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Author: Alexander Samson
Publisher: Boydell & Brewer Ltd
ISBN: 1855661683
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
An assessment of the life, work and reputation of Spain's leading Golden Age dramatist
Author: Alexander Samson
Publisher: Boydell & Brewer Ltd
ISBN: 1855661683
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
An assessment of the life, work and reputation of Spain's leading Golden Age dramatist
Author: Alexander Samson
Publisher:
ISBN:
Category : Authors, Spanish
Languages : en
Pages : 384
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Book Description
Author: Roy Norton
Publisher: Boydell & Brewer
ISBN: 1855663155
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
The first comprehensive study of Calderón in EnglishPedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain''s dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age''s ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón''s comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.an, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.
Author: Luis I. Prádanos
Publisher: Boydell & Brewer
ISBN: 1855663694
Category :
Languages : en
Pages : 347
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Book Description
An exploration of how writers, artists, and filmmakers expose the costs and contest the assumptions of the Capitalocene era that guides readers through the rapidly developing field of Spanish environmental cultural studies. From the scars left by Franco's dams and mines to the toxic waste dumped in Equatorial Guinea, from the cruelty of the modern pork industry to the ravages of mass tourism in the Balearic Islands, this book delves into the power relations, material practices and social imaginaries underpinning the global economic system to uncover its unaffordable human and non-human costs. Guiding the reader through the rapidly emerging field of Spanish environmental cultural studies, with chapters on such topics as extractivism, animal studies, food studies, ecofeminism, decoloniality, critical race studies, tourism, and waste studies, an international team of US and European scholars show how Spanish writers, artists, and filmmakers have illuminated and contested the growth-oriented and neo-colonialist assumptions of the current Capitalocene era. Focussed on Spain, the volume also provides models for exploring the socioecological implications of cultural manifestations in other parts of the world.
Author: Jonathan Thacker
Publisher: Boydell & Brewer Ltd
ISBN: 9781855661400
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Spain's artistic Golden Age produced Cervantes's great novel, Don Quijote, the sublime poetry of Quevedo and G ngora, and nurtured the prodigious talent of Vel zquez, and yet it was the theatre that captured the imagination of its people. Men and women of all social classes flocked to the new playhouses to see and hear the latest offerings of their favourite dramatists, and to be seen and heard. As well as dealing with the lives and major works of the most significant playwrights of the period - Lope de Vega, Tirso de Molina, Miguel de Cervantes, Calder n de la Barca - the Companion focusses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship. These include: the sixteenth-century origins of the comedia nueva; the lesser-known dramatists, including women playwrights; life in the theatre; the Corpus Christi street theatre and minor genres; performance studies; and the critical reception of the drama. The Companion also contains a guide to comedia versification, a full bibliography and advice on further reading. JONATHAN THACKER is a Fellow of Merton College, Oxford.
Author: Aaron M. Kahn
Publisher: Cambridge Scholars Publishing
ISBN: 1443883913
Category : Social Science
Languages : en
Pages : 215
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Book Description
In this volume, experts on the Spanish Golden Age from the United Kingdom, Ireland, and the United States offer analyses of contemporary works that have been influenced by the classics from the sixteenth and seventeenth centuries. Part of the formation of a sense of national identity, always a problematic concept in Spain, is founded in the recognition and appreciation of what has come beforehand, and no other era in the history of Spanish literature and drama represents the talent and fascination that Spaniards and non-Spaniards alike possess with the artistic legacy of this country. In order to establish properly a context for the study of literature or history, one cannot always study the works, writers, or era in isolation; rather, performing scholarly studies on these topics as a continuation of what has come before reveals that many thoughts, concepts, character types, criticisms, and social issues have been thoroughly explored by our literary ancestors. This era is referred to as the Golden Age not only because of the voluminous production of art, literature, drama and poetry, but also because writers such as Miguel de Cervantes, Lope de Vega, and Pedro Calderón de la Barca, influenced by the re-birth of the Classical masters, presented the reading and viewing public with genuine human emotions and experiences in a more comprehensive manner than in previous eras. In the twentieth century, Spain faced a series of political crises; the Spanish Civil War (1936-39) and the Franco Dictatorship (1939-75), followed by the Transition and the concept of historical memory, have provided contemporary Spanish writers with the impetus and freedom to express their views. A frequent source of inspiration has been the Golden Age, that epoch of history that produced such political and religious upheaval, and this book explores the manner in which contemporary Spaniards have reached into the past to connect with their present world.
Author: Oliver J. Noble-Wood
Publisher: OUP Oxford
ISBN: 0191016993
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what particular changes and shifts in emphasis reveal about the tale itself, specific renderings, the aims and intentions of individual poets and painters, and the wider context of the literary and visual culture of Early Modern Spain. Discussing a range of poems by both canonical (Garcilaso de la Vega, Luis de Góngora, Lope de Vega, etc.) and less well-known writers (Juan de la Cueva, Alonso de Castillo Solórzano, Salvador Jacinto Polo de Medina, etc.), and culminating in detailed examination of select mythological works by Philip IV's court painter, Diego Velázquez, this book sheds light on questions relating to aspects of classical reception in the Renaissance, the rise of specific poetic styles (epic, mock-epic, burlesque, etc.), the interplay between the sister arts of poetry and painting, and the continual process of imitation and invention that was one of the defining features of the Spanish Golden Age.
Author: Francisco Gómez Martos
Publisher: Routledge
ISBN: 1000179281
Category : Drama
Languages : en
Pages : 131
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Book Description
Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the late sixteenth and seventeenth centuries. During this time, the courts of Spain, France, and England were dominated by all-powerful ministers who enjoyed royal favor. The politics of royal favoritism gave rise to a significant group of plays which constitutes the subject of this book. While scholars have studied this group partially and separately in national context, Staging Favorites approaches these "dramas about favorites" from a wider European point of view, and performs comparative analyses of a number of plays – including La paciencia en la fortuna; Le Favori, ou la Coquette; and Sejanus His Fall – and adds new detail and differentiation to the early modern perception and representation of the royal favorite. This book will appeal to scholars and students interested in early modern literature, history of theater, and cultural history.
Author: Aaron M. Kahn
Publisher:
ISBN: 0198742916
Category : Literary Criticism
Languages : en
Pages : 731
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Book Description
An essential resource for scholars and students of the Spanish Golden Age, Includes studies on Cervantes's complete oeuvre, Offers original analysis of all aspects of the author's life and works, Quotations from primary sources are given in both English and Spanish, opening Cervantes's works up to the English-speaking world, All chapters are part analytical and part descriptive, and can be read in any order Book jacket.
Author: Lope De Vega
Publisher: Bloomsbury Publishing
ISBN: 1408150425
Category : Drama
Languages : en
Pages : 385
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Book Description
Three classic Spanish plays, made famous by Shakespeare and Webster Two of the most famous and successful playwrights of Spain's Golden Age of playwriting were Lope de Vega (1562-1635) and Rojas Zorrilla (1607-48). From their prodigious output, the three plays in this volume, based on similar sources to Shakespeare's and Webster's versions, provide a fascinating comparison with their Jacobean counterparts. Lope's The Duchess of Amalfi's Steward, in contrast to Webster's play, focuses on the nobility of love, with characters who are complex and appealing. His Romeo-and-Juliet story, The Capulets and Montagues, is a fast-moving mixture of serious and comic, with an ending that will surprise and entertain. Rojas' treatment of Cleopatra, with its rich imagery, emphasises the love theme, held within a knot of jealous relationships. A full introduction by Gwynne Edwards sets the plays in context and provides a thorough study of the individual works.
