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Author: Ann Goldstein
Publisher:
ISBN: 9780914357872
Category : Art, American
Languages : es
Pages : 452
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Book Description
Author: Ann Goldstein
Publisher:
ISBN: 9780914357872
Category : Art, American
Languages : es
Pages : 452
Get Book Here
Book Description
Author: Ann Goldstein
Publisher:
ISBN: 9780914357872
Category :
Languages : en
Pages :
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Book Description
Author: Susanneh Bieber
Publisher: Taylor & Francis
ISBN: 1000894800
Category : Art
Languages : en
Pages : 346
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Book Description
This volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, landscape designers, and urban planners—because they believed these practices more directly shaped the social and material spaces of everyday life. This book’s contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism.
Author: Matthew L. Levy
Publisher: Routledge
ISBN: 0429852975
Category : Art
Languages : en
Pages : 274
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Book Description
This book undertakes a critical reappraisal of Minimalism through an examination of three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing their substantive engagements with Minimalist discourse, as well as their often overlooked artistic exchanges with their sculptor peers, it demonstrates that painting crucially informed the movement’s development, serving not only as an object of critique but also as a crucible for its most central tenets. It also poses broader disciplinary implications as it historicizes and challenges Minimalism’s "death of painting" critiques that have been so influential to theories of modernism and postmodernism in the visual arts.
Author: Robert Smithson
Publisher: Univ of California Press
ISBN: 9780520244092
Category : Art
Languages : en
Pages : 288
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Book Description
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Author: Miguel de Baca
Publisher: Univ of California Press
ISBN: 0520286618
Category : Art
Languages : en
Pages : 162
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Book Description
"Memory Work demonstrates the evolution of the pioneering minimalist sculptor Anne Truitt, analyzing the key theme of memory in her practice. In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never-before-seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art."--Provided by publisher.
Author: Edward A. Vazquez
Publisher: University of Chicago Press
ISBN: 022640806X
Category : Art
Languages : en
Pages : 248
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Book Description
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943–2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback’s substantial archive, Edward A. Vazquez demonstrates that the artist’s work—with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s—creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback’s site-determined practice draws viewers’ focus to their connection to space and others sharing it. As Vazquez shows, Sandback’s art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.
Author: Michael Govan
Publisher: Yale University Press
ISBN: 0300106327
Category : Art
Languages : en
Pages : 218
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Book Description
Light, considered the purest embodiment of the divine, is the basis of all art to one degree or another, so why not make art out of light? Dan Flavin (1933-96), an innovative and prolific American sculptor who can be considered an abstract, minimalist, and installation artist, chose as his medium commercial fluorescent tubes, and with these everyday lights created works of radiant and evocative beauty. Flavin had many major shows and created a number of permanent public installations; now his work is being celebrated in a magnificent retrospective exhibition that will travel across the country. This handsomely produced volume by Govan, director of the Dia Art Foundation, and Bell, who worked with Flavin, presents exquisite photographs of Flavin's seminal light compositions and expert biographical and critical assessments. Citing Byzantine icons, William Ockham, and Barnett Newman as influences, Flavin created ravishingly beautiful colors and profoundly nuanced constructions with seemingly banal industrial materials, transforming ordinary spaces into places of wonder. For a definitive catalog see Dan Flavin: The Complete Lights, 1961-1996
Author: Pedro R. Erber
Publisher: Univ of California Press
ISBN: 0520282434
Category : Art
Languages : en
Pages : 246
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Book Description
Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as HŽlio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for Òdirect actionÓ here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically charged debates on realism and abstraction and in the experiments of 1950s concrete poetry. He shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation. In contrast to the ÒdematerializationÓ of the art object promoted by New YorkÐbased critics and conceptual artists in the late 1960s, avant-garde artists and poets in Brazil and Japan embraced materiality as intrinsic and fundamental to their highly conceptual practices. Breaching the Frame explores their uncannily contemporaneous trajectories, tracing the emergence of participatory practices and theories that challenged the limits of aesthetic contemplation and redefined the politics of spectatorship.
Author: Timothy Stroud
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
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Book Description
A new title of the 5-volume series covering the fundamental events and pivotal works of international art in the 20th century. With the third volume, this history of art goes past the halfway mark of the 20th century to enter the contemporary sphere. The book relates how artists reacted to the greatest tragedy of the 20th century and responded to the advent of the society of mass communication and consumption, to the moulding of the world in which we find ourselves ever more deeply immersed today. The collapse and rebirth of Europe, the years of the Cold War and the evolution leading to the upheavals of 1968 are fundamental themes of this third volume.
