Author: John Gledhill
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Matthew Smith (1879-1959) is one of the most important British painters of the twentieth century. This book provides for the first time a catalogue of the oil paintings by Matthew Smith from 1905 to 1957 and a substantial critical reappraisal of the artist's work. Gledhill situates the artist in the context of modernism and his Bloomsbury peers and the London Group. Provenance, exhibition catalogues and literature are brought together in extensively detailed entries. Where possible an illustration of each work is provided and the majority of the paintings are illustrated to assist the scholar who up until now has been confronted with a dearth of information on Matthew Smith.
Catalogue Raisonné of the Oil Paintings of Matthew Smith
Author: John Gledhill
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Matthew Smith (1879-1959) is one of the most important British painters of the twentieth century. This book provides for the first time a catalogue of the oil paintings by Matthew Smith from 1905 to 1957 and a substantial critical reappraisal of the artist's work. Gledhill situates the artist in the context of modernism and his Bloomsbury peers and the London Group. Provenance, exhibition catalogues and literature are brought together in extensively detailed entries. Where possible an illustration of each work is provided and the majority of the paintings are illustrated to assist the scholar who up until now has been confronted with a dearth of information on Matthew Smith.
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Matthew Smith (1879-1959) is one of the most important British painters of the twentieth century. This book provides for the first time a catalogue of the oil paintings by Matthew Smith from 1905 to 1957 and a substantial critical reappraisal of the artist's work. Gledhill situates the artist in the context of modernism and his Bloomsbury peers and the London Group. Provenance, exhibition catalogues and literature are brought together in extensively detailed entries. Where possible an illustration of each work is provided and the majority of the paintings are illustrated to assist the scholar who up until now has been confronted with a dearth of information on Matthew Smith.
Matthew Smith
Author: Malcolm Yorke
Publisher:
ISBN: 9780571173365
Category : Painters
Languages : en
Pages : 264
Book Description
Although he died more than forty years ago this is the first full-scale biography of Matthew Smith, one of the most original English figurative painters of the century. He was in his lifetime frequently, but mistakenly, seen as an English Fauve or as a disciple of Matisse, but in fact he evolved his own distinctive style independently from anything he had seen in English art schools or the French galleries. Smith was the son of a rich and cultured Yorkshire manufacturer, but soon felt impelled to rebel against the Victorian taste of his father and his class. He failed to impress tutors at the Slade, went to France to see what the modern movements there had to offer, and then returned to mingle in the circles round Sickert and Fry. His grim experiences in World War 1 forced him to sort out his priorities both as a man and an artist. Eventually, a passionate love affair in middle age enabled him to establish his own uniquely turbulent style and subject matter of still-lifes, landscapes and uninhibited nudes. Augustus John and Epstein were close friends as were many other literary and artistic figures in Paris, Provence and London. He was shaken by personal tragedies, but well into old age he seemed able to attract the love of cultivated and attractive younger women. There have been several retrospective exhibitions since his death in 1959, notably at the Royal Academy and twice at the Barbican. Dr Yorke's detailed biography traces the life and reputation of this unassuming man who 'spoke like an intelligent moth' , but who produced pictures of such rich colour and extrovert handling that they have no parallels in the history of English painting.
Publisher:
ISBN: 9780571173365
Category : Painters
Languages : en
Pages : 264
Book Description
Although he died more than forty years ago this is the first full-scale biography of Matthew Smith, one of the most original English figurative painters of the century. He was in his lifetime frequently, but mistakenly, seen as an English Fauve or as a disciple of Matisse, but in fact he evolved his own distinctive style independently from anything he had seen in English art schools or the French galleries. Smith was the son of a rich and cultured Yorkshire manufacturer, but soon felt impelled to rebel against the Victorian taste of his father and his class. He failed to impress tutors at the Slade, went to France to see what the modern movements there had to offer, and then returned to mingle in the circles round Sickert and Fry. His grim experiences in World War 1 forced him to sort out his priorities both as a man and an artist. Eventually, a passionate love affair in middle age enabled him to establish his own uniquely turbulent style and subject matter of still-lifes, landscapes and uninhibited nudes. Augustus John and Epstein were close friends as were many other literary and artistic figures in Paris, Provence and London. He was shaken by personal tragedies, but well into old age he seemed able to attract the love of cultivated and attractive younger women. There have been several retrospective exhibitions since his death in 1959, notably at the Royal Academy and twice at the Barbican. Dr Yorke's detailed biography traces the life and reputation of this unassuming man who 'spoke like an intelligent moth' , but who produced pictures of such rich colour and extrovert handling that they have no parallels in the history of English painting.
