Author: Roderick D. Cannon
Publisher: Birlinn Limited
ISBN: 9781841586663
Category : History
Languages : en
Pages : 205
Book Description
Presents the history of the origins and music of the bagpipe - Scotland's most famous instrument. This book covers both Ceol Mor and Ceol Beag, Piobaireachd, dance music, martial music, music for competitions and music for pleasure, music for pipe bands as well as a commentary on the state of contemporary piping.
The Highland Bagpipe and Its Music
Author: Roderick D. Cannon
Publisher: Birlinn Limited
ISBN: 9781841586663
Category : History
Languages : en
Pages : 205
Book Description
Presents the history of the origins and music of the bagpipe - Scotland's most famous instrument. This book covers both Ceol Mor and Ceol Beag, Piobaireachd, dance music, martial music, music for competitions and music for pleasure, music for pipe bands as well as a commentary on the state of contemporary piping.
Publisher: Birlinn Limited
ISBN: 9781841586663
Category : History
Languages : en
Pages : 205
Book Description
Presents the history of the origins and music of the bagpipe - Scotland's most famous instrument. This book covers both Ceol Mor and Ceol Beag, Piobaireachd, dance music, martial music, music for competitions and music for pleasure, music for pipe bands as well as a commentary on the state of contemporary piping.
The Bagpipe
Author: Francis Collinson
Publisher: Routledge
ISBN: 1000435830
Category : Music
Languages : en
Pages : 280
Book Description
Originally published in 1975, and written by an authority on Scottish music, this book traces the evolution of the bagpipe whilst also narrating the fortunes of the ‘Great Highland Bagpipe’ itself. Exploring history and archaeology of civilizations as far removed from the Scottish Highlands as Egypt and Mesopotamia, Greece and Rome this book offers a unique full-length history of one of the world’s most interesting and ancient musical instruments. Appendices list the bagpipes of other countries and the materials used in the instrument’s manufacture as well as a comprehensive bibliography.
Publisher: Routledge
ISBN: 1000435830
Category : Music
Languages : en
Pages : 280
Book Description
Originally published in 1975, and written by an authority on Scottish music, this book traces the evolution of the bagpipe whilst also narrating the fortunes of the ‘Great Highland Bagpipe’ itself. Exploring history and archaeology of civilizations as far removed from the Scottish Highlands as Egypt and Mesopotamia, Greece and Rome this book offers a unique full-length history of one of the world’s most interesting and ancient musical instruments. Appendices list the bagpipes of other countries and the materials used in the instrument’s manufacture as well as a comprehensive bibliography.
The Highland Bagpipe
Author: Dr Joshua Dickson
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493946
Category : Music
Languages : en
Pages : 408
Book Description
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493946
Category : Music
Languages : en
Pages : 408
Book Description
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.
The Story of the Bagpipe
Author: William Henry Grattan Flood
Publisher: London : The Walter Scott Publishing Company, Limited ; New York : C. Scribner's Sons
ISBN:
Category : Bagpipe
Languages : en
Pages : 272
Book Description
Publisher: London : The Walter Scott Publishing Company, Limited ; New York : C. Scribner's Sons
ISBN:
Category : Bagpipe
Languages : en
Pages : 272
Book Description
A Bibliography of Bagpipe Music
Author: Roderick D. Cannon
Publisher: John Donald
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
Publisher: John Donald
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
Traditional Gaelic Bagpiping, 1745-1945
Author: John G. Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773568905
Category : Music
Languages : en
Pages : 425
Book Description
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of traditional pipe music and there are almost no Gaelic-speaking pipers of the old school left. Recording an important aspect of Gaelic culture before it disappears, John Gibson chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the New World. Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773568905
Category : Music
Languages : en
Pages : 425
Book Description
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of traditional pipe music and there are almost no Gaelic-speaking pipers of the old school left. Recording an important aspect of Gaelic culture before it disappears, John Gibson chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the New World. Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies.
The Garland Encyclopedia of World Music
Author: Timothy Rice
Publisher: Routledge
ISBN: 1351544268
Category : Music
Languages : en
Pages : 1174
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1351544268
Category : Music
Languages : en
Pages : 1174
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Library Journal
Author: Melvil Dewey
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 800
Book Description
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 800
Book Description
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Old and New World Highland Bagpiping
Author: John Graham Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522916
Category : History
Languages : en
Pages : 460
Book Description
Old and New World Highland Bagpiping provides a comprehensive biographical and genealogical account of pipers and piping in highland Scotland and Gaelic Cape Breton.The work is the result of over thirty years of oral fieldwork among the last Gaels in Cape Breton, for whom piping fitted unself-consciously into community life, as well as an exhaustive synthesis of Scottish archival and secondary sources. Reflecting the invaluable memories of now-deceased new world Gaelic lore-bearers, John Gibson shows that traditional community piping in both the old and new world Gàihealtachlan was, and for a long time remained, the same, exposing the distortions introduced by the tendency to interpret the written record from the perspective of modern, post-eighteenth-century bagpiping. Following up the argument in his previous book, Traditional Gaelic Bagpiping, 1745-1945, Gibson traces the shift from tradition to modernism in the old world through detailed genealogies, focusing on how the social function of the Scottish piper changed and step-dance piping progressively disappeared. Old and New World Highland Bagpiping will stir controversy and debate in the piping world while providing reminders of the value of oral history and the importance of describing cultural phenomena with great care and detail.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522916
Category : History
Languages : en
Pages : 460
Book Description
Old and New World Highland Bagpiping provides a comprehensive biographical and genealogical account of pipers and piping in highland Scotland and Gaelic Cape Breton.The work is the result of over thirty years of oral fieldwork among the last Gaels in Cape Breton, for whom piping fitted unself-consciously into community life, as well as an exhaustive synthesis of Scottish archival and secondary sources. Reflecting the invaluable memories of now-deceased new world Gaelic lore-bearers, John Gibson shows that traditional community piping in both the old and new world Gàihealtachlan was, and for a long time remained, the same, exposing the distortions introduced by the tendency to interpret the written record from the perspective of modern, post-eighteenth-century bagpiping. Following up the argument in his previous book, Traditional Gaelic Bagpiping, 1745-1945, Gibson traces the shift from tradition to modernism in the old world through detailed genealogies, focusing on how the social function of the Scottish piper changed and step-dance piping progressively disappeared. Old and New World Highland Bagpiping will stir controversy and debate in the piping world while providing reminders of the value of oral history and the importance of describing cultural phenomena with great care and detail.
Library Journal
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 962
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 962
Book Description