Author: Joan Michaels Paque
Publisher:
ISBN:
Category : Macramé
Languages : en
Pages : 156
Book Description
A Creative and Conceptual Analysis of Textiles
Author: Joan Michaels Paque
Publisher:
ISBN:
Category : Macramé
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Macramé
Languages : en
Pages : 156
Book Description
VTAC eGuide 2016
Author: VTAC
Publisher: VTAC
ISBN:
Category : Education
Languages : en
Pages : 882
Book Description
The VTAC eGuide is the Victorian Tertiary Admissions Centre’s annual guide to application for tertiary study, scholarships and special consideration in Victoria, Australia. The eGuide contains course listings and selection criteria for over 1,700 courses at 62 institutions including universities, TAFE institutes and independent tertiary colleges.
Publisher: VTAC
ISBN:
Category : Education
Languages : en
Pages : 882
Book Description
The VTAC eGuide is the Victorian Tertiary Admissions Centre’s annual guide to application for tertiary study, scholarships and special consideration in Victoria, Australia. The eGuide contains course listings and selection criteria for over 1,700 courses at 62 institutions including universities, TAFE institutes and independent tertiary colleges.
Engineering Textiles
Author: Yehia Elmogahzy
Publisher: Woodhead Publishing
ISBN: 0081024894
Category : Technology & Engineering
Languages : en
Pages : 464
Book Description
Engineering Textiles: Integrating the Design and Manufacture of Textile Products, Second Edition, is a pioneering guide to textile product design and development, enabling the reader to understand essential principles, concepts, materials and applications. This new edition is updated and expanded to include new and emerging topics, design concepts and technologies, such as sustainability, the use of nanotechnology, and wearable textiles. Chapters cover the essential concepts of fiber-to-fabric engineering, product development and design of textile products, different types of fibers, yarns and fabrics, the structure, characteristics and design of textiles, and the development of products for specific applications, including both traditional and technical textiles. This book is an innovative and highly valuable source of information for anyone engaged in textile product design and development, including engineers, textile technologists, manufacturers, product developers, and researchers and students in textile engineering. - Presents an integrated approach to textile product design and development - Guides the reader from initial principles and concepts, to cutting-edge applications - Includes cutting-edge design concepts and major new technologies
Publisher: Woodhead Publishing
ISBN: 0081024894
Category : Technology & Engineering
Languages : en
Pages : 464
Book Description
Engineering Textiles: Integrating the Design and Manufacture of Textile Products, Second Edition, is a pioneering guide to textile product design and development, enabling the reader to understand essential principles, concepts, materials and applications. This new edition is updated and expanded to include new and emerging topics, design concepts and technologies, such as sustainability, the use of nanotechnology, and wearable textiles. Chapters cover the essential concepts of fiber-to-fabric engineering, product development and design of textile products, different types of fibers, yarns and fabrics, the structure, characteristics and design of textiles, and the development of products for specific applications, including both traditional and technical textiles. This book is an innovative and highly valuable source of information for anyone engaged in textile product design and development, including engineers, textile technologists, manufacturers, product developers, and researchers and students in textile engineering. - Presents an integrated approach to textile product design and development - Guides the reader from initial principles and concepts, to cutting-edge applications - Includes cutting-edge design concepts and major new technologies
Fray
Author: Julia Bryan-Wilson
Publisher: University of Chicago Press
ISBN: 0226077829
Category : Art
Languages : en
Pages : 335
Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Publisher: University of Chicago Press
ISBN: 0226077829
Category : Art
Languages : en
Pages : 335
Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
The Third Dimension
Author: Peter Flanary
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 40
Book Description
Exclusively Yours
Author:
Publisher:
ISBN:
Category : Milwaukee (Wis.)
Languages : en
Pages : 686
Book Description
Publisher:
ISBN:
Category : Milwaukee (Wis.)