The Modernity of English Art, 1914-30
Author: David Peters Corbett
Publisher: Manchester University Press
ISBN: 9780719037337
Category : Art
Languages : en
Pages : 260
Book Description
"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Publisher: Manchester University Press
ISBN: 9780719037337
Category : Art
Languages : en
Pages : 260
Book Description
"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Artbibliographies Modern
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 540
Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 540
Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Barbarian Lord
Author: Matt Smith (Illustrator)
Publisher: Houghton Mifflin Harcourt
ISBN: 0547859066
Category : Juvenile Nonfiction
Languages : en
Pages : 179
Book Description
The Barbarian Lord seeks justice from his enemies.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547859066
Category : Juvenile Nonfiction
Languages : en
Pages : 179
Book Description
The Barbarian Lord seeks justice from his enemies.
Figure to Field
Author: Matthew Kangas
Publisher:
ISBN: 9780965072243
Category : Abstract expressionism
Languages : en
Pages : 0
Book Description
Artist Monograph
Publisher:
ISBN: 9780965072243
Category : Abstract expressionism
Languages : en
Pages : 0
Book Description
Artist Monograph
Creative Art
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 350
Book Description
Francis Bacon: A Self-Portrait in Words
Author: Michael Peppiatt
Publisher: Thames & Hudson
ISBN: 0500778663
Category : Art
Languages : en
Pages : 610
Book Description
The documents selected for Francis Bacon: A Self-Portrait in Words illustrate Bacons sharp wit and ability to express complex ideas in highly personal, memorable language. Included here are not only letters to friends, patrons and fellow artists, but also intriguing notes and lists of paintings. They often come with a sketch as an aide-mémoire or an injunction to himself as he worked in the studio, and many have only come to light since his death. Bacons letters mirror and reveal his dominant preoccupations at different points throughout his long career. Most of Bacons letters have never been published and include several that he wrote to the author. Particularly intriguing is the record of a dream that he jotted down, outlining impossibly beautiful paintings he had conjured up in his sleep. Together with photographs, archive material and works by the artist are numerous reproductions of Bacons characteristic handwriting, from the briefest jottings and notes to more extensive letters and statements. Bacon frequently came up with memorable epithets and definitions. He delighted in doing with words what he set out to do in painting: 'I like phrases that cut me.' Michael Peppiatt explores the personal legacy of one of the 20th centurys most important painters and presents a compelling verbal self-portrait that reveals both man and artist.
Publisher: Thames & Hudson
ISBN: 0500778663
Category : Art
Languages : en
Pages : 610
Book Description
The documents selected for Francis Bacon: A Self-Portrait in Words illustrate Bacons sharp wit and ability to express complex ideas in highly personal, memorable language. Included here are not only letters to friends, patrons and fellow artists, but also intriguing notes and lists of paintings. They often come with a sketch as an aide-mémoire or an injunction to himself as he worked in the studio, and many have only come to light since his death. Bacons letters mirror and reveal his dominant preoccupations at different points throughout his long career. Most of Bacons letters have never been published and include several that he wrote to the author. Particularly intriguing is the record of a dream that he jotted down, outlining impossibly beautiful paintings he had conjured up in his sleep. Together with photographs, archive material and works by the artist are numerous reproductions of Bacons characteristic handwriting, from the briefest jottings and notes to more extensive letters and statements. Bacon frequently came up with memorable epithets and definitions. He delighted in doing with words what he set out to do in painting: 'I like phrases that cut me.' Michael Peppiatt explores the personal legacy of one of the 20th centurys most important painters and presents a compelling verbal self-portrait that reveals both man and artist.
Night Thoughts
Author: Robert Fraser
Publisher: Oxford University Press
ISBN: 0199558140
Category : Biography & Autobiography
Languages : en
Pages : 503
Book Description
This pioneering biography of the British poet and translator David Gascoyne (1916-2001) candidly describes his creative work, involvement with surrealism, addictions, tormented private life, and his many friendships in England and France.
Publisher: Oxford University Press
ISBN: 0199558140
Category : Biography & Autobiography
Languages : en
Pages : 503
Book Description
This pioneering biography of the British poet and translator David Gascoyne (1916-2001) candidly describes his creative work, involvement with surrealism, addictions, tormented private life, and his many friendships in England and France.
The Burlington Magazine for Connoisseurs
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
Book Description