Author: Katharine Mary Briggs
Publisher:
ISBN:
Category : Tales
Languages : en
Pages : 700
Book Description
A Dictionary of British Folk-tales in the English Language
Author: Katharine Mary Briggs
Publisher:
ISBN:
Category : Tales
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Tales
Languages : en
Pages : 700
Book Description
A Reference Guide for English Studies
Author: Michael J. Marcuse
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
The Devil and the Victorians
Author: Sarah Bartels
Publisher: Routledge
ISBN: 1000348040
Category : History
Languages : en
Pages : 249
Book Description
In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.
Publisher: Routledge
ISBN: 1000348040
Category : History
Languages : en
Pages : 249
Book Description
In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.
A Dictionary of British Folk-Tales in the English Language
Author: Katharine Mary Briggs
Publisher: London ; New York : Routledge
ISBN: 9780415066952
Category : Reference
Languages : en
Pages : 1472
Book Description
A classic in folklore scholarship arranged in 2 parts. Folk Narratives contains tales told for edification or delight, but not thought to be factually true.Folk Legends presents tales the tellers believed to be records of actual events. Part A - 978-0-415-06694-5
Publisher: London ; New York : Routledge
ISBN: 9780415066952
Category : Reference
Languages : en
Pages : 1472
Book Description
A classic in folklore scholarship arranged in 2 parts. Folk Narratives contains tales told for edification or delight, but not thought to be factually true.Folk Legends presents tales the tellers believed to be records of actual events. Part A - 978-0-415-06694-5
James Hogg
Author: Valentina Bold
Publisher: Peter Lang
ISBN: 9783039108978
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
This book sheds new light on James Hogg, the Scottish poet (1770-1835), going beyond the 'Ettrick Shepherd' stereotype. By focussing on Hogg's poetry (Scottish Pastorals, The Queen's Wake, Jacobite Relics, Queen Hynde, Pilgrims of the Sun) it shows that his work, and the critical response to it, was significantly shaped by the concept of the autodidact: a working-class writer who was considered to be a poet of 'Nature's Making'. The image of the autodidact is pursued from its beginnings - Ramsay's Gentle Shepherd, Macpherson's Ossian, Burns as 'ploughman poet' - through its development in the nineteenth century, to its last gasps in the twentieth. Poets considered include Isobel Pagan, Janet Little, William Tennant, Allan Cunningham, Robert Tannahill, Janet Hamilton, Ellen Johnston, Elizabeth Hartley, Alexander Anderson, David Gray, David Wingate and James Young Geddes. Despite facing difficulties, autodidacts produced some of the most innovative and exciting poetry of the nineteenth century. The author argues that the autodidactic tradition, exemplified by Hogg, nurtured the creative vigour manifested in twentieth-century Scottish poetry. While Scotland's autodidacts shared poetic concerns and techniques, they were characterised, above all, by diversity of poetic voice.
Publisher: Peter Lang
ISBN: 9783039108978
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
This book sheds new light on James Hogg, the Scottish poet (1770-1835), going beyond the 'Ettrick Shepherd' stereotype. By focussing on Hogg's poetry (Scottish Pastorals, The Queen's Wake, Jacobite Relics, Queen Hynde, Pilgrims of the Sun) it shows that his work, and the critical response to it, was significantly shaped by the concept of the autodidact: a working-class writer who was considered to be a poet of 'Nature's Making'. The image of the autodidact is pursued from its beginnings - Ramsay's Gentle Shepherd, Macpherson's Ossian, Burns as 'ploughman poet' - through its development in the nineteenth century, to its last gasps in the twentieth. Poets considered include Isobel Pagan, Janet Little, William Tennant, Allan Cunningham, Robert Tannahill, Janet Hamilton, Ellen Johnston, Elizabeth Hartley, Alexander Anderson, David Gray, David Wingate and James Young Geddes. Despite facing difficulties, autodidacts produced some of the most innovative and exciting poetry of the nineteenth century. The author argues that the autodidactic tradition, exemplified by Hogg, nurtured the creative vigour manifested in twentieth-century Scottish poetry. While Scotland's autodidacts shared poetic concerns and techniques, they were characterised, above all, by diversity of poetic voice.
A Dictionary of British Folk--Tales in the English Language. Incorporating the F.J. Norton Collection. Part B Folk Legends
Author: Katharine M. Briggs
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Musical Women in England, 1870-1914
Author: NA NA
Publisher: Springer
ISBN: 0312299346
Category : History
Languages : en
Pages : 317
Book Description
Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
Publisher: Springer
ISBN: 0312299346
Category : History
Languages : en
Pages : 317
Book Description
Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
Bibliography of British Folklore: Text
Author: John David Allison Widdowson
Publisher:
ISBN:
Category : Folk literature, English
Languages : en
Pages : 482
Book Description
Publisher:
ISBN:
Category : Folk literature, English
Languages : en
Pages : 482
Book Description
South Yorkshire Folk Tales
Author: Simon Heywood
Publisher: The History Press
ISBN: 0750966416
Category : Social Science
Languages : en
Pages : 166
Book Description
With origins lost in the mists of time, these lively folk tales reflect the wisdom (and eccentricities) of South Yorkshire’s county and people. Amongst the heroes and villains, giants and fairies, knights and highwaymen, are well-known figures, such as Robin Hood and the Dragon of Wantley, as well as lesser-known tales of mysterious goings-on at Firbeck Hall and Roche Abbey. These enchanting tales, many never before recorded in print, will bewitch readers and storytellers, young and old alike.