Languages : en
Pages : 686
Book Description
Shuttle, Spindle & Dyepot
Author:
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 378
Book Description
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 378
Book Description
Textiles, Identity and Innovation: Design the Future
Author: Gianni Montagna
Publisher: CRC Press
ISBN: 1351585428
Category : Technology & Engineering
Languages : en
Pages : 650
Book Description
D_TEX presents itself as a starting point at a crossroads of ideas and debates around the complex universe of Textile Design in all its forms, manifestations and dimensions. The textile universe, allied to mankind since its beginnings, is increasingly far from being an area of exhausted possibilities, each moment proposing important innovations that need a presentation, discussion and maturation space that is comprehensive and above all inter- and transdisciplinary. Presently, the disciplinary areas where the textile area is present are increasing and important, such as fashion, home textiles, technical clothing and accessories, but also construction and health, among others, and can provide new possibilities and different disciplinary areas and allowing the production of new knowledge. D_TEX proposes to join the thinking of design, with technologies, tradition, techniques, and related areas, in a single space where ideas are combined with the technique and with the projectual and research capacity, thus providing for the creation of concepts, opinions, associations of ideas, links and connections that allow the conception of ideas, products and services. The interdisciplinary nature of design is a reality that fully reaches the textile material in its essence and its practical application, through the synergy and contamination by the different interventions that make up the multidisciplinary teams of research. The generic theme of D_TEX Textile Design Conference 2017, held at Lisbon School of Architecture of the University of Lisbon, Portugal on November 2-4, 2017, is Design the Future, starting from the crossroads of ideas and debates, a new starting point for the exploration of textile materials, their identities and innovations in all their dimensions.
Publisher: CRC Press
ISBN: 1351585428
Category : Technology & Engineering
Languages : en
Pages : 650
Book Description
D_TEX presents itself as a starting point at a crossroads of ideas and debates around the complex universe of Textile Design in all its forms, manifestations and dimensions. The textile universe, allied to mankind since its beginnings, is increasingly far from being an area of exhausted possibilities, each moment proposing important innovations that need a presentation, discussion and maturation space that is comprehensive and above all inter- and transdisciplinary. Presently, the disciplinary areas where the textile area is present are increasing and important, such as fashion, home textiles, technical clothing and accessories, but also construction and health, among others, and can provide new possibilities and different disciplinary areas and allowing the production of new knowledge. D_TEX proposes to join the thinking of design, with technologies, tradition, techniques, and related areas, in a single space where ideas are combined with the technique and with the projectual and research capacity, thus providing for the creation of concepts, opinions, associations of ideas, links and connections that allow the conception of ideas, products and services. The interdisciplinary nature of design is a reality that fully reaches the textile material in its essence and its practical application, through the synergy and contamination by the different interventions that make up the multidisciplinary teams of research. The generic theme of D_TEX Textile Design Conference 2017, held at Lisbon School of Architecture of the University of Lisbon, Portugal on November 2-4, 2017, is Design the Future, starting from the crossroads of ideas and debates, a new starting point for the exploration of textile materials, their identities and innovations in all their dimensions.
1st International Congress and Exhibition on Sustainability in Music, Art, Textile and Fashion (ICESMATF 2023) January, 26-27 Madrid, Spain PROCEEDINGS BOOK
Author: Italo Jose de Medeiros Dantas
Publisher: GLOBAL ACADEMY YAYINCILIK VE DANIŞMANLIK HİZMETLERİ SANAYİ TİCARET LİMİTED ŞİRKETİ
ISBN: 6258284280
Category : Antiques & Collectibles
Languages : en
Pages : 176
Book Description
Editor Assoc. Prof. Shajara Ul DURAR ISBN: 978-625-8284-28-7 Publishing Date: 31.01.2023 Global Academy Publishing House
Publisher: GLOBAL ACADEMY YAYINCILIK VE DANIŞMANLIK HİZMETLERİ SANAYİ TİCARET LİMİTED ŞİRKETİ
ISBN: 6258284280
Category : Antiques & Collectibles
Languages : en
Pages : 176
Book Description
Editor Assoc. Prof. Shajara Ul DURAR ISBN: 978-625-8284-28-7 Publishing Date: 31.01.2023 Global Academy Publishing House
The Handbook of Textile Culture
Author: Janis Jefferies
Publisher: Bloomsbury Publishing
ISBN: 1474275796
Category : Business & Economics
Languages : en
Pages : 577
Book Description
In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.
Publisher: Bloomsbury Publishing
ISBN: 1474275796
Category : Business & Economics
Languages : en
Pages : 577
Book Description
In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.