The Poetics of Personification

The Poetics of Personification PDF Author: James J. Paxson
Publisher: Cambridge University Press
ISBN: 0521445396
Category : Language Arts & Disciplines
Languages : en
Pages : 224

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Book Description
Literary personification has long been taken for granted as an important aspect of Western narrative; Paul de Man has given it still greater prominence as 'the master trope of poetic discourse'. James Paxson here offers a much-needed critical and theoretical appraisal of personification in the light of poststructuralist thought and theory. The poetics of personification provides a historical reassessment of early theories, together with a sustained account of how literary personification works through an examination of narratological and semiotic codes and structures in the allegorical texts of Prudentius, Chaucer, Langland and Spenser. The device turns out to be anything but an aberration, oddity or barbarism, from ancient, medieval or early modern literature. Rather, it works as a complex artistic tool for revealing and advertising the problems and limits inherent in narration in particular and poetic or verbal creation in general.

The Poetics of Personification

The Poetics of Personification PDF Author: James J. Paxson
Publisher: Cambridge University Press
ISBN: 0521445396
Category : Language Arts & Disciplines
Languages : en
Pages : 224

Get Book Here

Book Description
Literary personification has long been taken for granted as an important aspect of Western narrative; Paul de Man has given it still greater prominence as 'the master trope of poetic discourse'. James Paxson here offers a much-needed critical and theoretical appraisal of personification in the light of poststructuralist thought and theory. The poetics of personification provides a historical reassessment of early theories, together with a sustained account of how literary personification works through an examination of narratological and semiotic codes and structures in the allegorical texts of Prudentius, Chaucer, Langland and Spenser. The device turns out to be anything but an aberration, oddity or barbarism, from ancient, medieval or early modern literature. Rather, it works as a complex artistic tool for revealing and advertising the problems and limits inherent in narration in particular and poetic or verbal creation in general.

Personification

Personification PDF Author: Walter Melion
Publisher: BRILL
ISBN: 9004310436
Category : Art
Languages : en
Pages : 787

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Book Description
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.

Machines of the Mind

Machines of the Mind PDF Author: Katharine Breen
Publisher: University of Chicago Press
ISBN: 022677659X
Category : History
Languages : en
Pages : 374

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Book Description
"Katharine Breen challenges our understanding of how medieval authors received philosophical paradigms from antiquity in their construction and use of personification in their writings. She shows that our modern categories for this literary device (extreme realism versus extreme rhetoric, or novelistic versus allegorical characters) would've been unrecognizable to their medieval practitioners. Through new readings of key authors and works--including Prudentius's "Psychomachia," Langland's "Piers Plowman," Boethius's "Consolation of Philosophy," and Deguileville's "Pilgrimage of Human Life"--she finds that medieval writers accessed a richer, more fluid literary domain than modern critics have allowed. Breen identifies three different types of personification--Platonic, Aristotelian, and Prudentian--inherited from antiquity that both gave medieval writers a surprisingly varied spectrum with which to paint their characters, while bypassing the modern confusion of conflicting relationships between personifications and persons on the path connecting divine power and human frailty. Recalling Gregory the Great's phrase "machinae mentis" (machines of the mind), Breen demonstrates that medieval writers applied personification with utility and subtlety, much the same way that, within the category of hand-tools, an open-end wrench differs in function from a hex-key wrench or a socket wrench. It will be read by medievalists working at the crossroads of religion, philosophy, and literature, as well as scholars interested in character-making and gendered relationships among characters, readers, and texts beyond the Middle Ages"--

Ovid's Poetics of Illusion

Ovid's Poetics of Illusion PDF Author: Philip R. Hardie
Publisher: Cambridge University Press
ISBN: 9780521800877
Category : History
Languages : en
Pages : 382

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Book Description
Ovid's poetry is haunted obsessively by a sense both of the living fullness of the texts and of the emptiness of these 'insubstantial pageants'. This major study touches on the whole of Ovid's output, from the Amores to the exile poetry, and is an overarching treatment of illusionism and the textual conjuring of presence in the corpus. Modern critical and theoretical approaches, accompanied by close readings of individual passages, examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest students and scholars of Latin and later European literatures. All foreign languages are accompanied by translations.

Rhetoric and Innovation in Hellenistic Art

Rhetoric and Innovation in Hellenistic Art PDF Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203

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Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.

Book of Rhymes

Book of Rhymes PDF Author: Adam Bradley
Publisher: Civitas Books
ISBN: 0465094414
Category : Music
Languages : en
Pages : 274

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Book Description
If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the source of some of the most exciting developments in verse today. The media uproar in response to its controversial lyrical content has obscured hip hop's revolution of poetic craft and experience: Only in rap music can the beat of a song render poetic meter audible, allowing an MC's wordplay to move a club-full of eager listeners. Examining rap history's most memorable lyricists and their inimitable techniques, literary scholar Adam Bradley argues that we must understand rap as poetry or miss the vanguard of poetry today. Book of Rhymes explores America's least understood poets, unpacking their surprisingly complex craft, and according rap poetry the respect it deserves.

Social Poetics

Social Poetics PDF Author: Mark Nowak
Publisher: Coffee House Press
ISBN: 1566895758
Category : Literary Criticism
Languages : en
Pages : 295

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Book Description
Social Poetics documents the imaginative militancy and emergent solidarities of a new, insurgent working class poetry community rising up across the globe. Part autobiography, part literary criticism, part Marxist theory, Social Poetics presents a people’s history of the poetry workshop from the founding director of the Worker Writers School. Nowak illustrates not just what poetry means, but what it does to and for people outside traditional literary spaces, from taxi drivers to street vendors, and other workers of the world.

Women (Re)Writing Milton

Women (Re)Writing Milton PDF Author: Mandy Green
Publisher: Routledge
ISBN: 1000375811
Category : Literary Criticism
Languages : en
Pages : 313

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Book Description
This volume of essays reconfigures the reception history of Milton and his works by bringing to the fore women reading, writing, and rewriting Milton, bringing together in conversation a range of voices from diverse historical, cultural, religious, and social contexts across the globe and through the centuries. The book encompasses a rich range of different literary genres, artistic media, and academic disciplines and draws on the research of established Milton scholars and new Miltonists. Like the female authors and artists whom they explore, the contributors take up a variety of standpoints. As well as revisiting the work of established figures, the volume brings new female creative artists, new subjects, and new approaches to the study of Milton.

Empedocles Redivivus

Empedocles Redivivus PDF Author: Myrto Garani
Publisher: Routledge
ISBN: 1135859833
Category : History
Languages : en
Pages : 337

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Book Description
This book consists of a thorough study of Lucretius’ poetic and philosophical debt to Empedocles, focusing on their respective uses of analogy and examining how both poets turn these poetic techniques to use in their epistemological approaches to nature.

Structures of Appearing:Allegory and the Work of Literature

Structures of Appearing:Allegory and the Work of Literature PDF Author: Brenda Machosky
Publisher: Fordham Univ Press
ISBN: 0823242846
Category : Literary Criticism
Languages : en
Pages : 273

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Book Description
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.