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Author: James Agate
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 136
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Book Description
Discusses English drama at the turn of the century.
Author: James Agate
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 136
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Book Description
Discusses English drama at the turn of the century.
Author: James Agate
Publisher:
ISBN: 9780829014518
Category :
Languages : en
Pages : 128
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Book Description
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521651328
Category : Drama
Languages : en
Pages : 597
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Book Description
Publisher Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 228
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Book Description
Author: Boston Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 902
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Book Description
Issues consist of lists of new books added to the library ; also articles about aspects of printing and publishing history, and about exhibitions held in the library, and important acquisitions.
Author: Min Tian
Publisher: Taylor & Francis
ISBN: 1000737837
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies.
Author: Pratt Institute. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
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Book Description
Author: Claude Schumacher
Publisher: Cambridge University Press
ISBN: 9780521230148
Category : Drama
Languages : en
Pages : 568
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Book Description
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 350
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Book Description
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Author: Irene Morra
Publisher: Bloomsbury Publishing
ISBN: 147258015X
Category : Drama
Languages : en
Pages : 305
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Book Description
Verse Drama in England, 1900-2015 provides a critical and historical exploration of a tradition of modern dramatic creativity that has received very little scholarly attention. Exploring the emergence of a distinctly modern verse drama at the turn of the century and its development into the twenty-first, it counters common assumptions that the form is a marginal, fundamentally outdated curiosity. Through an examination of the extensive and diverse engagement of literary and theatrical writers, directors and musicians, Irene Morra identifies in modern verse drama a consistent and often prominent attempt to expand upon, revitalize, and redefine the contemporary English stage. Dramatists discussed include Stephen Phillips, Gordon Bottomley, John Masefield, James Elroy Flecker, T. S. Eliot, W. H. Auden, Ronald Duncan, Christopher Fry, John Arden, Anne Ridler, Tony Harrison, Steven Berkoff, Caryl Churchill, and Mike Bartlett. The book explores the negotiation of these dramatists with the changing position of verse drama in relation to constructions of national and communal audience, aesthetic challenge, and dramatic heritage. Key to the study is the self-conscious positioning of many of these dramatists in relation to an assumed mainstream tradition – and the various critical responses that that positioning has provoked. The study advocates for a scholarly revaluation of what must be identified as an influential and overlooked tradition of aesthetic challenge and creativity.
