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Author: Terry Seymour
Publisher: AuthorHouse
ISBN: 1467870145
Category : Language Arts & Disciplines
Languages : en
Pages : 323
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Book Description
The total number of Everyman's Library volumes that still survive somewhere in the world exceeds 70 million. Since the inception of the Library in 1906, nearly 1200 unique volumes have been published, constantly placing the world's greatest books before a large public. A few of these titles proved unpopular and were never reprinted. But most were reprinted dozens of times, packaged in numerous ways, and benefited from updated editorial work and book design over the last century. Terry Seymour has studied and researched every aspect of this great mass of books. He now captures and distills this knowledge in A Printing History of Everyman's Library 1906-1982. A critical feature, of course, is to update the various collecting factoids that have emerged since 2005 when his Guide to Collecting Everyman's Library was published. The meat of the new book, however, is the Bibliographical Entries section. Each volume that has ever been printed receives its own entry, detailing every printing, each dust jacket variation, any new introductions, updated scarcity numbers, and all relevant notes. Typically an entry contains at least six lines of information, but often much more. In essence, each entry is a story written exclusively about each volume. Armed with this resource, collectors and booksellers can know reliably everything about the Everyman's Library volume that sits on their shelf or is ready to be purchased or sold. They will see how a book fits into the total printing history of that title, and be able to describe and value the book with precision. To further enhance the value of this book, color images illustrate all of the key collecting points. An extensive index of editors, translators and artists is now included. Not just a solo effort, the Printing History has been vetted by other expert collectors, ensuring greater accuracy and comprehensiveness.
Author: Terry Seymour
Publisher: AuthorHouse
ISBN: 1467870145
Category : Language Arts & Disciplines
Languages : en
Pages : 323
Get Book Here
Book Description
The total number of Everyman's Library volumes that still survive somewhere in the world exceeds 70 million. Since the inception of the Library in 1906, nearly 1200 unique volumes have been published, constantly placing the world's greatest books before a large public. A few of these titles proved unpopular and were never reprinted. But most were reprinted dozens of times, packaged in numerous ways, and benefited from updated editorial work and book design over the last century. Terry Seymour has studied and researched every aspect of this great mass of books. He now captures and distills this knowledge in A Printing History of Everyman's Library 1906-1982. A critical feature, of course, is to update the various collecting factoids that have emerged since 2005 when his Guide to Collecting Everyman's Library was published. The meat of the new book, however, is the Bibliographical Entries section. Each volume that has ever been printed receives its own entry, detailing every printing, each dust jacket variation, any new introductions, updated scarcity numbers, and all relevant notes. Typically an entry contains at least six lines of information, but often much more. In essence, each entry is a story written exclusively about each volume. Armed with this resource, collectors and booksellers can know reliably everything about the Everyman's Library volume that sits on their shelf or is ready to be purchased or sold. They will see how a book fits into the total printing history of that title, and be able to describe and value the book with precision. To further enhance the value of this book, color images illustrate all of the key collecting points. An extensive index of editors, translators and artists is now included. Not just a solo effort, the Printing History has been vetted by other expert collectors, ensuring greater accuracy and comprehensiveness.
Author: Svetlana Kochkina
Publisher: Springer Nature
ISBN: 3031177975
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Evelina, the first novel by Frances Burney, published in 1778, enjoys lasting popularity among the reading public. Tracing its publication history through 174 editions, adaptations, and reprints, many of them newly discovered and identified, this book demonstrates how the novel’s material embodiment in the form of the printed book has been reshaped by its publishers, recasting its content for new generations of readers. Four main chapters vividly describe how during 240 years, Evelina, a popular novel of manners, metamorphosed without any significant alterations to its text into a Regency “rambling” text, a romantic novel for “lecteurs délicats,” a cheap imprint for circulating libraries, a yellow-back, a book with a certain aesthetic cachet, a Christmas gift-book, finally becoming an integral part of the established literary canon in annotated scholarly editions. This book also focuses on the remodelling and transformation of the paratext in this novel, written by a woman author, by the heavily male-dominated publishing industry. Shorter Entr’acte sections discuss and describe alterations in the forms of Burney’s name and the title of her work, the omission and renaming of her authorial prefaces, and the redeployment of the publisher’s prefatorial apparatus to support particular editions throughout almost two-and-a-half centuries of the novel’s existence. Illustrated with reproductions of covers, frontispieces, and title pages, the book also provides an illuminating insight into the role of Evelina’s visual representation in its history as a marketable commodity, highlighting the existence of editions targeting various segments of the book market: from the upper-middle-class to mass-readership. The first comprehensive and fully updated bibliography of English and translated editions, adaptations, and reprints of Evelina published in 13 languages and scripts appears in an appendix.
Author: Jamie Gilham
Publisher: Bloomsbury Publishing
ISBN: 1350299642
Category : Religion
Languages : en
Pages : 287
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Book Description
Jamie Gilham collates the work of leading and emerging scholars of Islam in Britain, Christian-Muslim relations and Victorian Studies to offer fresh perspectives on Islam and Muslims in Victorian Britain. The contributors reveal 19th-century attitudes and beliefs about Islam and Muslims to demonstrate the plurality of approaches and representations of Islam in Britain's past. Also bringing to life the stories and voices of early Muslim settlers and converts to Islam, this book examines the lived experience of Muslims in the Victorian period. Sources include political and academic writings, literature, travelogues, the press and other forms of popular culture. Intersectional themes include religion and religiosity, 'race' and ethnicity, gender, class, citizenship, empire and imperialism, and prejudice, discrimination and resilience.
