Author: Tana French
Publisher: Penguin
ISBN: 9780670018864
Category : Fiction
Languages : en
Pages : 486
Book Description
A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.
The Likeness
Author: Tana French
Publisher: Penguin
ISBN: 9780670018864
Category : Fiction
Languages : en
Pages : 486
Book Description
A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.
Publisher: Penguin
ISBN: 9780670018864
Category : Fiction
Languages : en
Pages : 486
Book Description
A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.
Reminded by the Instruments
Author: You Nakai
Publisher: Oxford University Press
ISBN: 0190686766
Category : Music
Languages : en
Pages : 769
Book Description
David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. Author You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal a new perspective on Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose work always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his dissection of electronic circuits, Nakai transcends discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
Publisher: Oxford University Press
ISBN: 0190686766
Category : Music
Languages : en
Pages : 769
Book Description
David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. Author You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal a new perspective on Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose work always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his dissection of electronic circuits, Nakai transcends discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
Hearing, Sound, and the Auditory in Ancient Greece
Author: Jill Gordon
Publisher: Indiana University Press
ISBN: 0253062837
Category : History
Languages : en
Pages : 424
Book Description
"Hearing, Sound, and the Auditory in Ancient Greece represents the first comprehensive study of the role of sound and hearing in the ancient Greek world. While our modern western culture is almost an entirely visual one, hearing and sound were central to ancient Greeks. The fifteen chapters of this edited volume explore "hearing" as being philosophically significant across numerous texts and figures in ancient Greek philosophy. Through close analysis of the philosophy of such figures as Heraclitus, Sophocles, Plato, Socrates, and Aristotle, Hearing, Sound, and Auditory in Ancient Greece presents new and unique research from philosophers and classicists that aims to redirect us to the ways in which sound, hearing, music, listening, voice, and even silence shaped and reflected the worldview of ancient Greece"--
Publisher: Indiana University Press
ISBN: 0253062837
Category : History
Languages : en
Pages : 424
Book Description
"Hearing, Sound, and the Auditory in Ancient Greece represents the first comprehensive study of the role of sound and hearing in the ancient Greek world. While our modern western culture is almost an entirely visual one, hearing and sound were central to ancient Greeks. The fifteen chapters of this edited volume explore "hearing" as being philosophically significant across numerous texts and figures in ancient Greek philosophy. Through close analysis of the philosophy of such figures as Heraclitus, Sophocles, Plato, Socrates, and Aristotle, Hearing, Sound, and Auditory in Ancient Greece presents new and unique research from philosophers and classicists that aims to redirect us to the ways in which sound, hearing, music, listening, voice, and even silence shaped and reflected the worldview of ancient Greece"--
Frankenstein in Theory
Author: Orrin N. C. Wang
Publisher: Bloomsbury Publishing USA
ISBN: 1501360809
Category : Literary Criticism
Languages : en
Pages : 443
Book Description
This collection provides new readings of Frankenstein from a myriad of established and burgeoning theoretical vantages including narrative theory, cognitive and affect theory, the new materialism, media theory, critical race theory, queer and gender studies, deconstruction, psychoanalysis, and others. Demonstrating how the literary power of Frankenstein rests on its ability to theorize questions of mind, self, language, matter, and the socio-historic that also drive these critical approaches, this volume illustrates the ongoing intellectual richness found both in Mary Shelley's work and contemporary ways of thinking about it.
Publisher: Bloomsbury Publishing USA
ISBN: 1501360809
Category : Literary Criticism
Languages : en
Pages : 443
Book Description
This collection provides new readings of Frankenstein from a myriad of established and burgeoning theoretical vantages including narrative theory, cognitive and affect theory, the new materialism, media theory, critical race theory, queer and gender studies, deconstruction, psychoanalysis, and others. Demonstrating how the literary power of Frankenstein rests on its ability to theorize questions of mind, self, language, matter, and the socio-historic that also drive these critical approaches, this volume illustrates the ongoing intellectual richness found both in Mary Shelley's work and contemporary ways of thinking about it.
