A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries

A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries PDF Author: Rita Steblin
Publisher: Boydell & Brewer
ISBN: 9781580460415
Category : Music
Languages : en
Pages : 430

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Book Description
Steblin's fully updated reference focuses on musical key characteristics during the baroque, classical, and romantic periods. (Music)

A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries

A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries PDF Author: Rita Steblin
Publisher: Boydell & Brewer
ISBN: 9781580460415
Category : Music
Languages : en
Pages : 430

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Book Description
Steblin's fully updated reference focuses on musical key characteristics during the baroque, classical, and romantic periods. (Music)

A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries

A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries PDF Author: Rita Steblin
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 416

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Book Description


Key Characteristics in the 18th and Early 19th Centuries

Key Characteristics in the 18th and Early 19th Centuries PDF Author: Rita Steblin
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Discoveries from the Fortepiano

Discoveries from the Fortepiano PDF Author: Donna Louise Gunn
Publisher: Oxford University Press
ISBN: 0199396647
Category : Music
Languages : en
Pages : 273

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Book Description
Discoveries from the Fortepiano meets the demand for a manual on authentic Classical piano performance practice that is at once accessible to the performer and accurate to the scholarship. Uncovering a wide range of eighteenth-century primary sources, noted keyboard pedagogue Donna Gunn examines contemporary philosophical beliefs and principles surrounding Classical Era performance practices. Remarkably researched and engagingly written, Discoveries from the Fortepiano is an indispensable aid to any pianist who seeks an academically and artistically sound approach to the performance of Classical works.

Beethoven Forum

Beethoven Forum PDF Author: Christopher Reynolds
Publisher: U of Nebraska Press
ISBN: 9780803239098
Category : Music
Languages : en
Pages : 254

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Book Description
An annual of international Beethoven studies, Beethoven Forum sustains and promotes the high level of scholarship inspired by Beethoven's extraordinary works. Volume 2 represents the wide range of approaches that enrich the understanding and appreciation of Beethoven and his interpreters. Michael C. Tusa describes Beethoven's life-long affinity for the key of C-minor, showing Beethoven's consistencies in technique and structure. Tia Denora clarifies how Beethoven's early recognition as a great musician was linked to the social aspirations of his Viennese patrons. Beginning with Tovey's renowned metaphor of the harmonic "Cloud" in the Eroica symphony, Lawrence Earp reconsiders the extensive attention Beethoven gave to the passage. Lewis Lockwood resolves issues that have troubled scholars and musicians about the Scherzo of the F Major String Quartet (Op. 59, No. 1). William Drabkin, one of the world's premier authorities on the Missa Solemnis, analyzes the sketches and autographs of that mass's later movements. Noting the renewed interest in questions about the meaning of music, Kevin Korsyn proposes a rereading of J. W. N. Sullivan's Beethoven: His Spiritual Development and shows its relevance to the comprehension of the A Minor String Quartet, (Op. 132). The importance of Carl Dahlhaus's Ludwig van Beethoven und seine Zeit was immediately acknowledged upon its publication in 1987. Translated into English in 1991, the book will further extend its influence. To assess that influence, three Beethoven scholars provide independent appraisals of the book. Hermann Danuser places the book in the context of Dahlhaus's other works and stresses Beethoven's determination to give each of his works individuality. John Daverio discusses the cultural background to Dahlhaus's outlook on "wit" and "reflectivity." And James Webster critiques the assumptions that underlie Dahlhaus's musical analyses. All relate the book to Dahlhaus's other works and indicate in what ways the book can serve as a catalyst for future study.

The First Four Notes

The First Four Notes PDF Author: Matthew Guerrieri
Publisher: Vintage
ISBN: 0804170193
Category : Music
Languages : en
Pages : 386

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Book Description
A TIME Magazine Top 10 Nonfiction Book of 2012 A New Yorker Best Book of the Year Los Angeles Magazine's #1 Music Book of the Year This revelatory book of music history examines what is perhaps the best known and most-popular symphony ever written—and its famous four-note opening. Reaching back before Beethoven’s time, Matthew Guerrieri uncovers premonitions of the opening notes in the rhythms of ancient Greek poetry and the music of the French Revolution. He discusses the Fifth’s impact when it premiered, tracing the artistic, philosophical, and political reverberations across Europe to China, Russia, and the United States, from Romanticism to ring tones, from propaganda to pop. This fascinating piece of musical detective work is a treat for music lovers of every stripe.

Mozart, Haydn and Early Beethoven, 1781-1802

Mozart, Haydn and Early Beethoven, 1781-1802 PDF Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393066340
Category : Biography & Autobiography
Languages : en
Pages : 876

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Book Description
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.

A History of the Oratorio

A History of the Oratorio PDF Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807836613
Category : History
Languages : en
Pages : 740

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Book Description
The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Music and the Origins of Language

Music and the Origins of Language PDF Author: Downing A. Thomas
Publisher: Cambridge University Press
ISBN: 0521473071
Category : History
Languages : en
Pages : 211

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Book Description
This study analyses reflections on music and considers ways in which it facilitates links between language and meaning.

The Musician in Literature in the Age of Bach

The Musician in Literature in the Age of Bach PDF Author: Stephen Rose
Publisher: Cambridge University Press
ISBN: 1107004284
Category : Literary Criticism
Languages : en
Pages : 249

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Book Description
Analysing novels and autobiographies from Bach's Germany, this book presents new insights into the lives, mindset and status of musicians.