A Chronology of Music in the Florentine Theater, 1751-1800 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Chronology of Music in the Florentine Theater, 1751-1800 PDF full book. Access full book title A Chronology of Music in the Florentine Theater, 1751-1800 by Robert Lamar Weaver. Download full books in PDF and EPUB format.
Author: Robert Lamar Weaver
Publisher:
ISBN: 9780899900643
Category : Dramatic music
Languages : en
Pages : 996
Get Book Here
Book Description
Author: Robert Lamar Weaver
Publisher: Information Coordinators, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 1050
Get Book Here
Book Description
Author: Robert Lamar Weaver
Publisher:
ISBN: 9780899900643
Category : Dramatic music
Languages : en
Pages : 996
Get Book Here
Book Description
Author: Robert Lamar Weaver
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Robert Lamar Weaver
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 421
Get Book Here
Book Description
Author: Aubrey S. Garlington
Publisher: Routledge
ISBN: 1351148869
Category : Social Science
Languages : en
Pages : 227
Get Book Here
Book Description
Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.
Author: Music History and Literature San Francisco Conservatory of Music John Spitzer Chair
Publisher: Oxford University Press, USA
ISBN: 9780199719914
Category : Music
Languages : en
Pages : 670
Get Book Here
Book Description
This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.
Author: Robert Lamar Weaver
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Guy A. Marco
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655
Get Book Here
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Author: Dorothea Link
Publisher: University of Illinois Press
ISBN: 0252053656
Category : Music
Languages : en
Pages : 459
Get Book Here
Book Description
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.
Author: John Spitzer
Publisher: OUP Oxford
ISBN: 9780191513237
Category : Music
Languages : en
Pages : 650
Get Book Here
Book Description
This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and Arcangelo Corelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon. Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.
