A Method to Learn to Design the Passions PDF Download
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Author: Charles Le Brun
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 124
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Book Description
Author: Charles Le Brun
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 124
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Book Description
Author: Joseph R. Roach
Publisher: University of Michigan Press
ISBN: 9780472082445
Category : History
Languages : en
Pages : 260
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Book Description
Explores the historical and cultural evolution of the theoretical language of the stage
Author: James A. Steintrager
Publisher: Indiana University Press
ISBN: 9780253343673
Category : History
Languages : en
Pages : 238
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Book Description
Cruel Investigation investigates the fascination with joyful malice in 18th-century Europe and how this obsession helped inform the very meaning of humanity. James A. Steintrager reveals how the understanding of cruelty moved from an inexplicable, apparently paradoxical "inhuman" pleasure in the misfortune of others to an eminently human trait stemming from will and freedom
Author: Susan Stabile
Publisher: Cornell University Press
ISBN: 1501729934
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
A renowned literary coterie in eighteenth-century Philadelphia—Elizabeth Fergusson, Hannah Griffitts, Deborah Logan, Annis Stockton, and Susanna Wright—wrote and exchanged thousands of poems and maintained elaborate handwritten commonplace books of memorabilia. Through their creativity and celebrated hospitality, they initiated a salon culture in their great country houses in the Delaware Valley. In this stunningly original and heavily illustrated book, Susan M. Stabile shows that these female writers sought to memorialize their lives and aesthetic experience—a purpose that stands in marked contrast to the civic concerns of male authors in the republican era. Drawing equally on material culture and literary history, Stabile discusses how the group used their writings to explore and at times replicate the arrangement of their material possessions, including desks, writing paraphernalia, mirrors, miniatures, beds, and coffins. As she reconstructs the poetics of memory that informed the women's lives and structured their manuscripts, Stabile focuses on vernacular architecture, penmanship, souvenir collecting, and mourning. Empirically rich and nuanced in its readings of different kinds of artifacts, this engaging work tells of the erasure of the women's lives from the national memory as the feminine aesthetic of scribal publication was overshadowed by the proliferating print culture of late eighteenth-century America.
Author: Maddalena Mazzocut-Mis
Publisher: Cambridge Scholars Publishing
ISBN: 1443836834
Category : Art
Languages : en
Pages : 190
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Book Description
The public does not desire horror, yet enjoys it in art and suffers it in life. When we deal with the monstrous marriage of the abject and the sublime, the consequent thrill of enjoyment is never appeased, always problematic, often unresolved and finally borders on physiological if not pathological narcissism. The public is well acquainted with this ‘rhetoric of effects’; rhetoric of extreme effects, which transforms the spectator into voyeur or victim, into an apathetic torturer, whenever cruelty is shown without respite. A look of horror greets the enjoyment of extremes and enjoyment to the extreme as well; the Eighteenth Century teaches us that lesson. The century of good taste elaborates a sense of the limits, since representing horror means choosing not so much to domesticate it as to render it more enjoyable. It is a game of limits that are not limits anymore, as we can allude to an infinity that often shows the features of the sublime.
Author: J. McMaster
Publisher: Springer
ISBN: 023051202X
Category : Fiction
Languages : en
Pages : 213
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Book Description
McMaster's lively study looks at the various codes by which Eighteenth-century novelists made the minds of their characters legible through their bodies. She tellingly explores the discourses of medicine, physiognomy, gesture and facial expression, completely familiar to contemporary readers but not to us, in ways that enrich our reading of such classics as Clarissa and Tristram Shandy , as well as of novels by Fanny Burney, Mary Wollstonecraft and Jane Austen.
Author: Robert Maniura
Publisher: Routledge
ISBN: 135155333X
Category : Art
Languages : en
Pages : 341
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Book Description
In about 25 BC tribesmen of the kingdom of Meroe placed a bronze head of Augustus, cut from a full-length statue, beneath the steps of a temple of victory: the decapitated head of the Emperor was thus regularly trampled underfoot. Two millennia later, during the second Gulf War, Iraqis 'insulted' a toppled bronze statue of Saddam Hussein by beating it with their shoes. Do these chronologically distant but apparently related examples of the defamation of images imply that the persons represented were regarded by their detractors as in some way 'present' in the images? Presence: The Inherence of the Prototype within Images and Other Objects reconsiders the notion of 'presence' in objects. The first book to address the issue directly, it contains a series of case studies covering a broad geographical and chronological range from ancient Greece and the Incas to industrial America and contemporary India, as well as examples from the canon of western European art. The studies reveal the widespread evidence for this striking form of response and allow readers to see how 'presence' is evoked and either embraced or repressed in differing historical and cultural contexts. Featuring a variety of disciplines and approaches, the book will be of interest to students of art history, art theory, visual culture, anthropology, psychology and philosophy.
Author:
Publisher: ReadHowYouWant.com
ISBN: 1442957735
Category :
Languages : en
Pages : 578
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Book Description
Author: James Ogden
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636909
Category : Drama
Languages : en
Pages : 316
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Book Description
The late William Ringler, Jr. and James Ogden examine the theatrical tradition from Shakespeare's time to the nineteenth century. The history of literary criticism to Bradley and beyond is sketched in the introduction, and recent criticism is described in more detail by Richard Levin. Carol Rutter's essay on the women characters in the play is inspired partly by feminist criticism and partly by recent productions. The productions of the last thirty years are covered by theater critic Benedict Nightingale, and the major film versions by Anthony Davies and Stephen Phillips. Finally, Stuart Sillars presents a "visual history," an account of artistic responses that suggests further possibilities for both research and teaching.
Author: James Harriman-Smith
Publisher: Bloomsbury Publishing
ISBN: 1350171980
Category : Performing Arts
Languages : en
Pages : 151
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Book Description
The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed Shakespeare at the heart of the classical repertoire and offered unprecedented opportunities to female actors. This book demonstrates how an understanding of the practice and theories circulating three hundred years ago can generate new ways of studying and performing plays of all kinds in the present. Eight short essays – on emotions, cultivation, character, voice, action, company, audience, and reflection – provide two things: a vivid introduction to the practice and ideas of the eighteenth-century stage, and the story of how these past practices and ideas were used in collaborative workshops around the UK to create new rehearsal exercises. Designed to work alone or in combination, these exercises are also open to further adaptation and analysis as part of a work that treats theatre writers of the past as potential collaborators for those interested in theatre today. Marrying academic and professional theatre expertise, this book ranges through a vast archive of writing about acting, from private letters and battered promptbooks, through to philosophical treatises and celebrity biographies. The exercises, stories, and ideas shared here capture the strangeness of this material – and sometimes its surprising familiarity, as questions asked of actors then seem to anticipate those questions we ask now. A truly unique offering, What would Garrick Do? Or, Acting Lessons from the Eighteenth Century offers a fascinating deep-dive into an important time in theatre history to illuminate practices and processes today.
