A History of English Rhythms PDF Download
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Author: Edwin Guest
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 760
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Book Description
Dr. Guest's great work has long been the convenience storehouse whence many writers upon prosody have drawn their illustrations. This second edition has been carefully revised & corrected by the famous Chaucer scholar & an index has been added.
Author: Edwin Guest
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 760
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Book Description
Dr. Guest's great work has long been the convenience storehouse whence many writers upon prosody have drawn their illustrations. This second edition has been carefully revised & corrected by the famous Chaucer scholar & an index has been added.
Author: Ben Glaser
Publisher: Fordham Univ Press
ISBN: 0823282058
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Book Description
Author: Joseph Phelan
Publisher: Springer
ISBN: 0230359256
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Through its recovery of the metrical principles underlying the work of some of the century's major poets, this study highlights the intricacy of the relation between the 'music' of verse and its meaning, and helping us to understand the way in which the ferment of metrical experiment eventually led to the emergence of free verse.
Author: Marcus
Publisher: Oxford University Press
ISBN: 0192883887
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Author: Grevel Lindop
Publisher: Routledge
ISBN: 1000743365
Category : Literary Criticism
Languages : en
Pages : 733
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Book Description
Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the second part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.
Author: Frank Moore Colby
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1102
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Book Description
Author: Virgil
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 670
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Book Description
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368831380
Category : Fiction
Languages : en
Pages : 206
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Book Description
Reprint of the original, first published in 1874.
