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Author: Oscar G. Brockett
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
A lively, beautifully illustrated history of theatrical stage design from ancient Greek times to the present, coauthored by the world's leading authority, Oscar G. Brockett.
Author: Oscar G. Brockett
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
A lively, beautifully illustrated history of theatrical stage design from ancient Greek times to the present, coauthored by the world's leading authority, Oscar G. Brockett.
Author: Donald C. King
Publisher: McFarland
ISBN: 9780786438747
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The theatre had a difficult time establishing itself in Massachusetts. Colonial authorities in Boston were adamantly opposed to theatrical amusements of any kind. In the mid-eighteenth century, even theatricals performed in the homes of private citizens aroused the indignant ire of puritanically minded authorities. In 1750 the General Court of Massachusetts passed an act prohibiting stage plays or any other theatrical entertainment. In 1762, the New Hampshire House of Representatives refused a theatre troupe admission to the town of Portsmouth on the ground that plays had a "peculiar influence on the minds of young people and greatly endangered their morals by giving them a taste for intriguing amusement and pleasure." The first public dramatic performance in Boston was produced at a coffeehouse on State Street by two English actors and some local volunteers. In 1775 General John Burgoyne, himself an actor and playwright, converted Boston's Faneuil Hall into a theatre, where he presented, among other pieces, The Blockade of Boston. After the Revolutionary War, in February 1794, the dramatic history of Boston may be said to have begun with the opening of the Boston Theatre. The history of Boston theatres from the eighteenth century through the present is covered in this well illustrated work. Although the theatre had a somewhat rocky beginning, by 1841 more than 15 theatre houses--including the Boston Theatre, Concert Hall, Merchants Hall, Boylston Hall, the Washington Gardens Amphitheatre, the Tremont Theatre, the Washington Theatre, the American Amphitheatre, the Federal Street Theatre, Mr. Saubert's Theatre, the Lion Theatre, the National Theatre (which boasted gas lighting), and the Howard Athenaeum--were all established. After these first theatres paved the way and puritanical restraint had been overcome, the public's enthusiasm for varied entertainment prevailed and theatres proliferated in the city. This book details the long and storied history of Boston theatre construction, alteration, restoration, and, in many cases, destruction. Information is also provided about building architecture, types of performances, ticket prices and other interesting data about each theatre's history.
Author: Jan Sewell
Publisher: Springer Nature
ISBN: 3030238288
Category : Performing Arts
Languages : en
Pages : 850
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Book Description
This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521556361
Category : Drama
Languages : en
Pages : 452
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Book Description
The English Stage tells the story of drama through its many changes in style and convention from medieval times to the present day. With a wide sweep of coverage, John Styan analyses the key features of staging, including early street theatre and public performance, the evolution of the playhouse and the private space, and the pairing of theory and stagecraft in the works of modern dramatists. He focuses on the conventions by which a playwright, actors and their audience create the phenomenon of theatre and the way such conventions have changed over time. Styan can be considered among a small number of influential scholars who have helped to develop theatre history from its origins in literary studies into an independent and respected field. From the vantage point of a lifetime's study he examines and illustrates the multitude of factors which have brought and continue to bring plays to life.
Author: Evan Baker (Opera historian)
Publisher:
ISBN: 9780226035086
Category : Opera
Languages : en
Pages : 0
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Book Description
Without scenery, costumes, and stage action, an opera would be little more than a concert. But in the audience, we know little (and think less) about the enormous efforts of those involved in bringing an opera to life--by the stagehands who shift scenery, the scenic artists who create beautiful backdrops, the electricians who focus the spotlights, and the stage manager who calls them and the singers to their places during the performance. The first comprehensive history of the behind-the-scenes world of opera production and staging, From the Score to the Stage follows the evolution of visual style and set design in continental Europe from its birth in the seventeenth century up to today. In clear, witty prose, Evan Baker covers all the major players and pieces involved in getting an opera onto the stage, from the stage director who creates the artistic concept for the production and guides the singers' interpretation of their roles to the blocking of singers and placement of scenery. He concentrates on the people--composers, librettists, designers, and technicians--as well as the theaters and events that generated developments in opera production. Additional topics include the many difficulties in performing an opera, the functions of impresarios, and the business of music publishing. Delving into the absorbing and often neglected history of stage directing, theater architecture and technology, and scenic and lighting design, Baker nimbly links these technical aspects of opera to actual performances and performers, and the social context in which they appeared. Out of these details arise illuminating discussions of individual productions that cast new light on the operas of Wagner, Verdi, and others. Packed with nearly two hundred color illustrations, From the Score to the Stage is a revealing, always entertaining look at what happens before the curtain goes up on opening night at the opera house.
Author: Charles C. Lovett
Publisher: Meckler Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Author: Marcie Frank
Publisher: Rutgers University Press
ISBN: 1684481694
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
2020 Choice Outstanding Academic Title Marcie Frank’s study traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel’s narrative form and to the modern organization of literature. Drawing on media theory and focusing on the less-examined narrative contributions of such authors as Aphra Behn, Frances Burney, and Elizabeth Inchbald, alongside those of Samuel Richardson, Henry Fielding, and Jane Austen, The Novel Stage tells the story of the novel as it was shaped by the stage. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Joseph Wesley Zeigler
Publisher: U of Minnesota Press
ISBN: 1452911428
Category :
Languages : en
Pages : 314
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Book Description
Author: William Tydeman
Publisher: Cambridge University Press
ISBN: 9780521246095
Category : Drama
Languages : en
Pages : 798
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Book Description
This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.
Author: Richard Schoch
Publisher: Cambridge University Press
ISBN: 1316739031
Category : Drama
Languages : en
Pages : 407
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Book Description
This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history.
