A Practical Guide to Private Theatricals PDF Download
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Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385203651
Category : Fiction
Languages : en
Pages : 234
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Book Description
Reprint of the original, first published in 1875.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385203651
Category : Fiction
Languages : en
Pages : 234
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Book Description
Reprint of the original, first published in 1875.
Author: Orville Augustus Roorbach
Publisher: BoD – Books on Demand
ISBN: 336885822X
Category : Fiction
Languages : en
Pages : 142
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Book Description
Reprint of the original, first published in 1881.
Author: Orville Augustus Roorbach
Publisher: BoD – Books on Demand
ISBN: 3368858211
Category : Fiction
Languages : en
Pages : 141
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Book Description
Reprint of the original, first published in 1881.
Author:
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 356
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Book Description
Author: S. Loraine Hull
Publisher:
ISBN: 9780971040113
Category : Acting
Languages : en
Pages : 0
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Book Description
Author: Esther Kim Lee
Publisher: University of Michigan Press
ISBN: 0472055437
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Why and how Asian characters have been represented by non-Asian actorson stage and screen
Author: J. S. H.
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 200
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Book Description
Author: Roorbach & Company
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 48
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Book Description
Author: Anne Bogart
Publisher: Theatre Communications Group
ISBN: 155936677X
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work. The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form. Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life. Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice’s Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz. Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.
Author: Michael Meeuwis
Publisher: University of Michigan Press
ISBN: 0472125796
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.
