Author: Michael Burden
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 148
Book Description
A Handbook for Studies in 18th-century English Music
Author: Michael Burden
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 148
Book Description
A Handbook for Studies in 18th-century English Music
Author: Michael Burden
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 78
Book Description
Music in Eighteenth-Century Britain
Author: David Wyn Jones
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
British Music, Musicians and Institutions, C. 1630-1800
Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Music and the Benefit Performance in Eighteenth-Century Britain
Author: Matthew Gardner
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303
Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303
Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
G. F. Handel
Author: Mary Ann Parker
Publisher: Routledge
ISBN: 113678358X
Category : Music
Languages : en
Pages : 488
Book Description
Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.
Publisher: Routledge
ISBN: 113678358X
Category : Music
Languages : en
Pages : 488
Book Description
Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.
Music by Subscription
Author: Simon D.I. Fleming
Publisher: Routledge
ISBN: 1000519988
Category : Music
Languages : en
Pages : 310
Book Description
This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.
Publisher: Routledge
ISBN: 1000519988
Category : Music
Languages : en
Pages : 310
Book Description
This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.
Queen Anne
Author: James Anderson Winn
Publisher: Oxford University Press, USA
ISBN: 0199372195
Category : Biography & Autobiography
Languages : en
Pages : 815
Book Description
A little star -- Hail, welcome prince -- Pray for the peace of Jerusalem -- She reigns without a crown -- Sweet remembrance shall Remain -- Entirely English -- Dominion over the mighty -- What fruits from our divisions spring -- The breath of our nostrils -- To fix a lasting peace on earth -- All a nation could require.
Publisher: Oxford University Press, USA
ISBN: 0199372195
Category : Biography & Autobiography
Languages : en
Pages : 815
Book Description
A little star -- Hail, welcome prince -- Pray for the peace of Jerusalem -- She reigns without a crown -- Sweet remembrance shall Remain -- Entirely English -- Dominion over the mighty -- What fruits from our divisions spring -- The breath of our nostrils -- To fix a lasting peace on earth -- All a nation could require.
Samuel Wesley (1766?837): A Source Book
Author: Michael Kassler
Publisher: Routledge
ISBN: 135155011X
Category : Music
Languages : en
Pages : 664
Book Description
Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.
Publisher: Routledge
ISBN: 135155011X
Category : Music
Languages : en
Pages : 664
Book Description
Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.
Music and the Wesleys
Author: Nicholas Temperley
Publisher: University of Illinois Press
ISBN: 0252077679
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref.
Publisher: University of Illinois Press
ISBN: 0252077679
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref.