Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 344
Book Description
A History of Painting in Italy: Early Christian art
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 344
Book Description
A New History of Painting in Italy: Early Christian art; Giotto and his followers
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 546
Book Description
Picturing the Bible
Author: Jeffrey Spier
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
The Dawn of Christian Art in Panel Paintings and Icons
Author: Thomas F. Mathews
Publisher: Getty Publications
ISBN: 1606065092
Category : Art
Languages : en
Pages : 59
Book Description
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.
Publisher: Getty Publications
ISBN: 1606065092
Category : Art
Languages : en
Pages : 59
Book Description
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.
Early Christian & Byzantine Art
Author: John Lowden
Publisher: Phaidon Press
ISBN: 9780714831688
Category : Art
Languages : en
Pages : 458
Book Description
An authoritative account of early Christian and Byzantine art.
Publisher: Phaidon Press
ISBN: 9780714831688
Category : Art
Languages : en
Pages : 458
Book Description
An authoritative account of early Christian and Byzantine art.
Rethinking Early Christian Identity
Author: Maia Kotrosits
Publisher: Fortress Press
ISBN: 1451494262
Category : Religion
Languages : en
Pages : 279
Book Description
Maia Kotrosits challenges the contemporary notion of “early Christian literature,” showing that a number of texts usually so described—including Hebrews, Acts, the Gospel of John, Colossians, 1 Peter, the letters of Ignatius, the Gospel of Truth, and the Secret Revelation of John—are “not particularly interested” in a distinctive Christian identity. By appealing to trauma studies and diaspora theory and giving careful attention to the dynamics within these texts, she shows that this sample of writings offers complex reckonings with chaotic diasporic conditions and the transgenerational trauma of colonial violence.
Publisher: Fortress Press
ISBN: 1451494262
Category : Religion
Languages : en
Pages : 279
Book Description
Maia Kotrosits challenges the contemporary notion of “early Christian literature,” showing that a number of texts usually so described—including Hebrews, Acts, the Gospel of John, Colossians, 1 Peter, the letters of Ignatius, the Gospel of Truth, and the Secret Revelation of John—are “not particularly interested” in a distinctive Christian identity. By appealing to trauma studies and diaspora theory and giving careful attention to the dynamics within these texts, she shows that this sample of writings offers complex reckonings with chaotic diasporic conditions and the transgenerational trauma of colonial violence.
ReVisioning
Author: James Romaine
Publisher: Wipf and Stock Publishers
ISBN: 1630871826
Category : Social Science
Languages : en
Pages : 365
Book Description
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
Publisher: Wipf and Stock Publishers
ISBN: 1630871826
Category : Social Science
Languages : en
Pages : 365
Book Description
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
Right and Left in Early Christian and Medieval Art
Author: Robert Couzin
Publisher: BRILL
ISBN: 9004448713
Category : History
Languages : en
Pages : 327
Book Description
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
Publisher: BRILL
ISBN: 9004448713
Category : History
Languages : en
Pages : 327
Book Description
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
A History of Painting in Italy
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 688
Book Description
The Eerdmans Encyclopedia of Early Christian Art and Archaeology
Author: Finney
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802890164
Category : Architecture
Languages : en
Pages : 822
Book Description
One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802890164
Category : Architecture
Languages : en
Pages : 822
Book Description
One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.