Sounds
Author: Casey O'Callaghan
Publisher: OUP Oxford
ISBN: 0191527041
Category : Philosophy
Languages : en
Pages : 208
Book Description
Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O'Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind. Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary or sensible qualities, O'Callaghan argues that, on any perceptually plausible account, sounds are events. But this does not imply that sounds are waves that propagate through a medium, such as air or water. Rather, sounds are events that take place in one's environment at or near the objects and happenings that bring them about. This account captures the way in which sounds essentially are creatures of time, and situates sounds in a world populated by items and events that have significance for us. Sounds are not ethereal, mysterious entities. O'Callaghan's account of sounds and their perception discloses far greater variety among the kinds of things we perceive than traditional views acknowledge. But more importantly, investigating sounds and audition demonstrates that considering other sense modalities teaches what we could not otherwise learn from thinking exclusively about the visual. Sounds articulates a powerful account of echoes, reverberation, Doppler effects, and perceptual constancies that surpasses the explanatory richness of alternative theories, and also reveals a number of surprising cross-modal perceptual illusions. O'Callaghan argues that such illusions demonstrate that the perceptual modalities cannot be completely understood in isolation, and that the visuocentric model for theorizing about perception - according to which perceptual modalities are discrete modes of experience and autonomous domains of philosophical and scientific inquiry - ought to be abandoned.
Publisher: OUP Oxford
ISBN: 0191527041
Category : Philosophy
Languages : en
Pages : 208
Book Description
Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O'Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind. Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary or sensible qualities, O'Callaghan argues that, on any perceptually plausible account, sounds are events. But this does not imply that sounds are waves that propagate through a medium, such as air or water. Rather, sounds are events that take place in one's environment at or near the objects and happenings that bring them about. This account captures the way in which sounds essentially are creatures of time, and situates sounds in a world populated by items and events that have significance for us. Sounds are not ethereal, mysterious entities. O'Callaghan's account of sounds and their perception discloses far greater variety among the kinds of things we perceive than traditional views acknowledge. But more importantly, investigating sounds and audition demonstrates that considering other sense modalities teaches what we could not otherwise learn from thinking exclusively about the visual. Sounds articulates a powerful account of echoes, reverberation, Doppler effects, and perceptual constancies that surpasses the explanatory richness of alternative theories, and also reveals a number of surprising cross-modal perceptual illusions. O'Callaghan argues that such illusions demonstrate that the perceptual modalities cannot be completely understood in isolation, and that the visuocentric model for theorizing about perception - according to which perceptual modalities are discrete modes of experience and autonomous domains of philosophical and scientific inquiry - ought to be abandoned.
A Sign of Her Own
Author: Sarah Marsh
Publisher: Harlequin
ISBN: 0369747593
Category : Fiction
Languages : en
Pages : 357
Book Description
A mesmerizing tale of historical fiction that follows a deaf former student of Alexander Graham Bell as she learns to reclaim her own authentic voice. Ellen Lark is on the verge of marriage when she and her fiancé receive an unexpected visit from Alexander Graham Bell. Ellen is deaf and for a time she was Bell's student learning visible speech. During their lessons, Bell also confided in her about his dream of producing a device that would transmit the human voice along a wire: the telephone. Now, on the cusp of wealth and renown, Bell wants Ellen to speak up in support of his claim to the patent of the telephone, which is being challenged by rival inventors. But Ellen has a different story to tell: that of how Bell betrayed her and other deaf pupils in pursuit of his own ambition. Ellen knows that this is her one opportunity to tell the true story—her story—but to do so will risk her engagement, her future prospects and her mother’s last wish for her. Inspired by Alexander Graham Bell's real deaf students, this stunning historical debut casts new light on the inventor and the invention that would forever change how we communicate.
