A History of American Graphic Humor PDF Download
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Author: William Murrell
Publisher:
ISBN:
Category :
Languages : en
Pages : 245
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Book Description
Author: William Murrell
Publisher:
ISBN:
Category :
Languages : en
Pages : 245
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Book Description
Author: Donald A. Petesch
Publisher: University of Iowa Press
ISBN: 9781587291852
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Paperbound reprint of a 1989 study that provides background for understanding the works of black American writers in the late 19th and early 20th centuries. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Mary Ann Calo
Publisher: Routledge
ISBN: 0429980833
Category : Art
Languages : en
Pages : 408
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Book Description
This anthology of essays on different critical approaches and methodologies for the analysis and interpretation of American art and artists is designed for students and teachers in American art history and American studies programs. It contains twenty selections from academic journals on American art from colonial times to 1940. Mary Ann Calo provides an introduction to the anthology, explaining its purpose and organization, and each selection has a brief introduction about its main focus and scholarly approach. These case studies show the diversity of scholarly thinking about interpreting American works of art, which should be useful for teachers and comprehensible and interesting for students.This anthology contains twenty articles on American art from colonial times to 1940. The selections are mainly from academic journals and aim to provide the student and teacher with different critical approaches and methodologies for the analysis and interpretation of American art and artists. Mary Ann Calo's preface to the anthology explains its purpose and organization, and each article will have a brief introduction about its main focus and scholarly approach.This text meets the need in American art history studies for an anthology of essays on critical approaches and methodologies.
Author: Allison M. Stagg
Publisher: Penn State Press
ISBN: 0271094613
Category : Art
Languages : en
Pages : 267
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Book Description
Prints of a New Kind details the political strategies and scandals that inspired the first generation of American caricaturists to share news and opinions with their audiences in shockingly radical ways. Complementing studies on British and European printmaking, this book is a survey and catalogue of all known American political caricatures created in the country’s transformative early years, as the nation sought to define itself in relation to European models of governance and artistry. Allison Stagg examines printed caricatures that mocked events reported in newspapers and politicians in the United States’ fledgling government, reactions captured in the personal papers of the politicians being satirized, and the lives of the artists who satirized them. Stagg’s work fills a large gap in early American scholarship, one that has escaped thorough art-historical attention because of the rarity of extant images and the lack of understanding of how these images fit into their political context. Featuring 125 images, many published here for the first time since their original appearance, and a comprehensive appendix that includes a checklist of caricature prints with dates, titles, artists, references, and other essential information, Prints of a New Kind will be welcomed by scholars and students of early American history and art history as well as visual, material, and print culture.
Author: Gary L. Bunker
Publisher: Kent State University Press
ISBN: 9780873387019
Category : Biography & Autobiography
Languages : en
Pages : 410
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Book Description
A copiously illustrated history of the development of Lincoln's public profile. From Rail-Splitter to Icon is enriched by editorial, news, poetic, and satirical content from contemporary periodicals artfully woven into a topical narrative. The Lincoln images, originally appearing in such publications as Budget of Fun, Comic Monthly, New York Illustrated News, Phunny Phellow, Southern Punch, and Yankee Notions, significantly expand our understanding of the evolution of public opinion toward Lincoln, the complex dynamics of Civil War, popular art and culture, the media, political caricature, and presidential politics. Because of the timely emergence and proliferation of the illustrated periodical, and the convergence of representational technology and sectional conflict, no previous president could have been pictured so fully. But Lincoln also appealed to illustrators because of his distinctive physical features. (One could scarcely conceive of a similar book on James Buchanan, his immediate predecessor.) Despite ever-improving techniques, Lincoln pictorial prominence competed favorably with any succeeding president in the nineteenth century.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American literature
Languages : en
Pages : 2338
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Book Description
Includes Part 1, Books, Group 1, Nos. 1-155 (March - December, 1934)
Author: Ray Broadus Browne
Publisher: Popular Press
ISBN: 9780879723385
Category : History
Languages : en
Pages : 316
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Book Description
The essays in this book trace many of the multitudinous forces at work on the Constitution and in the popular culture and show how the forces control and benefit each other. The subject is of profound importance and, beginning with these essays, needs to be studied at great length for the benefit of us all.
Author: Nicole Eustace
Publisher: UNC Press Books
ISBN: 0807838799
Category : History
Languages : en
Pages : 624
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Book Description
At the outset of the eighteenth century, many British Americans accepted the notion that virtuous sociable feelings occurred primarily among the genteel, while sinful and selfish passions remained the reflexive emotions of the masses, from lower-class whites to Indians to enslaved Africans. Yet by 1776 radicals would propose a new universal model of human nature that attributed the same feelings and passions to all humankind and made common emotions the basis of natural rights. In Passion Is the Gale, Nicole Eustace describes the promise and the problems of this crucial social and political transition by charting changes in emotional expression among countless ordinary men and women of British America. From Pennsylvania newspapers, pamphlets, sermons, correspondence, commonplace books, and literary texts, Eustace identifies the explicit vocabulary of emotion as a medium of human exchange. Alternating between explorations of particular emotions in daily social interactions and assessments of emotional rhetoric's functions in specific moments of historical crisis (from the Seven Years War to the rise of the patriot movement), she makes a convincing case for the pivotal role of emotion in reshaping power relations and reordering society in the critical decades leading up to the Revolution. As Eustace demonstrates, passion was the gale that impelled Anglo-Americans forward to declare their independence--collectively at first, and then, finally, as individuals.
Author: Elizabeth Johns
Publisher: Yale University Press
ISBN: 9780300057546
Category : Art
Languages : en
Pages : 292
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Book Description
American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.
Author: Richard Mercer Dorson
Publisher: University of Chicago Press
ISBN: 0226158594
Category : Folklore
Languages : en
Pages : 351
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Book Description
"Chicago history of American civilization ; 4." Traces the forms and content of American folklore from colonization to mass culture.
