rousseau to the stark realism of Zola, highlight a period of intense literary innovation and exploration in France that corresponded with tumultuous social and political change. Together, these authors have not only contributed to the shaping of modern French identity but have also left an indelible mark on world literature, allowing readers to trace the evolution of literary forms and themes across centuries. The Greatest French Classics Of All Time is an indispensable treasure trove for anyone keen to embark on a comprehensive exploration of French literary heritage. It offers an unparalleled opportunity to engage with the works of master storytellers whose narratives have perennially captivated the hearts and minds of readers around the globe. This anthology is not just a showcase of Frances literary genius; it is a gateway to a broader appreciation of the universal themes of human condition, love, conflict, and aspiration. Through its pages, readers are invited to participate in a continuous dialogue with the past, enriching their understanding of the evolving nature of literature and the enduring power of storytelling.
British Books in Print
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 2960
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 2960
Book Description
Notes on Books
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 408
Book Description
A Short History of Classical Scholarship
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 484
Book Description
A Brief History of Printing in England
Author: Frederick W. Hamilton
Publisher: BEYOND BOOKS HUB
ISBN:
Category : History
Languages : en
Pages : 63
Book Description
A BRIEF HISTORY of PRINTING IN ENGLAND England was slow to take up printing and slow and backward in the development of it. It was 25 years after the invention of printing before any printing was done in England. It was many years after that before the work of the English printers could compare with that done on the continent. The reason for this is to be found in the conditions of the country itself. Although the two great universities had long been in existence, Oxford dating back to 1167 and Cambridge to 1209, England as a whole was a backward country. In culture and the refinements of civilization, as well as in many more practical things, England was not so far advanced as the rest of Europe nor was it to be so for many years to come. England at this time was an agricultural and grazing country. A colony of Flemings had been brought over to start the cloth industry. There was still, nevertheless, a large export of wool to Flanders, which was there woven and sent back as cloth. The English nobles lived largely on their estates, looking after their tenants, hunting for diversion, and doing a little fighting occasionally when life became otherwise unbearably uninteresting. They were not an educated class and the peasantry were profoundly ignorant. The cities which, as always, depended upon manufacture and commerce were just beginning to grow, with the exception of some of the seaport towns which were already prosperous and wealthy. Not only was this general condition true, but there were special conditions which rendered the middle of the fifteenth century unfavorable to culture and to the introduction of a new invention auxiliary to culture. In 1450 England was shaken and horrified by the bloody insurrection of peasants, with its attendant outrages, known as Jack Cade’s Revolt. Scarcely had order been restored when a disputed succession to the crown plunged the country into the bloody civil war between the adherents of the Houses of York and Lancaster, known as the Wars of the Roses. This period of civil strife lasted for thirty years and affected the general welfare of England very seriously. It was especially marked by mortality among the noblest families in the realm, many of which were actually exterminated. Some time within this bloody half-century the art of printing was introduced into England. There is in existence a book printed in Oxford and dated on the title page 1468. Upon the existence of this book, and upon a somewhat doubtful legend, has been built a claim that English printing originated in Oxford. This claim, however, has practically ceased to be maintained. The legend appears to be baseless, and it has been generally concluded that the date is a misprint and that it should be 1478, an X having been dropped in writing the Roman date, a not uncommon error in publications of this period. Historians have now generally agreed that the introduction of printing in England is due to William Caxton, one of the most interesting figures in the whole annals of printing. A BRIEF HISTORY of PRINTING IN ENGLAND
Publisher: BEYOND BOOKS HUB
ISBN:
Category : History
Languages : en
Pages : 63
Book Description
A BRIEF HISTORY of PRINTING IN ENGLAND England was slow to take up printing and slow and backward in the development of it. It was 25 years after the invention of printing before any printing was done in England. It was many years after that before the work of the English printers could compare with that done on the continent. The reason for this is to be found in the conditions of the country itself. Although the two great universities had long been in existence, Oxford dating back to 1167 and Cambridge to 1209, England as a whole was a backward country. In culture and the refinements of civilization, as well as in many more practical things, England was not so far advanced as the rest of Europe nor was it to be so for many years to come. England at this time was an agricultural and grazing country. A colony of Flemings had been brought over to start the cloth industry. There was still, nevertheless, a large export of wool to Flanders, which was there woven and sent back as cloth. The English nobles lived largely on their estates, looking after their tenants, hunting for diversion, and doing a little fighting occasionally when life became otherwise unbearably uninteresting. They were not an educated class and the peasantry were profoundly ignorant. The cities which, as always, depended upon manufacture and commerce were just beginning to grow, with the exception of some of the seaport towns which were already prosperous and wealthy. Not only was this general condition true, but there were special conditions which rendered the middle of the fifteenth century unfavorable to culture and to the introduction of a new invention auxiliary to culture. In 1450 England was shaken and horrified by the bloody insurrection of peasants, with its attendant outrages, known as Jack Cade’s Revolt. Scarcely had order been restored when a disputed succession to the crown plunged the country into the bloody civil war between the adherents of the Houses of York and Lancaster, known as the Wars of the Roses. This period of civil strife lasted for thirty years and affected the general welfare of England very seriously. It was especially marked by mortality among the noblest families in the realm, many of which were actually exterminated. Some time within this bloody half-century the art of printing was introduced into England. There is in existence a book printed in Oxford and dated on the title page 1468. Upon the existence of this book, and upon a somewhat doubtful legend, has been built a claim that English printing originated in Oxford. This claim, however, has practically ceased to be maintained. The legend appears to be baseless, and it has been generally concluded that the date is a misprint and that it should be 1478, an X having been dropped in writing the Roman date, a not uncommon error in publications of this period. Historians have now generally agreed that the introduction of printing in England is due to William Caxton, one of the most interesting figures in the whole annals of printing. A BRIEF HISTORY of PRINTING IN ENGLAND