Author: Thomas Middleton
Publisher: A&C Black
ISBN: 1408144603
Category : Drama
Languages : en
Pages : 179
Book Description
One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.
Women Beware Women
Author: Thomas Middleton
Publisher: A&C Black
ISBN: 1408144603
Category : Drama
Languages : en
Pages : 179
Book Description
One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.
Publisher: A&C Black
ISBN: 1408144603
Category : Drama
Languages : en
Pages : 179
Book Description
One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.
Thomas Middleton and Early Modern Textual Culture
Author: Gary Taylor
Publisher: OUP Oxford
ISBN: 0191568554
Category : Literary Criticism
Languages : en
Pages : 1184
Book Description
Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the 'Middleton century' (1580-1679). Ten original essays then focus on Middleton's connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The second part, 'The Texts', supplies the documentation for claims made in the first part. This includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. A full editorial apparatus is supplied for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: 'Hence, all you vain delights' (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).
Publisher: OUP Oxford
ISBN: 0191568554
Category : Literary Criticism
Languages : en
Pages : 1184
Book Description
Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the 'Middleton century' (1580-1679). Ten original essays then focus on Middleton's connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The second part, 'The Texts', supplies the documentation for claims made in the first part. This includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. A full editorial apparatus is supplied for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: 'Hence, all you vain delights' (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).
A Chaste Maid in Cheapside
Author: Thomas Middleton
Publisher: Oxford University Press, USA
ISBN: 9780192826145
Category : Great Britain
Languages : en
Pages : 532
Book Description
This volume contains Thomas Middletons four greatest plays, "A Chaste Maid in Cheapside," "Women Beware Women," "The Changeling," and "A Game at Chess." "A Chaste Maid in Cheapside" is the most complex and effective of the city comedies. "Women Beware Women" and "The Changeling" (with William Rowley) are two of the most powerful Jacobean tragedies aside from Shakespeare, studies in lust, power, violence, and self-delusive psychology. "A Game at Chess" was the single most popular play of the whole Shakespearean era, a satirical exposé of Jesuit plotting and Anglo-Spanish politics which played to packed houses at the Globe until King James and his ministers banned it. With the most up-to-date introduction available, this volume offers all the play texts newly edited with richly informative annotation.
Publisher: Oxford University Press, USA
ISBN: 9780192826145
Category : Great Britain
Languages : en
Pages : 532
Book Description
This volume contains Thomas Middletons four greatest plays, "A Chaste Maid in Cheapside," "Women Beware Women," "The Changeling," and "A Game at Chess." "A Chaste Maid in Cheapside" is the most complex and effective of the city comedies. "Women Beware Women" and "The Changeling" (with William Rowley) are two of the most powerful Jacobean tragedies aside from Shakespeare, studies in lust, power, violence, and self-delusive psychology. "A Game at Chess" was the single most popular play of the whole Shakespearean era, a satirical exposé of Jesuit plotting and Anglo-Spanish politics which played to packed houses at the Globe until King James and his ministers banned it. With the most up-to-date introduction available, this volume offers all the play texts newly edited with richly informative annotation.
A Critical Edition of Thomas Middleton's "The Widow"
Author: Thomas Middleton
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
The Oxford Handbook of Thomas Middleton
Author: Gary Taylor
Publisher: Oxford University Press
ISBN: 0199559880
Category : Drama
Languages : en
Pages : 690
Book Description
The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continental Europe, his fascinating explorations of sexuality and religion, all receive attention. The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.
Publisher: Oxford University Press
ISBN: 0199559880
Category : Drama
Languages : en
Pages : 690
Book Description
The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continental Europe, his fascinating explorations of sexuality and religion, all receive attention. The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.
The Changeling
Author: Thomas Middleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
Book Description
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
Book Description
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
A Critical Edition of Thomas Middleton's No Wit, No Help Like a Woman's
Author: Lowell Edward Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
Book Description
Women Beware Women
Author: Andrew Hiscock
Publisher: A&C Black
ISBN: 1847060927
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
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Publisher: A&C Black
ISBN: 1847060927
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
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A CRITICAL EDITION OF THOMAS MIDDLETON'S 'A CHAST MAYD IN CHEAPE-SIDE'.
Author: Richard John Wall
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
A Critical Edition of Thomas Middleton's Michaelmas Term
Author: George Rennie Price
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
Book Description