History of Indian Painting: Rajasthani Traditions PDF Download
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Author: Krishna Chaitanya
Publisher: Abhinav Publications
ISBN: 8170171547
Category :
Languages : en
Pages : 224
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Book Description
Author: Krishna Chaitanya
Publisher: Abhinav Publications
ISBN: 8170171547
Category :
Languages : en
Pages : 224
Get Book
Book Description
Author:
Publisher: Krishna Prakashan Media
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Partha Mitter
Publisher: Oxford University Press, USA
ISBN: 9780192842213
Category : Art
Languages : en
Pages : 295
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Book Description
This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.
Author: Krishna Chaitanya
Publisher: Abhinav Publications
ISBN: 8170173108
Category : Painting, Indic
Languages : en
Pages : 525
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Book Description
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870997823
Category : Miniature painting, Indic
Languages : en
Pages : 154
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Book Description
A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Anil Rao Sandhya Ketkar
Publisher:
ISBN: 9788179254752
Category : Art, Indic
Languages : en
Pages : 214
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Book Description
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588394301
Category : Painters
Languages : en
Pages : 226
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Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Author: B. N. Goswamy
Publisher: National Geographic Books
ISBN: 0500239509
Category : Art
Languages : en
Pages : 0
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Book Description
“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.
Author: B. N. Goswamy
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 308
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Book Description
Catalog of an exhibition at the San Diego Museum of Art, Oct. 22, 2005-Jan. 22, 2006; and at the Museum of Fine Arts, Boston, Aug. 6, 2006.
Author: Jinah Kim
Publisher: University of California Press
ISBN: 0520343212
Category : Art
Languages : en
Pages : 349
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Book Description
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