Publisher: The History Press
ISBN: 0750966416
Category : Social Science
Languages : en
Pages : 166
Book Description
With origins lost in the mists of time, these lively folk tales reflect the wisdom (and eccentricities) of South Yorkshire’s county and people. Amongst the heroes and villains, giants and fairies, knights and highwaymen, are well-known figures, such as Robin Hood and the Dragon of Wantley, as well as lesser-known tales of mysterious goings-on at Firbeck Hall and Roche Abbey. These enchanting tales, many never before recorded in print, will bewitch readers and storytellers, young and old alike.
The Tradition of Household Spirits
Author: Claude Lecouteux
Publisher: Simon and Schuster
ISBN: 1620551446
Category : Social Science
Languages : en
Pages : 272
Book Description
Examines how the ancient customs of constructing and keeping a house formed a sacred bond between homes and their inhabitants • Shares many tales of house spirits, from cajoling the local land spirit into becoming one’s house spirit to the good and bad luck bestowed by mischievous house elves • Explains the meaning behind door and window placement, house orientation, horsehead gables, the fireplace or hearth, and the threshold • Reveals the charms, chants, prayers, and building practices used by our ancestors to bestow happiness and prosperity upon their homes and their occupants Why do we hang horseshoes for good luck or place wreaths on our doors? Why does the groom carry his new bride over the threshold? These customs represent the last vestiges from a long, rich history of honoring the spirits of our homes. They show that a house is more than a building: it is a living being with a body and soul. Examining the extensive traditions surrounding houses from medieval times to the present, Claude Lecouteux reveals that, before we entered the current era of frequent moves and modular housing, moving largely from the countryside into cities, humanity had an extremely sacred relationship with their homes and all the spirits who lived there alongside them--from the spirit of the house itself to the mischievous elves, fairies, and imps who visited, invited or not. He shows how every aspect of constructing and keeping a house involved rites, ceremony, customs, and taboos to appease the spirits, including the choice of a building lot and the very materials with which it was built. Uncovering the lost meaning behind door and window placement, the hearth, and the threshold, Lecouteux shares many tales of house spirits, from the offerings used to cajole the local land spirit into becoming the domestic house spirit to the good and bad luck bestowed upon those who seek the help of the “Little Money Man.” He draws on studies and classic literature from old Europe--from Celtic lands and Scandinavia to France and Germany to the far eastern borders of Europe and into Russia--to explain the pagan roots behind many of these traditions. Revealing our ancestors’ charms, prayers, and practices to bestow happiness and prosperity upon their homes, Lecouteux shows that we can invite the spirits back into our houses, old or new, and restore the sacred bond between home and inhabitant.
Publisher: Simon and Schuster
ISBN: 1620551446
Category : Social Science
Languages : en
Pages : 272
Book Description
Examines how the ancient customs of constructing and keeping a house formed a sacred bond between homes and their inhabitants • Shares many tales of house spirits, from cajoling the local land spirit into becoming one’s house spirit to the good and bad luck bestowed by mischievous house elves • Explains the meaning behind door and window placement, house orientation, horsehead gables, the fireplace or hearth, and the threshold • Reveals the charms, chants, prayers, and building practices used by our ancestors to bestow happiness and prosperity upon their homes and their occupants Why do we hang horseshoes for good luck or place wreaths on our doors? Why does the groom carry his new bride over the threshold? These customs represent the last vestiges from a long, rich history of honoring the spirits of our homes. They show that a house is more than a building: it is a living being with a body and soul. Examining the extensive traditions surrounding houses from medieval times to the present, Claude Lecouteux reveals that, before we entered the current era of frequent moves and modular housing, moving largely from the countryside into cities, humanity had an extremely sacred relationship with their homes and all the spirits who lived there alongside them--from the spirit of the house itself to the mischievous elves, fairies, and imps who visited, invited or not. He shows how every aspect of constructing and keeping a house involved rites, ceremony, customs, and taboos to appease the spirits, including the choice of a building lot and the very materials with which it was built. Uncovering the lost meaning behind door and window placement, the hearth, and the threshold, Lecouteux shares many tales of house spirits, from the offerings used to cajole the local land spirit into becoming the domestic house spirit to the good and bad luck bestowed upon those who seek the help of the “Little Money Man.” He draws on studies and classic literature from old Europe--from Celtic lands and Scandinavia to France and Germany to the far eastern borders of Europe and into Russia--to explain the pagan roots behind many of these traditions. Revealing our ancestors’ charms, prayers, and practices to bestow happiness and prosperity upon their homes, Lecouteux shows that we can invite the spirits back into our houses, old or new, and restore the sacred bond between home and inhabitant.