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Author: Joseph Conrad
Publisher: Cosimo, Inc.
ISBN: 1596057580
Category : Biography & Autobiography
Languages : en
Pages : 165
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Book Description
It was in 1868, when nine years old or thereabouts, that while looking at a map of Africa of the time and putting my finger on the blank space then representing the unsolved mystery of that continent, I said to myself, with absolute assurance and an amazing audacity which are no longer in my character now: "When I grow up I shall go there."-from A Personal RecordJ sef Teodor Konrad Korzeniowski was born in the Ukraine, saw Europe as a child, and saw the world from the sea as a young man. An adventurer and a dreamer from the start, the restlessness of his youth would inform the keen insight he brought to the classic novels he would write, after settling in England, under the name JOSEPH CONRAD (1857-1924), including Lord Jim (1900) and Heart of Darkness (1902).Conrad fills this, his 1912 autobiography, with tales of his Russian childhood and his ocean voyages as a sailor on French and British merchant ships, all told with a deeply reflective spirit and a narrative imagination that elevates the genre of the life story to the level of grand literature. Ringing with the author's own appreciation of the unusual course of his life, this is powerful-and true-background material for a new enjoyment of his enduring works of fiction.
Author: Joseph Conrad
Publisher: Cosimo, Inc.
ISBN: 1596057580
Category : Biography & Autobiography
Languages : en
Pages : 165
Get Book Here
Book Description
It was in 1868, when nine years old or thereabouts, that while looking at a map of Africa of the time and putting my finger on the blank space then representing the unsolved mystery of that continent, I said to myself, with absolute assurance and an amazing audacity which are no longer in my character now: "When I grow up I shall go there."-from A Personal RecordJ sef Teodor Konrad Korzeniowski was born in the Ukraine, saw Europe as a child, and saw the world from the sea as a young man. An adventurer and a dreamer from the start, the restlessness of his youth would inform the keen insight he brought to the classic novels he would write, after settling in England, under the name JOSEPH CONRAD (1857-1924), including Lord Jim (1900) and Heart of Darkness (1902).Conrad fills this, his 1912 autobiography, with tales of his Russian childhood and his ocean voyages as a sailor on French and British merchant ships, all told with a deeply reflective spirit and a narrative imagination that elevates the genre of the life story to the level of grand literature. Ringing with the author's own appreciation of the unusual course of his life, this is powerful-and true-background material for a new enjoyment of his enduring works of fiction.
Author: Joseph Conrad
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
"A Personal Record is an autobiographical work (or ""fragment of biography"") by Joseph Conrad, published in 1912.It has also been published under the titles A Personal Record: Some Reminiscences and Some Reminiscences.Notoriously unreliable and digressive in structure, it is nonetheless the principal contemporary source for information about the author's life.[citation needed] It tells about his schooling in Russian Poland, his sailing in Marseille, the influence of his Uncle Tadeusz, and the writing of Almayer's Folly."
Author: Joseph Conrad
Publisher:
ISBN: 9781542785778
Category :
Languages : en
Pages : 72
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Book Description
A Personal Record is an autobiographical work (or "fragment of biography") by Joseph Conrad, published in 1912. It has also been published under the titles A Personal Record: Some Reminiscences and Some Reminiscences. Notoriously unreliable and digressive in structure, it is nonetheless the principal contemporary source for information about the author's life.[citation needed] It tells about his schooling in Russian Poland, his sailing in Marseille, the influence of his Uncle Tadeusz, and the writing of Almayer's Folly. It provides a glimpse of how Conrad wished to be seen by his British public, as well as being an atmospheric work of art.[citation needed] The "Familiar Preface" Conrad wrote for it includes the often quoted lines: "Those who read me know my conviction that the world, the temporal world, rests on a few very simple ideas; so simple that they must be as old as the hills. It rests notably, among others, on the idea of Fidelity." Conrad wrote a new 'Author's Note' to A Personal Record for the Doubleday collected edition of his works (published in 1920) in which he discussed his friendship with the British colonial official and writer Hugh Clifford.... Joseph Conrad (Polish pronunciation: born Jozef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British nationality in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.
Author: Joseph Conrad
Publisher:
ISBN:
Category :
Languages : en
Pages : 490
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Book Description
Author: Joseph Conrad
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
A Personal Record (1912) both documents and fictionalizes Joseph Conrad's early life and the opening stages of his careers as a writer and as a seaman. It is also an artistic and political manifesto. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.
