A painter witness to his time Minaux 1923-1986 PDF Download
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Author: Hélène Minaux
Publisher: BoD - Books on Demand
ISBN: 2322029297
Category : Science
Languages : en
Pages : 221
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Book Description
An extraordinary artistic and creative impulse followed WWII dark years. As early as 1946, André Minaux, artist and painter, shared it. His friends were Mourlot (master lithographer), Buffet, Lorjou and Rebeyrolle (painters) and Jean Lacouture (author and historian). His exceptional talent was unveiled by happenstance, fateful events and encouraged by great elders such as Picasso, Cocteau, Vlaminck, F.Desnoyer, Fernand Léger, Raoul Dufy, Dunoyer de Segonzac, Clavé and Lorjou. Minaux kept his distance from fashions and schools of thoughts. Art lovers were seduced by his original and powerful art. Minaux exhibited in galleries, museums and in important private collections worldwide. Also a lithographer, engraver and illustrator, he illustrated Hemingway, Cendrars, Ionesco, Agatha Christie, Giono and Marguerite Duras. He drew the famous last portrait of Gide. He found himself involved in a quarrel of figurative artists against abstracts ones, which was going full swing at the time. A painter’s route through those booming years’ artistic events. Narratives illustrated by artwork reproductions, press clippings, movie extracts, interviews and photos. A surprising life in pursuit of art he always questioned.
Author: Hélène Minaux
Publisher: BoD - Books on Demand
ISBN: 2322029297
Category : Science
Languages : en
Pages : 221
Get Book Here
Book Description
An extraordinary artistic and creative impulse followed WWII dark years. As early as 1946, André Minaux, artist and painter, shared it. His friends were Mourlot (master lithographer), Buffet, Lorjou and Rebeyrolle (painters) and Jean Lacouture (author and historian). His exceptional talent was unveiled by happenstance, fateful events and encouraged by great elders such as Picasso, Cocteau, Vlaminck, F.Desnoyer, Fernand Léger, Raoul Dufy, Dunoyer de Segonzac, Clavé and Lorjou. Minaux kept his distance from fashions and schools of thoughts. Art lovers were seduced by his original and powerful art. Minaux exhibited in galleries, museums and in important private collections worldwide. Also a lithographer, engraver and illustrator, he illustrated Hemingway, Cendrars, Ionesco, Agatha Christie, Giono and Marguerite Duras. He drew the famous last portrait of Gide. He found himself involved in a quarrel of figurative artists against abstracts ones, which was going full swing at the time. A painter’s route through those booming years’ artistic events. Narratives illustrated by artwork reproductions, press clippings, movie extracts, interviews and photos. A surprising life in pursuit of art he always questioned.
Author: Ian Chilvers
Publisher: Oxford University Press, USA
ISBN: 0199239657
Category : Art
Languages : en
Pages : 786
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Book Description
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Author: Emmanuel Benezit
Publisher:
ISBN: 9782700030709
Category :
Languages : en
Pages : 1482
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Book Description
Author: Ian Chilvers
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 696
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Book Description
The most useful reference work on twentieth-century art ever published in a single volume.
Author: Raymond Nacenta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1526
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Book Description
Author: Sarah J. S. Suzuki
Publisher: The Museum of Modern Art
ISBN: 087070818X
Category : Art
Languages : en
Pages : 170
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Book Description
Illuminates a wide range of printmaking techniques, featuring short overviews and illustrations of more than 130 works from The Museum of Modern Art's print collection
Author: Raoul Dufy
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages : 120
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Book Description
Author: David Robbins
Publisher: MIT Press (MA)
ISBN: 9780262181396
Category : Art
Languages : en
Pages : 256
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Book Description
This book provides the first comprehensive view of the IG's aims and significance.
Author: Peter van der Coelen
Publisher:
ISBN: 9789069182704
Category : Art and photography
Languages : en
Pages : 271
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Book Description
This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.
Author: Tate Gallery
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
E.J. Power (1899-1993) was one of the great collectors of post-war international art. He first began to buy modern art in the early 1950s, making frequent trips to Paris - then regarded as the capital of modern art - in search of works by Dubuffet, de Stael, Jorn, Tapies and others. From 1956-7 he became increasingly interested in contemporary American art, and he was one of the first British collectors to acquire works by Jackson Pollock, Ellsworth Kelly and Barnett Newman.
