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Author: Bart Van Es
Publisher: Springer
ISBN: 0230524567
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
This book provides an authoritative guide to debate on Elizabethan England's poet laureate. It covers key topics and provides histories for all of the primary texts. Some of today's most prominent Spenser scholars offer accounts of debates on the poet, from the Renaissance to the present day. Essential for those producing new research on Spenser.
Author: Bart Van Es
Publisher: Springer
ISBN: 0230524567
Category : Literary Criticism
Languages : en
Pages : 326
Get Book Here
Book Description
This book provides an authoritative guide to debate on Elizabethan England's poet laureate. It covers key topics and provides histories for all of the primary texts. Some of today's most prominent Spenser scholars offer accounts of debates on the poet, from the Renaissance to the present day. Essential for those producing new research on Spenser.
Author: Bart van Es
Publisher:
ISBN: 9781349514496
Category : British literature
Languages : en
Pages : 311
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Book Description
This book provides an authoritative guide to debate on Elizabethan England's poet laureate. It covers key topics and provides histories for all of the primary texts. Some of today's most prominent Spenser scholars offer accounts of debates on the poet, from the Renaissance to the present day. Essential for those producing new research on Spenser.
Author: Sebastian I. Sobecki
Publisher: Boydell & Brewer
ISBN: 184384513X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies.
Author: Andrew Escobedo
Publisher: Cambridge University Press
ISBN: 1316869873
Category : Literary Criticism
Languages : en
Pages : 616
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Book Description
Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study.
Author: Marco Nievergelt
Publisher: DS Brewer
ISBN: 1843843285
Category : Literary Collections
Languages : en
Pages : 258
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Book Description
An examination of sixteenth-century quest narratives, focussing on their conscious use of a medieval tradition to hold a mirror up to contemporary culture. Offers the first full study of the allegorical knightly quest tradition from the Middle Ages to the Renaissance. Richly satisfying, as impressive in the detail of its scholarship as in the elegance of its critical formulations. It seamlessly moves between different literary traditions and across conventional period boundaries. In Dr Nievergelt's treatment of this theme, the successive retellings of the tale of the knight's quest come to stand as an emblemof shifting values and norms, both religious and worldly; and of our repeated failures to realise those ideals. Dr Alex Davis, Department of English, University of St Andrews. The literary motif of the "allegorical knightly quest" appears repeatedly in the literature of the late medieval/early modern period, notably in Spenser, but has hitherto been little examined. Here, in his examination of a number of sixteenth-century English allegorical-chivalric quest narratives, focussing on Spenser's Faerie Queene but including important, lesser-known works such as Stephen Bateman's Travayled Pylgrime and William Goodyear's Voyage of the Wandering Knight, the author argues that the tradition begins with the French writer Guillaume de Deguileville. His seminal Pèlerinage de la vie humaine was composed c.1331-1355; it was widely adapted, translated, rewritten and printed overthe next centuries. Dr Nievergelt goes on to demonstrate how this essentially "medieval" literary form could be adapted to articulate reflections on changing patterns of identity, society and religion during the early modern period; and how it becomes a vehicle of self-exploration and self-fashioning during a period of profound cultural crisis. Dr Marco Nievergelt is Lecturer (Maître Assitant) and SNF (Swiss National Science Foundation) Research Fellow in the English Department at the Université de Lausanne
Author: William A. Oram
Publisher: AMS Press
ISBN: 9780404192211
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Though the subtitle indicates an attempt to include other voices from the era, The Faerie Queene and its creator Edmund Spenser (1522-99) still hold center stage. The seven full papers include discussions of rhythm and interval in his stanzaic narrative, his dragon and the law, Pastorella's allegorical homecoming and closure in the 1596 Faerie Quee
Author: Richard Danson Brown
Publisher: Manchester University Press
ISBN: 1526158590
Category : Literary Criticism
Languages : en
Pages : 568
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Book Description
This book is the first ever concordance to the rhymes of Spenser’s epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser’s rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
Author: Richard Danson Brown
Publisher: Manchester University Press
ISBN: 1526134632
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
Author: Dario Martinelli
Publisher: Springer Science & Business Media
ISBN: 9048192498
Category : Science
Languages : en
Pages : 362
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Book Description
A critical companion of zoosemiotics is the first attempt to systematise the study of animal communication and signification through its most important and/or problematic terms and concepts, and its most representative scholars. It is a companion, in that it attempts to cover the entire range of key terms in the field, and it's critical, in that it aims not only to describe, but also to discuss, problematise and, in some cases, resolve, these terms.
Author: Paul J. Hecht
Publisher: Rowman & Littlefield
ISBN: 1611476852
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Spenser in the Moment collects specially commissioned essays critical of established readings, each of which in surveying the state of the art attempts radically to unsettle our conception of the poetry of Edmund Spenser (1552–1599). The editors were drawn together by a shared restlessness with the canonical Spenser, and a sense that attention especially to Spenser’s musical qualities, and the distinctiveness of his poetic style compared with that of his contemporaries, could display exciting new paths forward. Scholars from three continents contribute bracing reviews of Spenser’s relationship with his classical sources, with religious history, and the history of the book. Two essays consider Spenser and music, both music in Spenser’s works, and Spenser’s works in the music of his time. Two working poets inaugurate the final group of essays on Spenser’s poetry, with original, irreverent poetry reflecting and riffing on Spenser. The essays argue for various versions of revolution: one mixing aesthetics and sex, another diagnosing widespread fallacies (“expressivist” and “dramatistic”) made in reading Spenser, and the last arguing for a Spenser not of enormous interlocking networks, but of the moment: that the primary Spenserian structure is that of a moment of stillness-in-motion. With so much change behind us already in this young century, another series of changes emerges from recent work, and a sense of expectation, as of held breath, seems to pervade the discipline—that is the moment that this volume attempts to capture and nourish.
