Author: David Herbert Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
Book Description
Beauvale is, or was, the largest parish in England. It is thinly populated, only just netting the stragglers from shoals of houses in three large mining villages. For the rest, it holds a great tract of woodland, fragment of old Sherwood, a few hills of pasture and arable land, three collieries, and, finally, the ruins of a Cistercian abbey. These ruins lie in a still rich meadow at the foot of the last fall of woodland, through whose oaks shines a blue of hyacinths, like water, in May-time. Of the abbey, there remains only the east wall of the chancel standing, a wild thick mass of ivy weighting one shoulder, while pigeons perch in the tracery of the lofty window. This is the window in question.
A Fragment of Stained Glass - Publishing People Series
Author: David Herbert Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
Book Description
Beauvale is, or was, the largest parish in England. It is thinly populated, only just netting the stragglers from shoals of houses in three large mining villages. For the rest, it holds a great tract of woodland, fragment of old Sherwood, a few hills of pasture and arable land, three collieries, and, finally, the ruins of a Cistercian abbey. These ruins lie in a still rich meadow at the foot of the last fall of woodland, through whose oaks shines a blue of hyacinths, like water, in May-time. Of the abbey, there remains only the east wall of the chancel standing, a wild thick mass of ivy weighting one shoulder, while pigeons perch in the tracery of the lofty window. This is the window in question.
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
Book Description
Beauvale is, or was, the largest parish in England. It is thinly populated, only just netting the stragglers from shoals of houses in three large mining villages. For the rest, it holds a great tract of woodland, fragment of old Sherwood, a few hills of pasture and arable land, three collieries, and, finally, the ruins of a Cistercian abbey. These ruins lie in a still rich meadow at the foot of the last fall of woodland, through whose oaks shines a blue of hyacinths, like water, in May-time. Of the abbey, there remains only the east wall of the chancel standing, a wild thick mass of ivy weighting one shoulder, while pigeons perch in the tracery of the lofty window. This is the window in question.
Fragments of Stained Glass III
Author: Joan C. Westcott
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Fragments of Stained Glass
Author: Claire Nicolas White
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
Fragments of Stained Glass
Author: Joan C. Westcott
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Brilliant History of Color in Art
Author: Victoria Finlay
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
The Printers' Circular and Stationers' and Publishers' Gazette
Author:
Publisher:
ISBN:
Category : Book industries and trade
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Book industries and trade
Languages : en
Pages : 302
Book Description
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1106
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1106
Book Description
The Publishers' Circular and Booksellers' Record
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1194
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1194
Book Description
The Publisher
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1186
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1186
Book Description
The Selected Letters of D. H. Lawrence
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521777995
Category : Biography & Autobiography
Languages : en
Pages : 588
Book Description
An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.
Publisher: Cambridge University Press
ISBN: 9780521777995
Category : Biography & Autobiography
Languages : en
Pages : 588
Book Description
An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.