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Author: Nicholas Temple
Publisher: Taylor & Francis
ISBN: 1136736484
Category : Architecture
Languages : en
Pages : 369
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Book Description
Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503–13) this book focuses on the political, religious and artistic motives behind the principal architect, Donato Bramante, and his ambition to create a unified urban/architectural scheme.
Author: Nicholas Temple
Publisher: Taylor & Francis
ISBN: 1136736484
Category : Architecture
Languages : en
Pages : 369
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Book Description
Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503–13) this book focuses on the political, religious and artistic motives behind the principal architect, Donato Bramante, and his ambition to create a unified urban/architectural scheme.
Author: Bob Sheil
Publisher: UCL Press
ISBN: 1911307274
Category : Architecture
Languages : en
Pages : 147
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Book Description
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.
Author: James S. Ackerman
Publisher:
ISBN:
Category :
Languages : en
Pages : 290
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Book Description
Author: Nicholas Temple
Publisher: Routledge
ISBN: 131727119X
Category : Architecture
Languages : en
Pages : 289
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Book Description
This book examines the creative exchanges between architects, artists and intellectuals, from the Early Renaissance to the beginning of the Enlightenment, in the forging of relationships between architecture and emerging concepts of language in early modern Italy. The study extends across the spectrum of linguistic disputes during this time – among members of the clergy, humanists, philosophers and polymaths – on issues of grammar, rhetoric, philology, etymology and epigraphy, and how these disputes paralleled and informed important developments in architectural thinking and practice. Drawing upon a wealth of primary source material, such as humanist tracts, philosophical works, architectural/antiquarian treatises, epigraphic/philological studies, religious sermons and grammaticae, the book traces key periods when the emerging field of linguistics in early modern Italy impacted on the theory, design and symbolism of buildings.
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Hannah B Higgins
Publisher: MIT Press
ISBN: 0262512408
Category : Design
Languages : en
Pages : 311
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Book Description
Ten grids that changed the world: the emergence and evolution of the most prominent visual structure in Western culture. Emblematic of modernity, the grid is the underlying form of everything from skyscrapers and office cubicles to paintings by Mondrian and a piece of computer code. And yet, as Hannah Higgins makes clear in this engaging and evocative book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears. The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are in the middle of an emergent grid that is reshaping the world, as grids do, in its image.
Author: Sir Peter Cook
Publisher: John Wiley & Sons
ISBN: 1118700643
Category : Architecture
Languages : en
Pages : 260
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Book Description
Focusing on the creative and inventive significance of drawing for architecture, this book by one of its greatest proponents, Peter Cook, is an established classic. It exudes Cook's delight and catholic appetite for the architectural. Readers are provided with perceptive insights at every turn. The book features some of the greatest and most intriguing drawings by architects, ranging from Frank Lloyd Wright, Heath-Robinson, Le Corbusier, and Otto Wagner to Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Arata Isozaki, Eric Owen Moss, Bernard Tschumi, and Lebbeus Woods; as well as key works by Cook and other members of the original Archigram group. For this new edition, Cook provides a substantial new chapter that charts the speed at which the trajectory of drawing is moving. It reflects the increasing sophistication of available software and also the ways in which 'hand drawing' and the 'digital' are being eclipsed by new hybrids—injecting a new momentum to drawing. These 'crossovers' provide a whole new territory as attempts are made to release drawing from the boundaries of a solitary moment, a single-viewing position, or a single referential language. Featuring the likes of Toyo Ito, Perry Culper, Izaskun Chinchilla, Kenny Tsui, Ali Rahim, John Berglund, and Lorene Faure, it leads to fascinating insights into the effect that medium has upon intention and definition of an idea or a place. Is a pencil drawing more attuned to a certain architecture than an ink drawing, or is a particular colour evocative of a certain atmosphere? In a world where a Mayer drawing is creatively contributing something different from a Rhino drawing, there is much to demand of future techniques.
Author: Zoltán Kárpáti
Publisher:
ISBN: 9786155987021
Category : Drawing, Italian
Languages : en
Pages : 440
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Book Description
Following the Leonardo da Vinci exhibition, the Museum of Fine Arts hosts a show of Michelangelo?s drawings, the other genius of the Italian Renaissance. Drawing played a central role in the art of Michelangelo, who left behind an outstanding legacy mainly as a sculptor but also as a painter and architect. His drawings allow an insight into the creative process of the master?s celebrated works, since he prepared all his creations on paper. This exhibition catalogue is intended primarily for the general public. For this reason, the authors have refrained from debating the sophisticated questions of attribution regarding individual drawings, which are often difficult even for experts to unravel. Similarly, it was not their aim to discuss the uncertainties of dating specific works of art. Their objective was to set the drawings in the broader historical, social, political, or economic context of the period, and the main concern was to address the question of how the cult of Michelangelo, which still influences our judgement of his oeuvre, first manifested itself during his lifetime.00Exhibition: Museum of Fine Arts, Budapest, Hungary (06.04.-30.06.2019).
Author: Antonio da Sangallo
Publisher:
ISBN:
Category : Architectural drawing
Languages : en
Pages : 520
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Book Description
Author: Paul Letarouilly
Publisher: Princeton Architectural Press
ISBN: 9781616894832
Category : Architecture
Languages : en
Pages : 0
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Book Description
Paul Letarouilly's masterpiece, Edifices de Rome Moderne, has been hailed as the most beautiful book on Renaissance architecture ever published. Letarouilly (1795–1855) devoted thirty-five years to drawing the plans, sections, elevations, perspectives, and large-scale details of gardens, convents, palaces, and churches of Renaissance Rome. His keen observational ability and immaculate drawing skills make this work an indispensable sourcebook. In many cases his etchings remain the only measured plans or elevations available; he also recorded buildings destroyed by later demolitions. Our 1982 reprint of Edifices de Rome Moderne has been recognized as a classic in its own right: razor-sharp reproductions of the original plates in a usable format. Now we're delighted to offer the Edifices in an even-easier-to-use size, and in a sewn paperback binding to make it an affordable cornerstone of any architecture student's library.
