A Handbook of Modal Counterpoint PDF Download
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Author: Stella Roberts
Publisher: New York : Free Press
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
Author: Stella Roberts
Publisher: New York : Free Press
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
Author: Douglass Green
Publisher: Routledge
ISBN: 1136935096
Category : Music
Languages : en
Pages : 452
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Book Description
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Author: Thomas Benjamin
Publisher: Psychology Press
ISBN: 9780415971713
Category : Counterpoint
Languages : en
Pages : 216
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Evan Jones
Publisher: Routledge
ISBN: 1317518772
Category : Music
Languages : en
Pages : 283
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Book Description
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Author: Peter Schubert
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 372
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Book Description
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135874395
Category : Music
Languages : en
Pages : 203
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Book Description
"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.
Author: Ernst Krenek
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 32
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Book Description
"The purpose of this paper is to present the subject matter in concentrated form for the use of teachers and students who can devote only a limited amount of time to the study of modal counterpoint. Observance of the rules in this manual will produce a style close enough to the compositional procedures of Palestrina as to make it possible for the student to achieve, even in his elementary exercises, some of the flavor of living great music. Exclusive purity of style being neither possible nor desirable, a few details of the compositional style of this outline may correspond to the more relaxed practice of composers like Orlando di Lasso and Tomás Luis de Victoria rather than to the strictness of Palestrina. Special emphasis is placed on the development of the student's sense for freely articulated melody (hence the absence of barlines from our examples). Since the traditional training in the 'five species' tends to counteract this attainment rather than to further it, this discipline has been omitted from the present outline. In order to make the student acquainted with this method, its principles are briefly explained in the appendix."--Preface.
Author: Harold Owen
Publisher:
ISBN:
Category :
Languages : en
Pages : 389
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Book Description
Author: Harold Owen
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 414
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Book Description
This is a comprehensive study of the development of counterpoint form the sixteenth century through the first half of the twentieth century. Deriving the rules of counterpoint from the music itself, each chapter begins with a complete musical example followed by questions for class discussion. Chapter observations and subsequent musical examples amplify the concepts discoverd through individual analysis. --book cover.
Author: Markand Thakar
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344
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Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
