A Detailed Analysis of Bach's "Goldberg Variations" and Beethoven's "Diabelli Variations" PDF Download
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Author: Carolyn Burd Christie
Publisher:
ISBN:
Category : Variations (Piano)
Languages : en
Pages : 206
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Book Description
Author: Carolyn Burd Christie
Publisher:
ISBN:
Category : Variations (Piano)
Languages : en
Pages : 206
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Book Description
Author: Alfred Kanwischer
Publisher: Rowman & Littlefield
ISBN: 1442230649
Category : Music
Languages : en
Pages : 239
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Book Description
In From Bach’s Goldberg to Beethoven’s Diabelli: Influence and Independence, music scholar and noted pianist Alfred Kanwischer takes readers on an extended exploration in which each of the thirty-three pieces making up Beethoven’s Diabelli Variations (Op. 120) is caringly examined and assessed for its ingredients, actions, personality, and influence on the whole. Counterpoint abounds, not only in the fugal variations, which are closely parsed, but throughout the Diabelli, revealing the noticeably baroque character of the technical compositional devices Beethoven employs. Throughout his study, Kanwischer integrates comparisons with Bach’s immortal Goldberg Variations. Both sets stand alone as among the greatest keyboard variations in the Western canon. During their creation, the composers were nearly the same age, at the zenith of their art, and in similarly felicitous frames of mind. Kanwischer underscores twenty essential similarities, from the use of melody and melodic outline and the comparability among variations in size, parallel design, ebullient outlook, increasing contrasts, daring virtuosic flights, Shakespearean blend of comic and tragic, and their respective cumulative rises to spiritual transcendence. From Bach’s Goldberg to Beethoven’s Diabelli takes readers on a lively and stimulating journey of discovery. It considers not only questions of influence but those of insight and understanding, offering a work useful as a reference and as a guide to performers, music instructors, and devotees. This work also includes seventy visually annotated interpretive musical examples as aids to understanding.
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
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Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Author: Eliana Maria Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
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Book Description
The correlations between J.S. Bach's Aria mit verschiedenen Veranderungen, BWV 988 ("Goldberg Variations") (1741) and the variation movement of Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 (1820) may not be apparent at a cursory glance, yet upon closer examination, some striking parallels emerge. This document compares relevant excerpts of J.S. Bach's "Goldberg Variations" and Beethoven's Op. 109 variation movement, offering evidence that Beethoven indeed did use the "Goldberg Variations" as the inspiration for his musical invention in Op. 109's last movement. While there is no proof that Beethoven ever heard a performance or read through a score of the "Goldberg Variations," much circumstantial evidence points to the conclusion that he had several opportunities to do so. In the first chapter, I explore how Beethoven's exposure to Bach's music influenced his development as a composer, especially in his last compositional period. Special emphasis is given to the role that Gottfried, Baron van Swieten played in introducing Beethoven to many of Bach's scores. The second chapter describes many possible connections between the two works, including the following: 1. Many editions of the "Goldberg Variations" had been published by the time Beethoven was composing Op. 109, meaning that Bach's work was more accessible than many of the composer's other works; 2. Beethoven could have encountered the score in the libraries of Swieten or the composer's patron Archduke Rudolph; 3. Johann Philipp Kirnberger's theory text Die Kunst des reinen Satzes in der Musik (1773/77), a book Beethoven owned, includes two brief excerpts of the "Goldberg Variations" 4. Carl Czerny, a member of Beethoven's inner circle, claimed that he had been familiar with the "Goldberg Variations" during the time that Beethoven composed Op. 109; and 5. Scholars have noted the similarities between the "Goldberg Variations" and other works by Beethoven, especially Op. 120, the "Diabelli Variations." In the third chapter I summarize the compositional history and form of the "Goldberg Variations" and Op. 109. The majority of score analysis occurs in the fourth chapter, where I present related excerpts of Op. 109 and the "Goldberg Variations" including not only those discussed by previous scholars but also ones left previously unnoticed or summarily acknowledged by other authors. Finally, in the fifth chapter, I explore unexamined connections between the "Goldberg Variations" and Beethoven's sketches for the Op. 109 variation movement by juxtaposing excerpts of both and providing analytic comparisons, thus shining new light on the correlations between these two works.
Author: Donald Francis Tovey
Publisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 40
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Book Description
Author: Frances Elaine Cole
Publisher:
ISBN:
Category :
Languages : en
Pages : 289
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Book Description
Author: Carlo Fiore
Publisher:
ISBN: 9788883023996
Category : Music
Languages : it
Pages : 110
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Book Description
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521001939
Category : Music
Languages : en
Pages : 132
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Book Description
Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?
Author: Anthony David Constantino
Publisher:
ISBN:
Category :
Languages : en
Pages : 73
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Book Description
Between March and November of 2020, I composed my piano cycle, Arcanum Perpetuum, in partial fulfillment of this dissertation. I consider this work to be a significant milestone in my compositional development not only due to its large scale but also because of its personal nature. In many ways, this work is an amalgamation of the composers and works that have greatly influenced my compositional style. Some aspects of this influence I have intentionally integrated into the various movements of my cycle, while others have subconsciously affected my compositional process. Examination of these influences brings me to four specific large-scale works for piano: J.S. Bach's Goldberg Variations (1741), Ludwig van Beethoven's Diabelli Variations (1823), Olivier Messiaen's Vingt Regards Sur l'Enfant J sus (1944), and Richard Danielpour's An American Mosaic (2020). This monograph will illuminate connections between my own piano cycle and these great works that inspired it. My goal is not to provide in-depth analysis of these works; however, I will discuss details that reflect their individual brilliance and their seminal places in the history of piano repertoire. The following chapters will consider these four cycles in chronological order, exploring the stylistic elements that most greatly impacted my own composition. It is my hope that through this process of discovery, I can illuminate the way that powerful and significant works, both old and new, contain essential lessons for young composers who are striving to make their own contributions to the repertoire.
Author: Wolfgang Gratzer
Publisher: Taylor & Francis
ISBN: 1000955028
Category : Music
Languages : en
Pages : 600
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Book Description
The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. Conceptualized as a comprehensive methodological and theoretical guide, it foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics. 24 international specialists in music and migration set methodological and theoretical standards for transdisciplinary collaborations in the field of migration studies, discussing 41 keywords, such as mobility, community, research ethics, human rights, and critical whiteness in the context of music and migration. The authors then apply these terms to 16 chapters, which deal with ethnomusicological, musicological, sociological, anthropological, geographical, pedagogical, political, economic, and media-related methodologies and theories which reflect and contest current discourses of migration. In their interdisciplinary focus, these chapters advance interrelations between music and migration as enabling factors for socio-cultural studies. Furthermore, the authors tackle crucial questions of agency, equality, and equity as well as the responsibilities and expectations of writers and artists when researching migration phenomena as innate human experience. As a result, this handbook provides scholars and students alike with relevant and applicable methodological and theoretical tools in addition to an extensive literature and research review for further research.
