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Author: Francis Davison
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 366
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Book Description
Author: Francis Davison
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 366
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Book Description
Author: Francis Davison
Publisher: Harvard University Press
ISBN: 9780674288270
Category :
Languages : en
Pages : 356
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Book Description
Author: Herschel Baker
Publisher: Harvard University Press
ISBN: 9780674430013
Category : Biography & Autobiography
Languages : en
Pages : 74
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Book Description
Hyder Rollins' publications ranging from the Elizabethans to Keats, admirably exemplified his dedication to scholarship. This bibliography constitutes in terms of quantity alone, a record of formidable achievement; and the ordering of this wealth of publication gives scholars the means of easy reference to a sequence of impeccable research.
Author: John Arthos
Publisher: Routledge
ISBN: 1000031101
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
Originally published in 1949, this title was written in order to help establish a better understanding of the ‘stock diction’ of eighteenth-century English poetry, and, in particular, of the diction commonly used in the description of nature. The language characteristic of so much of the poetry of this period had been severely criticized for a long time. But in the twenty or thirty years prior to publication some effort had been made to review the subject and the problem. However, several questions still remained unanswered, and more exhaustive analysis needed to be undertaken. This volume was an effort to provide answers for some of these questions and to begin the analysis that was required.
Author: Arthur F. Marotti
Publisher: Wipf and Stock Publishers
ISBN: 1725221179
Category : Poetry
Languages : en
Pages : 394
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Book Description
Arthur F. Marotti has produced the first systematic study of John Donne's poetry as coterie literature, offering fresh interpretations of the poems in their biographical and sociohistorical contexts. It will be of interest and value to students and scholars of English Renaissance literature, to critics interested in the application of revisionist history to literary study, and to those concerned with the processes by which literature became institutionalized in the early modern period. Donne treated poetry as an avocation, restricting his verse to carefully chosed readers: friends, acquaintances, patrons, and the woman he later married. This study employs socio-historical and psychoanalytic methods to examine this poetry as work designed for readers to respond in knowledgeable ways to a complex interplay of literary text and social context. Marotti argues that it is necessary to relate literary language to the languages of social, economic, and political transactions and to define the social and ideological affiliations of literary genres and modes. After setting Donne's practice in the framework of the sixteenth-century systems of manuscript literary transmission, Marotti treats the verse chronologically and according to audience, paying particular attention to the rhetorical enactment of the author's relationships to peers and superiors through the conflicting styles of egalitarian assertion, social iconoclasm, and deferential politeness. Marotti relates the poetry to Donne's contemporary prose, discussing the author's choice of various literary forms in the context of his sociopolitical life as well in terms of the shift from Elizabethan to Jacobean rule, the latter change resulting in a realignment of genres within the culture's literary system. He reads Donne's formal satires, humanist verse letters, erotic elegies, and commentary epistles aware of the social coordinates of those particular genres, and defines the markedly different circumstances to which Donne's libertine, courtly, satiric, sentimental, complimentary, and religious lyrics individually belonged. Marotti deals also with Donne's inventive mixing of genres in both shorter and longer poems. Marotti's groundbreaking work offers new models of historical interpretation of Donne's poetry, complementing previous formalist, intellectual-historical, and literary-historical readings. It particularly highlights the importance of attending to the socioliterary conditions of literature designed for manuscript transmission rather than for publication, work that includes, for example, much of the lyric poetry of Renaissance England.
Author: Felix Emmanuel Schelling
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 528
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Book Description
Author: Dorothy Schuchman McCoy
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311163244X
Category : Language Arts & Disciplines
Languages : en
Pages : 292
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Book Description
Author: Robert H. F. Carver
Publisher: Oxford University Press
ISBN: 0199217866
Category : Literary Criticism
Languages : en
Pages : 562
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Book Description
A full account of the reception of the second-century prose fiction The Golden Ass (or Metamorphoses) of Apuleius, which has intrigued readers as diverse as St Augustine, Petrarch, Boccaccio, Sidney, Spenser, Shakespeare, and Milton. Robert H. F. Carver traces readers' responses to the novel from the third to the seventeenth centuries.
Author: Rosalie Osmond
Publisher: The History Press
ISBN: 0752494864
Category : Philosophy
Languages : en
Pages : 196
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Book Description
Basing her approach on historical sources, Rosalie Osmond explores the way the soul has been represented in different cultures and at different times, from ancient Egypt and Greece, through medieval Europe and into the 21st century.
Author: Jackson Campbell Boswell
Publisher: Routledge
ISBN: 1351911627
Category : Literary Criticism
Languages : en
Pages : 670
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Book Description
The powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.
