Author: Michael Kirby
Publisher: University of Pennsylvania Press
ISBN: 0812205448
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Michael Kirby presents a penetrating look a theater theory and analysis. His approach is analytically comprehensive and flexible, and nonevaluative. Case studies demonstrate this unique approach and record performances that otherwise would be lost.
A Formalist Theatre
Author: Michael Kirby
Publisher: University of Pennsylvania Press
ISBN: 0812205448
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Michael Kirby presents a penetrating look a theater theory and analysis. His approach is analytically comprehensive and flexible, and nonevaluative. Case studies demonstrate this unique approach and record performances that otherwise would be lost.
Publisher: University of Pennsylvania Press
ISBN: 0812205448
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Michael Kirby presents a penetrating look a theater theory and analysis. His approach is analytically comprehensive and flexible, and nonevaluative. Case studies demonstrate this unique approach and record performances that otherwise would be lost.
A Formalist Theatre
Author: Michael Kirby
Publisher: University of Pennsylvania Press
ISBN: 9780812213348
Category : Drama
Languages : en
Pages : 184
Book Description
Michael Kirby was the most outspoken exponent of formalist theater and founded the Structuralist Workshop in the 1960s to explore this style of performance. He called it "Structuralist" (capitalizing the term popularized by Levi-Strauss) to make a distinction between his emphasis on spatial and temporal form (i.e. structure) and the historical association of formalism with styles and abstraction. The book is based on articles written over the course of a decade for the Drama Review, a quarterly journal Kirby edited for fourteen years. In Part I, "Formalist Analysis," analytical continua are developed and applied to acting, style, and structure; Kirby devotes Part II, "The Social Context," to an analysis of the current state of criticism, theatre as a political tool, and the current state of the avant-garde; Part III, "Structuralist Theatre," describes performances produced by Kirby under the auspices of his structuralist workshop as well as several Structuralist films.
Publisher: University of Pennsylvania Press
ISBN: 9780812213348
Category : Drama
Languages : en
Pages : 184
Book Description
Michael Kirby was the most outspoken exponent of formalist theater and founded the Structuralist Workshop in the 1960s to explore this style of performance. He called it "Structuralist" (capitalizing the term popularized by Levi-Strauss) to make a distinction between his emphasis on spatial and temporal form (i.e. structure) and the historical association of formalism with styles and abstraction. The book is based on articles written over the course of a decade for the Drama Review, a quarterly journal Kirby edited for fourteen years. In Part I, "Formalist Analysis," analytical continua are developed and applied to acting, style, and structure; Kirby devotes Part II, "The Social Context," to an analysis of the current state of criticism, theatre as a political tool, and the current state of the avant-garde; Part III, "Structuralist Theatre," describes performances produced by Kirby under the auspices of his structuralist workshop as well as several Structuralist films.
Postdramatic Theatre and Form
Author: Michael Shane Boyle
Publisher: Bloomsbury Publishing
ISBN: 1350043176
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form. Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare. A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.
Publisher: Bloomsbury Publishing
ISBN: 1350043176
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form. Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare. A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.
Postdramatic Theatre
Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1134496834
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Publisher: Routledge
ISBN: 1134496834
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Reading Theatre
Author: Anne Ubersfeld
Publisher: University of Toronto Press
ISBN: 9780802082404
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Ubersfeld show how formal analysis can enrich the work of theatre practioners and offers a reading of the symbolic structures of stage space and time as well as opening up mulitple possibilities for interpreting a play's line of action.
Publisher: University of Toronto Press
ISBN: 9780802082404
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Ubersfeld show how formal analysis can enrich the work of theatre practioners and offers a reading of the symbolic structures of stage space and time as well as opening up mulitple possibilities for interpreting a play's line of action.
Performance Studies
Author: Richard Schechner
Publisher: Routledge
ISBN: 1135652597
Category : Performing Arts
Languages : en
Pages : 370
Book Description
In this second edition, the author opens with a discussion of important developments in the discipline. His closing chapter, 'Global and Intercultural Performance', is completely rewritten in light of the post-9/11 world. Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games as well as the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics. User-friendly, with a special text design, Performance Studies: An Introduction also includes the following features: numerous extracts from primary sources giving alternative voices and viewpoints biographies of key thinkers student activities to stimulate fieldwork, classroom exercises and discussion key reading lists for each chapter twenty line drawings and 202 photographs drawn from private and public collections around the world.
