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Author: Mary Rhinelander McCarl
Publisher: Routledge
ISBN: 0429627262
Category : History
Languages : en
Pages : 257
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Book Description
Published in 1997: An edition of the literary virus that inserted itself into the Canterbury Tales and passed as authentic until the late 19th century. The virulent attack on the clergy made possible the Renaissance conception of Chaucer as a pre-Protestant English patriot.
Author: Mary Rhinelander McCarl
Publisher: Routledge
ISBN: 0429627262
Category : History
Languages : en
Pages : 257
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Book Description
Published in 1997: An edition of the literary virus that inserted itself into the Canterbury Tales and passed as authentic until the late 19th century. The virulent attack on the clergy made possible the Renaissance conception of Chaucer as a pre-Protestant English patriot.
Author: William Langland
Publisher: University of Pennsylvania Press
ISBN: 9780812215618
Category : Poetry
Languages : en
Pages : 304
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Book Description
"A gifted poet has given us an astute, adroit, vigorous, inviting, eminently readable translation. . . . The challenging gamut of Langland's language . . . has here been rendered with blessed energy and precision. Economou has indeed Done-Best."—Allen Mandelbaum
Author: Devani Singh
Publisher: Cambridge University Press
ISBN: 1009231103
Category : Language Arts & Disciplines
Languages : en
Pages : 287
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Book Description
The first extended study of the reception of Chaucer's medieval manuscripts in the early modern period, this book focuses chiefly on fifteenth-century manuscripts and discusses how these volumes were read, used, valued, and transformed in an age of the poet's prominence in print. Each chapter argues that patterns in the material interventions made by readers in their manuscripts – correcting, completing, supplementing, and authorising – reflect conventions which circulated in print, and convey prevailing preoccupations about Chaucer in the period: the antiquity and accuracy of his words, the completeness of individual texts and of the canon, and the figure of the author himself. This unexpected and compelling evidence of the interactions between fifteenth-century manuscripts and their early modern analogues asserts print's role in sustaining manuscript culture and thus offers fresh scholarly perspectives to medievalists, early modernists, and historians of the book. This title is also available as open access on Cambridge Core.
Author: Charles Abraham Owen
Publisher: Boydell & Brewer
ISBN: 9780859913348
Category : Literary Collections
Languages : en
Pages : 150
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Book Description
Owen investigates what the manuscripts of the Canterbury Tales reveal about the way they came into being. [see revs] This study of the manuscripts of the Canterbury Talescalls into question previous efforts to explain the complexities, the different orderings of the tales and the extraordinary shifts in textual affiliations within the manuscripts. Owen sees the manuscripts that survive, most of them collections of all or almost all the tales, as derived from the large number of single tales and small collections that circulated after Chaucer's death. This theory takes issue with all modern editions of the Canterbury Tales, which in Owen's view reflect the effort of medieval scribes and supervisors to make a satisfactory book of the collection of fragments Chaucer left behind. It is this collection of fragments, the authentic Tales of Canterbury by Geoffrey Chaucer, which reflects the different stages of the plan that was still evolving at his death. CHARLES A. OWEN Jr is former Professor of English and Chairman of Medieval Studies at the University of Conneticut.
Author: Lawrence Warner
Publisher: Cambridge University Press
ISBN: 1107783097
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem and contextualizes its first modernization. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title is available as Open Access on Cambridge Books Online and via Knowledge Unlatched.
Author: James McMurrin Dean
Publisher: Medieval Institute Publications
ISBN:
Category : Humor
Languages : en
Pages : 268
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Book Description
Texts in Middle English; introductions, notes, etc. in English.
Author: Megan L. Cook
Publisher: University of Pennsylvania Press
ISBN: 081229582X
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Between 1532 and 1602, the works of Geoffrey Chaucer were published in no less than six folio editions. These were, in fact, the largest books of poetry produced in sixteenth-century England, and they significantly shaped the perceptions of Chaucer that would hold sway for centuries to come. But it is the stories behind these editions that are the focus of Megan L. Cook's interest in The Poet and the Antiquaries. She explores how antiquarians—historians, lexicographers, religious polemicists, and other readers with a professional, but not necessarily literary, interest in the English past—played an indispensable role in making Chaucer a figure of lasting literary and cultural importance. After establishing the antiquarian involvement in the publication of the folio editions, Cook offers a series of case studies that discuss Chaucer and his works in relation to specific sixteenth-century discourses about the past. She turns to early accounts of Chaucer's biography to show how important they were in constructing the poet as a figure whose life and works could be known, understood, and valued by later readers. She considers the claims made about Chaucer's religious views, especially the assertions that he was a proto-Protestant, and the effects they had on shaping his canon. Looking at early modern views on Chaucerian language, she illustrates how complicated the relations between past and present forms of English were thought to be. Finally, she demonstrates the ways in which antiquarian readers applied knowledge from other areas of scholarship to their reading of Middle English texts. Linking Chaucer's exceptional standing in the poetic canon with his role as a symbol of linguistic and national identity, The Poet and the Antiquaries demonstrates how and why Chaucer became not only the first English author to become a subject of historical inquiry but also a crucial figure for conceptualizing the medieval in early modern England.
Author: Greg Walker
Publisher: Edinburgh University Press
ISBN: 0748681035
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
This study demonstrates the value of historical and cultural analysis alongside traditional literary scholarship for enriching our understanding of plays and poems from the medieval and early Tudor past and of the cultures which produced and received them
Author: Sarah Wood
Publisher: Boydell & Brewer
ISBN: 1914049071
Category :
Languages : en
Pages : 261
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Book Description
The first full survey of crucial witnesses to the reception of Piers Plowman.
Author: Andrew Higl
Publisher: Routledge
ISBN: 1317079841
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Playing the Canterbury Tales addresses the additions, continuations, and reordering of the Canterbury Tales found in the manuscripts and early printed editions of the Tales. Many modern editions present a specific set of tales in a specific order, and often leave out an entire corpus of continuations and additions. Andrew Higl makes a case for understanding the additions and changes to Chaucer's original open and fragmented work by thinking of them as distinct interactive moves in a game similar to the storytelling game the pilgrims play. Using examples and theories from new media studies, Higl demonstrates that the Tales are best viewed as an "interactive fiction," reshaped by active readers. Readers participated in the ongoing creation and production of the tales by adding new text and rearranging existing text, and through this textual transmission, they introduced new social and literary meaning to the work. This theoretical model and the boundaries between the canonical and apocryphal texts are explored in six case studies: the spurious prologues of the Wife of Bath's Tale, John Lydgate's influence on the Tales, the Northumberland manuscript, the ploughman character, and the Cook's Tale. The Canterbury Tales are a more dynamic and unstable literary work than usually encountered in a modern critical edition.
