Author: Orlando Gibbons
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 180
Book Description
First Set of Madrigals and Motets
Author: Orlando Gibbons
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 180
Book Description
The A cappella singer
Author: Henry Clough-Leighter
Publisher:
ISBN:
Category : Carols
Languages : en
Pages : 1216
Book Description
Publisher:
ISBN:
Category : Carols
Languages : en
Pages : 1216
Book Description
First Set of Madrigals
Author: Thomas Bateson
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 226
Book Description
First [and Second] Set of Madrigals and Pastorals
Author: Francis Pilkington
Publisher:
ISBN:
Category : Part songs
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Part songs
Languages : en
Pages : 224
Book Description
First Set of Madrigals of Five Parts
Author: Henry Lichfild
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 170
Book Description
The Italian Madrigal in the Early Sixteenth Century
Author: Iain Fenlon
Publisher: CUP Archive
ISBN: 9780521252287
Category : Music
Languages : en
Pages : 424
Book Description
This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. Iain Fenlon and James Haar have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments. Their study is divided into two parts. The first covers the rise and early cultivation of the madrigal, chiefly in Florence and Rome. The second contains a detailed descriptive inventory of all known manuscripts and printed editions, finishing with lists of contents and concordances in each case. This important study will serve those with an interest in Renaissance music and the changing cultural ambience of early sixteenth-century Florence and Rome.
Publisher: CUP Archive
ISBN: 9780521252287
Category : Music
Languages : en
Pages : 424
Book Description
This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. Iain Fenlon and James Haar have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments. Their study is divided into two parts. The first covers the rise and early cultivation of the madrigal, chiefly in Florence and Rome. The second contains a detailed descriptive inventory of all known manuscripts and printed editions, finishing with lists of contents and concordances in each case. This important study will serve those with an interest in Renaissance music and the changing cultural ambience of early sixteenth-century Florence and Rome.
The First Set of Madrigals of 3. 4. 5. 6. 7. 8. Parts (published in 1607)
Author: Robert Jones
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 258
Book Description
First Set of Madrigals to 3,4, and 5 Parts
Author: Michael East
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 162
Book Description
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 162
Book Description
First Set of Madrigals and Pastorals of 3. 4. and 5. Parts
Author: Francis Pilkington
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 190
Book Description
Plague and Music in the Renaissance
Author: Remi Chiu
Publisher: Cambridge University Press
ISBN: 9781107521421
Category : Music
Languages : en
Pages : 294
Book Description
Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music.
Publisher: Cambridge University Press
ISBN: 9781107521421
Category : Music
Languages : en
Pages : 294
Book Description
Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music.