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Author: Sanford Schwartz
Publisher: Princeton University Press
ISBN: 1400857627
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Sanford Schwartz situates Modernist poetics in the intellectual ferment of the early twentieth century, which witnessed major developments in philosophy, science, and the arts. Beginning with the works of various philosophers--Bergson, James, Bradley, Nietzsche, and Husserl, among others--he establishes a matrix that brings together not only the principal characteristics of Modernist/New Critical poetics but also the affiliations between the Continental and the Anglo-American critical traditions. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Sanford Schwartz
Publisher: Princeton University Press
ISBN: 1400857627
Category : Literary Criticism
Languages : en
Pages : 247
Get Book Here
Book Description
Sanford Schwartz situates Modernist poetics in the intellectual ferment of the early twentieth century, which witnessed major developments in philosophy, science, and the arts. Beginning with the works of various philosophers--Bergson, James, Bradley, Nietzsche, and Husserl, among others--he establishes a matrix that brings together not only the principal characteristics of Modernist/New Critical poetics but also the affiliations between the Continental and the Anglo-American critical traditions. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Michael Levenson
Publisher: Cambridge University Press
ISBN: 1107010632
Category : Art
Languages : en
Pages : 343
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Book Description
Including chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, this text provides both close analyses of individual works of modernism and a broader set of interpretive narratives.
Author: Mark Wollaeger
Publisher: Princeton University Press
ISBN: 1400828627
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world. Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.
Author: Anne Quéma
Publisher: Bucknell University Press
ISBN: 9780838753927
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
"Lewis's political writings present ambiguities: his stated belief in the autonomy of art from life is contradicted by other statements he made and by his critical analyses of writers; and his political writings blur any a priori generic distinction between art and non-art. Given this blurring between art and life, artistic genre and non-artistic genre, Quema claims that Lewis's political texts present characteristics usually attributed to avant-gardism. However, this radicalism has to be balanced against Lewis's conservatism. Thus his political writings can be read as allegories with two pragmatic aims: to organize the life of the polis from an artistic standpoint and to persuade the reader to adhere to authoritarian politics."--BOOK JACKET.
Author: Allan Antliff
Publisher: University of Chicago Press
ISBN: 9780226021034
Category : Art
Languages : en
Pages : 322
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Book Description
Reveals that during the World War I era modernists participated in a wide-ranging anarchist movement that encompassed lifestyles, literature, and art, as well as politics.
Author: Laura Doyle
Publisher: Indiana University Press
ISBN: 9780253217783
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Modernism as a global phenomenon is the focus of the essays gathered in this book. The term "geomodernisms" indicates their subjects' continuity with and divergence from commonly understood notions of modernism. The contributors consider modernism as it was expressed in the non-Western world; the contradictions at the heart of modernization (in revolutionary and nationalist settings, and with respect to race and nativism); and modernism's imagined geographies, "pyschogeographies" of distance and desire as viewed by the subaltern, the caste-bound, the racially mixed, the gender-determined.
Author: Sara Danius
Publisher: Cornell University Press
ISBN: 150172116X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.
Author: Diana Mishkova
Publisher: Central European University Press
ISBN: 9633860954
Category : Political Science
Languages : en
Pages : 454
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Book Description
The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism—in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.
Author: David Peters Corbett
Publisher: Manchester University Press
ISBN: 9780719037337
Category : Art
Languages : en
Pages : 260
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Book Description
"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Author: Yoonjoung Choi
Publisher: Cambridge Scholars Publishing
ISBN: 1443883514
Category : Art
Languages : en
Pages : 290
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Book Description
We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions,