Publisher: Routledge
ISBN: 1135652597
Category : Performing Arts
Languages : en
Pages : 370
Book Description
In this second edition, the author opens with a discussion of important developments in the discipline. His closing chapter, 'Global and Intercultural Performance', is completely rewritten in light of the post-9/11 world. Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games as well as the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics. User-friendly, with a special text design, Performance Studies: An Introduction also includes the following features: numerous extracts from primary sources giving alternative voices and viewpoints biographies of key thinkers student activities to stimulate fieldwork, classroom exercises and discussion key reading lists for each chapter twenty line drawings and 202 photographs drawn from private and public collections around the world.
Robert Wilson
Author: Maria Shevtsova
Publisher: Routledge
ISBN: 1134302584
Category : Art
Languages : en
Pages : 188
Book Description
This book is a comprehensive study of the theatre work of Robert Wilson it details his aesthetic principles and the elements of composition that distinguish his directorial approach, and provides insight into how they operate through practical exercises.
Publisher: Routledge
ISBN: 1134302584
Category : Art
Languages : en
Pages : 188
Book Description
This book is a comprehensive study of the theatre work of Robert Wilson it details his aesthetic principles and the elements of composition that distinguish his directorial approach, and provides insight into how they operate through practical exercises.
Performance and Participation
Author: Anna Harpin
Publisher: Bloomsbury Publishing
ISBN: 1137393181
Category : Performing Arts
Languages : en
Pages : 244
Book Description
This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation and find points of connection across a range of performative forms – including community theatre, live art, applied theatre, one-to-one performance and marathon running. Arranged in three sections, 'Recognising Participation', 'Labours of Participation', and 'Authoring Participation', the book raises productive questions about how and why audiences are encouraged to participate in creating the artistic work. This intersection, the authors suggest, blurs the boundaries between producer and consumer, promising modes of engagement that are at once political, social and aesthetic. Applying theoretical ideas to concrete discussions of practice, this is an ideal resource for undergraduate and postgraduate students of applied theatre, political and socially-engaged theatre, participatory theatre making and performance studies.
Publisher: Bloomsbury Publishing
ISBN: 1137393181
Category : Performing Arts
Languages : en
Pages : 244
Book Description
This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation and find points of connection across a range of performative forms – including community theatre, live art, applied theatre, one-to-one performance and marathon running. Arranged in three sections, 'Recognising Participation', 'Labours of Participation', and 'Authoring Participation', the book raises productive questions about how and why audiences are encouraged to participate in creating the artistic work. This intersection, the authors suggest, blurs the boundaries between producer and consumer, promising modes of engagement that are at once political, social and aesthetic. Applying theoretical ideas to concrete discussions of practice, this is an ideal resource for undergraduate and postgraduate students of applied theatre, political and socially-engaged theatre, participatory theatre making and performance studies.
Modern Japanese Theatre and Performance
Author: David Jortner
Publisher: Lexington Books
ISBN: 9780739123003
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.
Publisher: Lexington Books
ISBN: 9780739123003
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.
The Forest and the Field
Author: Chris Goode
Publisher: Bloomsbury Publishing
ISBN: 1849438609
Category : Performing Arts
Languages : en
Pages : 405
Book Description
The Forest and the Field is a polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it. The book begins by demolishing the notion of the ‘empty space’ and drawing careful and suggestive distinctions between ‘space’ and ‘place’. It moves on to consider how the body – of the actor, or of the spectator – is read within the theatrical encounter, and how meaning is created in the turbulent movement of signs between performer and audience. Finally it interrogates the wider relationship between theatre and its ‘outside’, culminating in an attempt to answer the familiar question of whether theatre can change the world – and, if it can, how it might.
Publisher: Bloomsbury Publishing
ISBN: 1849438609
Category : Performing Arts
Languages : en
Pages : 405
Book Description
The Forest and the Field is a polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it. The book begins by demolishing the notion of the ‘empty space’ and drawing careful and suggestive distinctions between ‘space’ and ‘place’. It moves on to consider how the body – of the actor, or of the spectator – is read within the theatrical encounter, and how meaning is created in the turbulent movement of signs between performer and audience. Finally it interrogates the wider relationship between theatre and its ‘outside’, culminating in an attempt to answer the familiar question of whether theatre can change the world – and, if it can, how it might.