A Manual of Sixteenth-century Counterpoint for Use in Music 1 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Manual of Sixteenth-century Counterpoint for Use in Music 1 PDF full book. Access full book title A Manual of Sixteenth-century Counterpoint for Use in Music 1 by David Dodge Boyden. Download full books in PDF and EPUB format.
Author: David Dodge Boyden
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 56
Get Book Here
Book Description
Author: David Dodge Boyden
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 56
Get Book Here
Book Description
Author: DAVID D AUTOR BOYDEN
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825827648
Category :
Languages : en
Pages : 110
Get Book Here
Book Description
Author: Charlotte Smith
Publisher: University of Delaware Press
ISBN: 9780874133271
Category : Music
Languages : en
Pages : 162
Get Book Here
Book Description
This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.
Author: Knud Jeppesen
Publisher: Courier Corporation
ISBN: 0486318877
Category : Music
Languages : en
Pages : 322
Get Book Here
Book Description
First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.
Author: Markand Thakar
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344
Get Book Here
Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
Author: David Dodge Boyden
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 48
Get Book Here
Book Description
Author: Robert Stewart
Publisher: Scarecrow Press
ISBN: 1461722942
Category : Music
Languages : en
Pages : 240
Get Book Here
Book Description
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
Get Book Here
Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Author: Sol Berkowitz
Publisher: W. W. Norton
ISBN: 9780393954654
Category : Sight-singing
Languages : en
Pages : 319
Get Book Here
Book Description
Now in its Fourth Edition, A New Approach to Sight Singing continues to lead the pack with its innovative and class-tested method of teaching the four-semester sight singing sequence. The authors "new approach" places the act of singing melodies at sight within the context of musicianship as a whole.
Author: Charles Horton
Publisher: Rowman & Littlefield
ISBN: 1538121484
Category : Music
Languages : en
Pages : 786
Get Book Here
Book Description
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email
[email protected] for more information.