Author: Robert J. Mayhew
Publisher: Cambridge University Press
ISBN: 1107077737
Category : Art
Languages : en
Pages : 347
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Book Description
Marking the 250th anniversary of his birth, this wide-ranging, interdisciplinary study reassesses Thomas Malthus's contested achievements and legacies.
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272012
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Author: Kevin J. Hayes
Publisher: Boydell & Brewer
ISBN: 1640141103
Category :
Languages : en
Pages : 207
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Book Description
Details Lawrence's reception of Melville and reveals his underacknowledged role in the Melville Revival, while contributing to the history of the book and the study of the creative process.
Author: Alexander Bubb
Publisher: Oxford University Press
ISBN: 0198866275
Category : Books and reading
Languages : en
Pages : 291
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Book Description
The interest among Victorian readers in classical literature from Asia has been greatly underestimated. The popularity of the Arabian Nights and The Rubaiyat of Omar Khayyam is well documented. Yet this was also an era in which freethinkers consulted the Quran, in which schoolchildren were given abridgements of the Ramayana to read, in which names like 'Kalidasa' and 'Firdusi' were carved on the façades of public libraries, and in which women'sbook clubs discussed Japanese poetry. But for the most part, such readers were not consulting the specialist publications of scholarly orientalists. What then were the translations that catalysed these intercultural encounters? Based on a unique methodology marrying translation theory with empirical techniques developedby historians of reading, this book shines light for the first time on the numerous amateur translators or 'popularizers', who were responsible for making these texts accessible and disseminating them to the Victorian general readership.Asian Classics on the Victorian Bookshelf explains the process whereby popular translations were written, published, distributed to bookshops and libraries, and ultimately consumed by readers. It uses the working papers and correspondence of popularizers to demonstrate their techniques and motivations, while the responses of contemporary readers are traced through the pencil marginalia they left behind in dozens of original copies. In spite of their typically limited knowledge ofsource-languages, Asian Classics argues that popularizers produced versions more respectful of the complexity, cultural difference, and fundamental untranslatability of Asian texts than the professional orientalists whose work they were often adapting. The responses of their readers, likewise, frequently deviatedfrom interpretive norms, and it is proposed that this combination of eccentric translators and unorthodox readers triggered 'flights of translation', whereby historical individuals can be seen to escape the hegemony of orientalist forms of knowledge.
Author: Molly G. Yarn
Publisher: Cambridge University Press
ISBN: 1316518353
Category : Drama
Languages : en
Pages : 353
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Book Description
This bold and compelling revisionist history tells the remarkable story of the forgotten lives and labours of Shakespeare's women editors.
Author: Anne Dunan-Page
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754658009
Category : History
Languages : en
Pages : 272
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Book Description
Roger L'Estrange (1616-1704) was one of the most remarkable, significant and colourful figures in seventeenth-century England. This collection of essays by leading scholars of the period highlights the instrumental role he played in the shaping of the political, literary, and print cultures of the Restoration period. Taking an interdisciplinary approach the volume covers all the major aspects of his career, as well as situating them in their broader historical and literary context. By examining his career in this way the book offers insights that will prove of worth to political, social, religious and cultural historians, as well as those interested in seventeenth-century literary and book history.
Author: Richard F. Hardin
Publisher: University of Delaware Press
ISBN: 9780874134261
Category : Literary Collections
Languages : en
Pages : 286
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Book Description
This book discusses the tensions in major Renaissance literary texts between the cult of monarchy and its subversions by Christianity. It corrects some modern scholars' assumptions of a prevailing divine-right theory of monarchy. A recurring theme from the English mystery plays to Milton proposes an inherent tendency of monarchy toward idolatry. The chapter on Erasmus makes a case for a strong tradition of political libertarianism that became a notable emphasis in English humanism. Then follow three essays on Spenser (especially Faerie Queene V and View), Shakespeare (especially the political plays of the late 1590s), and Milton (political writings, Paradise Lost, Paradise Regained.). Ozment and others have shown that the Reformation fostered the desacralizing of secular life, an impulse that Schneidau has seen as central to the Hebrew-Christian tradition. Texts like the infamous Vindiciae contra Tyrannos support this interpretation as regards monarchy, rather than the received views of Kantorowicz, which are perhaps more relevant to the Continent. The king-figure in the English mystery plays is often the butt of satire, in contrast to his more dignified counterpart in some Continental drama. The king-figure enters the morality-play tradition as the "pride of life," a transition observed in the hybrid play Mary Magdalene. Erasmus's writings develop from a unified political and religious sensibility in accord with what Mesnard calls his evangelisme politique. For Erasmus, order is not an end in itself but serves the ends of peace, which in turn allow the human soul the optimum liberty to choose or reject the virtuous life. Thomas More's earlier agreement with, and later departure from, Erasmus's views on political authority are related to the Henrician political crisis. Spenser's anti-absolutism and Erasmus-like concept of peace, order, and liberty are disclosed in explications of the Isis Temple, Souldan, Gerioneo, and Grantorto episodes of Faerie Queene V. These and other writings show the poet's belief in the need for aristocracy to act in the service of truth. Shakespeare's "second tetralogy" moves toward Henry V's renouncing "idol ceremony," in contrast to Julius Caesar, which presents a model of disordered polity. Civil idolatry (Milton's phrase) in that play and in Milton's long poems leads to tyranny and ritualism, accompanied by fear and awe. This logic is woven into the texture of hell in Paradise Lost. Paradise Regained advances the position through its redefinition of conquest and fatherhood in response to the "conquest theory" and patriarchalism with which monarchists justified their cause. Ultimately Milton places the blame for civil idolatry on the majority, who prefer a condition of subservience and awe because, as Shakespeare's Henry V declared, it relieves them of the responsibilities of consciousness. The epilogue glances at new directions in a comparison of the coronations of Charles II and of William and Mary.