Publisher: Harlequin
ISBN: 0369747593
Category : Fiction
Languages : en
Pages : 357
Book Description
A mesmerizing tale of historical fiction that follows a deaf former student of Alexander Graham Bell as she learns to reclaim her own authentic voice. Ellen Lark is on the verge of marriage when she and her fiancé receive an unexpected visit from Alexander Graham Bell. Ellen is deaf and for a time she was Bell's student learning visible speech. During their lessons, Bell also confided in her about his dream of producing a device that would transmit the human voice along a wire: the telephone. Now, on the cusp of wealth and renown, Bell wants Ellen to speak up in support of his claim to the patent of the telephone, which is being challenged by rival inventors. But Ellen has a different story to tell: that of how Bell betrayed her and other deaf pupils in pursuit of his own ambition. Ellen knows that this is her one opportunity to tell the true story—her story—but to do so will risk her engagement, her future prospects and her mother’s last wish for her. Inspired by Alexander Graham Bell's real deaf students, this stunning historical debut casts new light on the inventor and the invention that would forever change how we communicate.
The Original Secession Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 614
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 614
Book Description
The Voice of the Seven Thunders, Or, Lectures on the Apocalypse
Author: J. Lemuel Martin
Publisher:
ISBN:
Category : Apocalyptic literature
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Apocalyptic literature
Languages : en
Pages : 342
Book Description
The Voice of Israel
Author:
Publisher:
ISBN:
Category : Christian converts from Judaism
Languages : en
Pages : 518
Book Description
Publisher:
ISBN:
Category : Christian converts from Judaism
Languages : en
Pages : 518
Book Description
The Voice of Truth
Author: Neville Earl Walker
Publisher: Xlibris Corporation
ISBN: 1450018742
Category : Religion
Languages : en
Pages : 146
Book Description
In view of the behavioral inconsistency with doctrine by born-again believers, this book serves to offer guidelines so that earnest believers who speak of eternal life will also behave in a manner that relates to their expectations. As Christians, we previously lived in nonconformity to the things that the Bible encourages. Now, our new lifestyle should demonstrate the teaching of the Bible to "Love not the world, neither the things that are in the world. If any man loves the world, the love of the Father is not in him. For all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life, is not of the Father, but is of the world" (1 Jn. 2:15 16). Love of the world involves fleshly lust and selfish pride. It is the most challenging antagonism that can distract a believer's walk with the Lord. To be enthralled by worldliness means that he or she is deceived, and such worldly pursuit can only lead to separation from God. In light of the deceiving elements that lead to destruction, The Voice of Truth purports to edify believers . . . for the perfecting of the Saints and the unity of the faith. The lifestyle of Saints must adopt the attitude of pleasing God, not ourselves. Our behavior must conform to doctrinal principles through love as the body of Christ.
Publisher: Xlibris Corporation
ISBN: 1450018742
Category : Religion
Languages : en
Pages : 146
Book Description
In view of the behavioral inconsistency with doctrine by born-again believers, this book serves to offer guidelines so that earnest believers who speak of eternal life will also behave in a manner that relates to their expectations. As Christians, we previously lived in nonconformity to the things that the Bible encourages. Now, our new lifestyle should demonstrate the teaching of the Bible to "Love not the world, neither the things that are in the world. If any man loves the world, the love of the Father is not in him. For all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life, is not of the Father, but is of the world" (1 Jn. 2:15 16). Love of the world involves fleshly lust and selfish pride. It is the most challenging antagonism that can distract a believer's walk with the Lord. To be enthralled by worldliness means that he or she is deceived, and such worldly pursuit can only lead to separation from God. In light of the deceiving elements that lead to destruction, The Voice of Truth purports to edify believers . . . for the perfecting of the Saints and the unity of the faith. The lifestyle of Saints must adopt the attitude of pleasing God, not ourselves. Our behavior must conform to doctrinal principles through love as the body of Christ.