Author: Richard Ruppel
Publisher: Lexington Books
ISBN: 0739178253
Category : Literary Criticism
Languages : en
Pages : 159
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Book Description
Józef Teodor Konrad Korzeniowski, who gradually transformed himself into the English writer, Joseph Conrad, was a mercurial personality. He left Poland for the sea, though he had no experience with salt water. He left the Polish language for French, and then for English. He attempted suicide at the age of twenty. He invested in various schemes and lost his inheritance. He married an English typist nearly sixteen years younger than himself with whom he had nothing in common. He worked as a writer though he made no money through all the years of his most important work and though he experienced terrible psychological breakdowns after completing each novel. He was warm with his friends, ingratiating with influential strangers, but also intensely irritable and easily offended. His work is as varied and changeable as his personality, from his first two, emotionally intense Malay novels, to the stolid and confident Nigger of the “Narcissus” and “Typhoon”; from the coldly ironic “Outpost of Progress” to the nightmarishly subjective Heart of Darkness; from the leisurely, panoramic visions of Nostromo to the tautly nervous, claustrophobic ironies in The Secret Agent. Despite the extraordinary thematic and tonal range of his work, critics have imposed a stable political perspective on his fiction—most often an organic conservatism, influenced by his Polish background. This is understandable; until recently, a critic’s role has been to impose order on an artist’s creations. The approach in this book is different. Drawing on the work of Michel Foucault and Jean-Francois Lyotard, especially on the latter’s critique of what he called “the grand narrative,” A Political Genealogy of Joseph Conrad shows how Conrad’s politics were always radically contingent on audience, contemporary events, and, especially, genre. While the political perspective in each of his stories and novels may be more-or-less coherent and consistent, there is no consistency throughout his work. A Political Genealogy of Joseph Conrad is the first book devoted exclusively to Conrad’s politics since the 1960s.
Author:
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 622
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Book Description
Author: Steven G. Kellman
Publisher: U of Nebraska Press
ISBN: 9780803227453
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
It is difficult to write well even in one language. Yet a rich body of translingual literature -- by authors who write in more than one language or in a language other than their primary one -- exists. The Translingual Imagination is a pioneering study of the phenomenon, which is as ancient as the use of Arabic, Latin, Mandarin, Persian, and Sanskrit as linguae francae. Colonialism, war, mobility, and the aesthetics of alienation have combined to create a modern translingual canon. Opening with an overview of this vast subject, Steven G. Kellman then looks at the differences between ambilinguals -- those who write authoritatively in more than one language -- and monolingual translinguals -- those who write in only one language but not their native one. Kellman offers compelling analyses of the translingual situations of African and Jewish authors and of achievements by authors as varied as Mary Antin, Samuel Beckett, Louis Begley, J. M. Coetzee, Joseph Conrad, Eva Hoffman, Vladimir Nabokov, and John Sayles. While separate studies of individual translingual authors have long been available, this is the first in-depth study of the general phenomenon of translingual literature.
Author: Baxter Katherine Isobel Baxter
Publisher: Edinburgh University Press
ISBN: 1474403786
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Opens up the rich topic of Joseph Conrad's complex relationship with languageJoseph Conrad was, famously, trilingual in Polish, French and English, and was also familiar with German, Russian, Dutch and Malay. He was also a consummate stylist, using words with the precision of a poet in his fiction.The essays in this collection examine his engagement with specific lexical sets and terminology - maritime language, the language of terror, and abstract language; issues of linguistic communication - speech, hearing, and writing; and his relationship to specific languages - his deployment of foreign languages, his decision to write in English, and his reception through translation. The collection closes with an Afterword by renowned Conrad scholar, Laurence Davies.Key FeaturesThe first academic and critical study wholly devoted to the topic of Conrad and language, and the first to address that topic from a diversity of critical approachesSpeaks to a range of current trends in literary criticism including transnationalism, lateness, translation studies, terrorism and disabilities studiesComprises newly commissioned essays by leading and emerging Conrad scholars from around the world, employing a variety of approaches including philosophy, psychoanalytical theory, biographical theory, as well as textually driven readings
Author: Eric Coombes
Publisher: Andrews UK Limited
ISBN: 1845409183
Category : Architecture
Languages : en
Pages : 285
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Book Description
Can any of us entirely banish from our hearts and minds grave misgivings about the condition of the culture we now inhabit? Expressions of those misgivings are mostly unheard in public forums, ignored in the dominant media, and, if noticed at all, dismissed by state-supported bureaucracies and commercial vested interests. To have any chance of gaining attention, they must resolve themselves into coherent forms. We need to clarify our perceptions of the things that trouble us, by articulating and developing our thoughts about them. That is, we are in need of serious criticism—serious criticism, aesthetic, social and political—which is notably lacking in the contemporary world, especially in places readily available to the educated non-specialist, such as the 'quality' weekend newspapers, and especially, perhaps, in relation to the visual arts. The pieces collected in this volume are not presented as amounting to an overall account or theory of our cultural condition. They are offered merely as examples of serious criticism, of what we need if we are to begin to think more profitably about our condition, daring, in defiance of contemporary dogmatism, to make the necessary judgements of value without which our culture will continue to disintegrate.
