Author: Stefan M. Kostka
Publisher: European American Music Corporation
ISBN:
Category : Music
Languages : en
Pages : 72
Book Description
A Bibliography of Computer Applications in Music
Computer Applications in Music
Author:
Publisher:
ISBN:
Category : Computer music
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Computer music
Languages : en
Pages : 348
Book Description
Computer Applications in Music
Author: Deta S. Davis
Publisher: Madison, Wis. : A-R Editions
ISBN:
Category : Computers
Languages : en
Pages : 568
Book Description
Publisher: Madison, Wis. : A-R Editions
ISBN:
Category : Computers
Languages : en
Pages : 568
Book Description
Computer Applications in Music
Author: Deta S. Davis
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 624
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 624
Book Description
Computer Applications to Music and Musicology
Author:
Publisher:
ISBN:
Category : Computer music
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Computer music
Languages : en
Pages : 116
Book Description
Computer Applications in Music Theory
Author: Bo Harry Alphonce
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 10
Book Description
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 10
Book Description
A Bibliography of Computer Music
Author: Sandra L. Tjepkema
Publisher: Iowa City : University of Iowa Press
ISBN:
Category : Music
Languages : en
Pages : 302
Book Description
Publisher: Iowa City : University of Iowa Press
ISBN:
Category : Music
Languages : en
Pages : 302
Book Description
Computer Applications in Music
Author: Deta S. Davis
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Music and the Personal Computer
Author:
Publisher: Greenwood
ISBN:
Category : Computers
Languages : en
Pages : 200
Book Description
Over the past six years personal computers have carved a deep niche in the music world. This widespread popularity is largely due to the establishment of the MIDI (Musical Instrument Digital Interface) standard in 1983. This communications protocol allows computers to send, receive, and store digital information generated by various electronic musical instruments. In addition to numerous writings exploring the possibilities of present and future technology, this annotated bibliography offers educators many introductory sources, articles on how to evaluate and purchase equipment, and directories of available software. Specifically, it provides a collection of source material, an overview of significant publications in the field, and serves as a point of departure for further inquiry. Part I of the bibliography is divided into seven sections, each devoted to information regarding a specific computer. Articles written about two or more popular computers or models not covered elsewhere are detailed in part II. Music education is the subject of Part III and Part IV lists and annotates significant books. The appendix contains information on associations involved with the musical applications of personal computers and brief descriptions of several popular online services. Author and subject indexes are also included. Music and the Personal Computer covers a variety of topics that will be of interest to practicing musicians, music educators, and computer enthusiasts with interests in music.
Publisher: Greenwood
ISBN:
Category : Computers
Languages : en
Pages : 200
Book Description
Over the past six years personal computers have carved a deep niche in the music world. This widespread popularity is largely due to the establishment of the MIDI (Musical Instrument Digital Interface) standard in 1983. This communications protocol allows computers to send, receive, and store digital information generated by various electronic musical instruments. In addition to numerous writings exploring the possibilities of present and future technology, this annotated bibliography offers educators many introductory sources, articles on how to evaluate and purchase equipment, and directories of available software. Specifically, it provides a collection of source material, an overview of significant publications in the field, and serves as a point of departure for further inquiry. Part I of the bibliography is divided into seven sections, each devoted to information regarding a specific computer. Articles written about two or more popular computers or models not covered elsewhere are detailed in part II. Music education is the subject of Part III and Part IV lists and annotates significant books. The appendix contains information on associations involved with the musical applications of personal computers and brief descriptions of several popular online services. Author and subject indexes are also included. Music and the Personal Computer covers a variety of topics that will be of interest to practicing musicians, music educators, and computer enthusiasts with interests in music.
Foundations in Music Bibliography
Author: Richard D Green
Publisher: Routledge
ISBN: 1136586695
Category : Music
Languages : en
Pages : 413
Book Description
As more and more music literature is published each year, librarians, scholars, and bibliographers are turning to music bibliography to retain control over the flood of information. Based on the Conference of Music Bibliography, this timely book provides vital information on the most important aspects of the scholarly practice of music bibliography. Foundations in Music Bibliography provides librarians with great insight into bibliographic issues they face every day including bibliographic control of primary and secondary sources, the emergence of enumerative and analytical bibliography, bibliographic instruction, and bibliographic lacunae. Foundations in Music Bibliography features the perspectives of prominent scholars and music librarians on contemporary issues in music bibliography often encountered by music librarians. It offers practical insights and includes chapters on teaching students how to use microcomputer programs to search music bibliographies, organizing a graduate course in music bibliography, and researching film music bibliography. The book also provides a supplement to Steven D. Westcott’s A Comprehensive Bibliography of Music for Film and Television. This insightful volume demonstrates the many ways that bibliography relates music publications to each other and endows grander meaning to individual scholarly observations. Some of the fascinating topics covered by Foundations in Music Bibliography include: the history of thematic catalogs indexing Gregorian chant manuscripts general principles of bibliographic instruction analyses of Debussy discographies musical ephemera and their importance in various types of musicological research bibliographical lacunae (i.e. lack of access to visual sources, failure to control primary sources, and lack of communication with the rest of the performing arts) Foundations in Music Bibliography shows librarians how bibliography can be used to help music students and researchers find the information they need among the innumerable available sources. It is an indispensable asset to the shelves of all music reference libraries that wish to provide their patrons with the latest bibliographic tools.
Publisher: Routledge
ISBN: 1136586695
Category : Music
Languages : en
Pages : 413
Book Description
As more and more music literature is published each year, librarians, scholars, and bibliographers are turning to music bibliography to retain control over the flood of information. Based on the Conference of Music Bibliography, this timely book provides vital information on the most important aspects of the scholarly practice of music bibliography. Foundations in Music Bibliography provides librarians with great insight into bibliographic issues they face every day including bibliographic control of primary and secondary sources, the emergence of enumerative and analytical bibliography, bibliographic instruction, and bibliographic lacunae. Foundations in Music Bibliography features the perspectives of prominent scholars and music librarians on contemporary issues in music bibliography often encountered by music librarians. It offers practical insights and includes chapters on teaching students how to use microcomputer programs to search music bibliographies, organizing a graduate course in music bibliography, and researching film music bibliography. The book also provides a supplement to Steven D. Westcott’s A Comprehensive Bibliography of Music for Film and Television. This insightful volume demonstrates the many ways that bibliography relates music publications to each other and endows grander meaning to individual scholarly observations. Some of the fascinating topics covered by Foundations in Music Bibliography include: the history of thematic catalogs indexing Gregorian chant manuscripts general principles of bibliographic instruction analyses of Debussy discographies musical ephemera and their importance in various types of musicological research bibliographical lacunae (i.e. lack of access to visual sources, failure to control primary sources, and lack of communication with the rest of the performing arts) Foundations in Music Bibliography shows librarians how bibliography can be used to help music students and researchers find the information they need among the innumerable available sources. It is an indispensable asset to the shelves of all music reference libraries that wish to provide their patrons with the latest bibliographic tools.